mijbarrett

I saw this film at last year's SUNDANCE Film Festival and walked into the theater not knowing anything about it. Within minutes I was captivated by Hoffman's performance; woven so brilliantly with direction and screenplay, into a tapestry of a survivor's point-of-view after a suicide. It was refreshing to see the filmmakers' choice of such a compelling and challenging perspective that explores one man's response to a loss... and such a unique type of loss to boot.

At a time when moviegoing can be such a predictable and formulaic experience, it's a relief to know that quality work is still funded and produced. It's by no means a 'mainstream' film; but that's what makes it special. Thanks to all who made it happen.

I first saw this film in the early '90's and found it to be one of Keanu's hidden acting treasures. I think the guy got a bit typecast with the BILL & TED thing. But as a man who's lost several loved ones to suicide, I found this film very true to form in its point-of-view of choice... focusing on the survivor. Another viewer who described the film as 'terrible' I think missed the point by looking for an 'explanation' for the suicide. After 23 years since my own mother's death to suicide, I can tell you that you never really know 'why'. I thought PERMANENT RECORD to be a bit of subtle brilliance in its focus on the stages of healing survivors go through... those of guilt, anger, shock, and finally acceptance. The film was made for a modest budget but, I felt, showcased some wonderfully understated and powerfully touching moments. Suicide is an emotionally perplexing issue. I salute the filmmakers for tackling it with such compassion and dignity