RichShep

An inspiring story of the will to survive which takes us back to the "Heroic Age" of exploration. Ernest Shackleton's expedition to the Antarctic set off in 1914 on the eve of World war 1. However, they became trapped in pack ice not far from their destination, though not close enough. So began a 2-year ordeal in the most inhospitable conditions,a constant fight for survival, before the redoubtable Shackleton got his men to safety...without losing one life. Then, on top of that, the men hurried back to help the war effort. The documentaries mix footage taken by the original expedition photographer and new footage to show the picturesque yet deadly, inhospitable and unforgiving land, and tell this superhuman tale of survival. Effectively shot and beautifully edited, and well narrated by Liam Neeson, you can almost feel the cold. At the end of it, no matter how much you already knew about the expedition, you still cannot believe this incredible story is real.

The Tailor of Panama is an atmospheric, well-crafted thriller in which the actors have an infectiously good time with their characters, especially an excellent and hilarious Pierce Brosnan as Andy Osnard, a roguish British spy who is sent to Panama (superbly described as "Casablanca without heroes") to keep out of trouble and get back his government's trust. However, even in post-Cold War diplomacy you have to play the game and earn your wage. The diplomats still have to listen to their sources. Osnard selects British ex-pat tailor Harry Pendel (Geoffrey Rush) to be his information source, using Pendel's hidden past to get his cooperation. Pendel is well-placed as his wife works for the director of the Panama Canal Company, but he also has friends formerly in the anti-Noriega ranks. Osnard passes on what Pendel tells him to his superiors. These two characters start to spin a web of exciting misinformation that they start to revel in, but this has consequences which escalate beyond their control. The background of Panama, from its "laundromats" (banks) to its seedy nightclubs, suits the characters and the story perfectly, and gives the film an atmospheric richness of the type director Boorman excels in. It is a treat for those who love international political intrigue and who may have traveled or lived in such places. This is a thriller which relies not on hi-tech filmmaking gimmicks (and there are many opportunities to), but on characters interesting enough to follow all the way through the film. It has an old-fashioned feel, and an wry and mischievous humor. Some may see some implausibility in the final conseuences of Osnard's and Pendel's actions, but on the whole the shamless good time they have bring these (almost) anti-heroes to life is infectious. Great fun.