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Phil Reeder

Joined Apr 2001
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.

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Lists2

  • La Maison des damnés (1973)
    Favorite Haunted/Supernatural/Spooky House Movies
    • 10 titles
    • Public
    • Modified Apr 27, 2013
  • Lauren Bacall and Humphrey Bogart in Le grand sommeil (1946)
    Black & White Favorites
    • 27 titles
    • Public
    • Modified Aug 24, 2012

Reviews13

Phil Reeder's rating
Let's Go Collegiate

Let's Go Collegiate

5.0
3
  • Apr 18, 2011
  • You ain't playin' around with no 8-ball!

    Tolerable time-waster notable mainly for featuring at least two cast members who went on to conquer better things. The story: the never-seen star rower Bob Terry has been confiscated by the army, and two of his teammates pull the old switcharoo using a random but burly guy they meet (Frank Sully) who, unknown to them, is wanted by the law (he's a safe-cracker). Not only do Frankie and Tad have to overcome this monkey's seasickness (using mothballs?) they also must make the guy smart so he won't flunk biology and get kicked off the rowing team. Helping them is Martan Moreland, who's responsible for much of the film's laughs - "Take it easy, Mr Frankie, you ain't playin' around with no 8-ball!"

    Joining the fun are Gale Storm who went on to TV fame with MY LITTLE MARGIE and Frank Faylen from DOBIE GILLIS and Disney's THE MONKEY'S UNCLE. Watch for a scene where Faylen punches a guy in the chin, causing him to fall backwards. TMU features a scene that parallels this one, only it's Annette punching Faylen, causing him to fall backward - accompanied by a hilarious musical sound effect. Other comic scenes of note are where the absent-minded biology prof can't find his frog and wonders if he accidentally ate it for lunch (and this guy has the nerve to flunk students?) - and Moreland explaining "metatarsus" to girlfriend. Keye Luke from the Charlie Chan series adds a multicultural element.
    El monte de las brujas

    El monte de las brujas

    4.3
    2
  • Mar 22, 2009
  • Lovely scenery marred by incomprehensible story

    As someone else mentioned, it begins with a bizarre prologue about a little blond girl killing a cat. Then the main story: a photographer (Gaffari) and a writer (Shepard) meet by chance and take a trip into the mountains. First they spend the night at an inn where the slightly deaf landlord gets hollered at, with increasing irritation to the audience, by Gaffari. Once in the mountains they seek shelter again and are invited in by a kindly old lady who seems overly hospitable to strangers (Hansel and Gretel, anyone?) What happens next I will leave for the bold viewer to sort out because I most assuredly couldn't. Now, I like Eurohorror, and this woulda been better if only Artigot (writer AND director) had made some attempt at logical story telling. The backdrop (Pyrenees?) makes an excellent and intriguing location for mysterious and occult occurrences. The verdant peaks could easily obscure supernatural forces and those who command them. The photography is nice. Just wish the whole thing made sense. You can view this film at archive.org.
    The Outer Gate

    The Outer Gate

    5.2
    3
  • Feb 22, 2009
  • Cheap revenge tale

    Insipid story about a young construction engineer (Alexander) falsely accused of embezzlement by his boss. The court sentences him to 15 years, but through a deus ex machina he only serves five. All this time Borden, the employer, has suffered a guilty conscience and wants to make amends, but Bob sees this only as an opportunity to satisfy his thirst for revenge. With the help of his cell-mate Acuff (released at the same time on parole) and a crooked nightclub owner, Bob's scheme works like clockwork. But will he go through with allowing the old man wrongly to get sent up for the same crime the old man accused him of?

    I was left wondering, if Bob and Lois grew up friends together and Borden had known Bob forever, why Borden was so quick in accusing Bob of the crime in the first place. Though this is a forgettable picture, it does leave one with questions of how you would act if you were sent to prison for a crime you didn't commit. The message of this story is clear: just forgive everybody and move on.
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