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nicolopolo77's profile image

nicolopolo77

Joined Aug 2002
Read a lot of books, comics and see lots of movies. Hate senseless pro anything movies.
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.

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Ratings1.5K

nicolopolo77's rating
Candyman
6.77
Candyman
Le silence des agneaux
8.68
Le silence des agneaux
Rio Bravo
8.05
Rio Bravo
La Zone d'intérêt
7.38
La Zone d'intérêt
Winter Break
7.97
Winter Break
The Flash
6.64
The Flash
30 Coins
7.17
30 Coins
40 ans, toujours puceau
7.16
40 ans, toujours puceau
Howlers
4.22
Howlers
Scandaleusement célèbre
7.05
Scandaleusement célèbre
Shazam! La Rage des dieux
5.94
Shazam! La Rage des dieux
Red Rocket
7.16
Red Rocket
Vivre vite
7.07
Vivre vite
World War Z
7.03
World War Z
Je suis une légende
7.24
Je suis une légende
I, Robot
7.15
I, Robot
Hancock
6.45
Hancock
Atomic Blonde
6.76
Atomic Blonde
Bullet Train
7.36
Bullet Train
Et... ta mère aussi!
7.77
Et... ta mère aussi!
La ley de Herodes
7.87
La ley de Herodes
El Narco
7.66
El Narco
Green Zone
6.86
Green Zone
L'échange
7.75
L'échange
Les pleins pouvoirs
6.75
Les pleins pouvoirs

Reviews10

nicolopolo77's rating
Watchmen

Watchmen

8.2
2
  • Dec 15, 2019
  • No more Watchmen, please

    At Land

    At Land

    7.5
    9
  • Aug 6, 2011
  • The original shared dream captured in celluloid.

    At Land is first and foremost a dream projection. Meaning that, while if it's either surreal or not, what we see is a not the narration of a dream or even the interpretation of a dream; it's the shared experience of a dream. Like, in dreams, you change from one location to another, or the person you are talking to suddenly become somebody else, or a Walt Disney look alike in a bed may be creepy, without any logical reaction to the strange nature of it because while you are dreaming you are just experiencing it, not trying to understand it. I strongly suggest that with this film, in fact, most of Deren's films, to let got to the rational function of "understanding" and just flow with it.

    I don't think that most of Lynch or Buñuel's films are really onirical, maybe they are surrealistic on an absourdist level or rich on Jungian symbolism, but in the end, they have a basic narrative structure and usually bring a closure to whatever the film is about. Maya Deren's At Land is not based on rethorical figures or a discernible point; I don't even think there is no explicit symbolism to it (maybe Deren has explained it in some essay, but I haven't read her yet). It's experiencing the whole thing as if we are in Deren's head while she is dreaming. Of course, this implies the alienation of most viewers who may be in need of closure. Few films are successful as shared dreams, Malle's Black Moon or Jean Cocteau's Blood of a Poet come to mind.

    Comercially, Kubrick tried and achieved to some extend the share dream with Wide Eyes Shut, but it's only last year's blockbuster Inception the one which has nailed it. Of all the references that are to be found about the excellent Inception, At Land it's the most clear influence, from the beach opening to the dream experience to the search of the totem and getting back to the first "dream layer".

    So, even 60 years and something later, Deren is still a truly influential filmmaker
    Memories

    Memories

    7.5
    8
  • Dec 27, 2004
  • The surreal masterpiece of anime

    Memories conveys three of the best anime segments ever done, even if so many anime fans don't know about it. The first time I saw Memories in a film festival in 1998 left me with such an impression that I never forgot about it. Now that finally I own the DVD, I can say that it's the same as I remembered: magnificent.

    The "Magnetic Rose" segment feels at times like an homage to Kubrick's "2001 : Space Odissey", and now I could say it's a straight antecedent of the sci-fi tendency about the human mind in a simulated space which we have seen in "Dark City", "Matrix", etc. How a simulation program triggers the memories of the explorers and gets mixed with synthetic memories is done in a very intriguing form. The opera music plays a most important role, since it's the soundtrack what gives depth to the happenings here told.

    "Stink Bomb" is funny as hell, taking the typical idiot hero in the Nintendo kind of plot (thhink Koji in Mazzinger, or Seya in Knigths of the Zodiac) as for what he should be (an idiot, every day man with the flu) , the story revolves around on the accidental creation of a human stinking bomb who treat hens the whole island of Japan. Real funny in a way most kid's animes aren't.

    Finally, "Cannon Fodder" is the segment which I feel is the true masterpiece in this little anthology. A metaphorical world where a country is in a war against an unknown (and probably inexistent) enemy, and how the cannons are not only weapons, but the complete essence of the cultural, economical and social layers of this surreal "totalitarian" country. Some reminiscence of Orwell's 1984 is present, but the execution is really like anything I have ever seen or read before. It's a one shot segment, so I can hardly imagine the size of some background panels and the animation logistics of this. The music accentuates this strange feeling (very much like in Aeon Flux), and the unusual rendering style makes this a little strange jewel, not only from anime, but from all styles of animation.

    As I said before, most movie and anime fans don't seem to know, or don't have any memories about this surreal collection of animated storied. I'm glad I'll never forget them.
    See all reviews

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