themonitsingh

Stutterer is a great short film that has everything a short should have. The story has emotional depth, and I really liked the performance by the actor - especially the main character. He did an amazing job portraying the role.

The cinematography is excellent. There's a scene where he's walking to meet the girl, and his thoughts are split - one thought plays on the right side of the headphones, and another on the left side. I noticed this while watching with headphones, and it really added a creative touch to the film. It's great work by the sound team.

The score is also perfect. It's subtle, not over-the-top, and it complements the film really well.

I really appreciated the small, meaningful details the writer included. For example, the main character doesn't just judge people - he actually keeps track of how many people he has judged by just seeing them, because he knows he won't be able to speak to them. It's a small but powerful way to show how his condition affects his view of the world. There are also moments when he judges himself, which were handled in such a real and thoughtful way.

Overall, Stutterer is a really good short. I enjoyed it alor.

I watched Mukkabaaz last night, and while it has its flaws, there are a lot of things I really liked about it. Anurag Kashyap definitely knows how to make films that stand out, and this one is no different. The casting was great, which is something Kashyap is always good at. Vineet Kumar Singh and Jimmy Shergill were the highlights for me. Vineet's performance as an aspiring boxer was really strong-raw, emotional, and convincing. Jimmy Shergill, playing the antagonist, was a surprise; I've never seen him in such a dark role, but he nailed it. Both of them really stood out.

The dialogues were sharp and impactful, with some really good humor that worked well within the context of the film. I like how Kashyap manages to blend light moments with the serious themes, making it feel grounded. It's never forced, and that's always a win in his films.

Kashyap also has this amazing ability to capture the essence of small-town India, and in Mukkabaaz, he does it effortlessly. The way he films in these small towns adds a lot of authenticity, making everything feel real and relatable. And the cinematography and editing were on point-especially the use of subtitles for sign language, which I thought was a clever touch. Sometimes, though, some of the nuances of Sunaina's character were a bit lost because of that, but I can see why Kashyap went for this approach.

The soundtrack works well in the film, though it's not something I'd listen to outside of it. "Paitra" by Divine was definitely my favorite-it really fits the mood of the film. But there were just so many songs throughout the movie that at times it felt a bit much. It wasn't that they were annoying, but sometimes the flow of the film gets interrupted because of all the music, you know? The background score also didn't leave much of an impact-it's just kind of average, nothing too memorable.

As for the story, I liked it but didn't think it was quite "cult classic" material, you know? It was solid, emotional, and had a lot of heart, but not the kind of story that sticks with you forever. I did appreciate how Kashyap wrapped things up by showing what happens to the characters after the main plot. It's a creative way of closing the story, and I liked that touch.

Overall, Mukkabaaz is a great film. There's a lot of strength in the performances, especially from Vineet, and the storytelling has its own unique style. It might not be perfect, but it's definitely a film worth watching, and I think Kashyap's ability to experiment with different filmmaking styles is something that makes him stand out.

I had watched Rustom multiple times on television before, but never from beginning to end. Sometimes I caught parts from the middle, sometimes the ending, so while I knew the basic storyline, I hadn't experienced the film fully until today. And I must say, after watching it completely, I really liked it.

The performances were impressive. Akshay Kumar was brilliant in the lead role, and I was especially impressed by Esha Gupta and the actress who played Rustom's maid-both delivered powerful performances. They brought depth and authenticity to their characters.

Beyond the acting, I truly appreciated the work of the technical team. The hair styling, costumes, and set design successfully recreated the retro atmosphere of that era. The attention to detail was amazing-right from the hairstyles and mustaches to the kind of switches used in the courtroom scene. For instance, when someone switches on the fan and lights in the courtroom, they used those old-fashioned switches that perfectly fit the time period. These small details really enhanced the viewing experience.

The cinematography was another standout aspect of the film. There's a police station interrogation scene that felt like it might have been done in a single take, involving multiple characters-it was very well executed. I also loved some of the transitions, like the one where Esha Gupta's character sits down on a chair-beautifully shot and edited.

However, not everything worked for me. The background score felt average overall. While there were a few moments where it worked well, for the most part, it didn't enhance the emotion or intensity of the scenes. In contrast, the film's soundtrack was excellent. The romantic tracks, in particular, have become timeless and are still loved by many.

One part that didn't sit well with me was the courtroom comedy. The scene where the jury members start fighting physically felt unnecessary and out of place. It broke the tone of the film and didn't add any real value to the story.

Despite these small drawbacks, I absolutely loved the story and how it was presented. The film had a strong narrative, good performances, and a well-crafted retro feel. It's definitely a movie worth watching-well made, engaging, and memorable.