classicfilmarchives
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In the canon of MGM musicals of the Golden Age, "Summer Stock" is an overlooked and underrated pleasure. As relaxed as a summer day spent on a farm like the one in the film, this soft shoe of a musical doesn't aim for greatness, though it very nearly reaches it on one or two occasions. Filmed in sunny, bandbox Technicolor, the films opens on Judy Garland singing in her morning shower. She is Jane Falbury, the mistress of a New England farm going to seed. Sassy Marjorie Main is the maid and cook, pretty Gloria DeHaven is her irresponsible sister who has run off to New York to become an actress, and Eddie Bracken is Garland's hopelessly inept fiancee, manager of the local general store. Garland's wry way with a comic line is richly evident in this film, as she trys to deal with one exasperating annoyance after another. She is in superb singing voice, and most charming when she holds one long, belting note to the very end and then, looking into the camera, nearly collapses with mock-exhaustion. Into this bucolic chaos lands handsome Gene Kelly and his troupe of Broadway gypsies, promised by DeHaven that they can use her sister's barn for a summer stock production of Kelly's new musical. With sarcastic assist by Phil Silvers, Kelly sets about convincing a skeptical Garland that one hand can wash the other: if she consents to the barn being used as a theatre, the troupe will help save her foundering farm by performing the daily chores and harvest planting. Of course, all manner of of mishap and misunderstanding ensue; happily, none of them stand in the way of Garland and Kelly performing a handful of enjoyable numbers. After Astaire and Rogers, Garland and Kelly were surely filmdom's most sublime song and dance duo, and they perform one dance here, a jazzed-up "Portland Fancy", which nearly stops the show. Apart from their duets, they shine in solo numbers which are manna to fans of great talent. Both stars ascended greater cinematic heights after this film, Kelly in "Singin In The Rain" and Garland at Warner Bros. for "A Star Is Born", but here in this simple tale are found some of the most compelling examples of their style and grace: Garland singing the yearning "Friendly Star" in the summer moonlight, Kelly whistling "You Wonderful You" on a lonely stage with a discarded newspaper as his partner. But finally, the highlight of the film is to be had by Garland in the big finale at the end. Having been cajoled into joining the troupe for their pre-Broadway opening in her barn, Garland and a phalanx of chorus boys jump off the screen with the Harold Arlen standard "Get Happy". Heralded by the blare of the MGM Studio Orchestra brass section, Garland steps out from behind the black-suited line of men wearing only a tuxedo jacket, black pumps, and a man's hat set rakishly atop her head. Looking chic and sexy, dancing with the boys, she makes the Arlen chestnut her own, and uses her considerable show biz muscle to pull down one of the most memorable performances in musical history. Garland's electrifying number dominates the film's reputation, and deservedly so. It is for one to still marvel how this diminutive, talented actress could, for five or so minutes, turn a breezy, unambitious musical into a great one.
"The Harvey Girls" is a splendid example of a well-crafted Metro-Goldwyn-Mayer musical from a time when well-crafted musicals were being dished out in abundance from Metro's golden bowl.
Inspired by the revolutionary success of "Oklahoma" on Broadway and tailored to fit the protean talents of it's young leading lady, Judy Garland, the film tells the story, in words and music, of a group of waitresses brought west in the late 1800's to open another link in the Fred Harvey chain of restaurants. In the process, they encounter all kinds of romantic and dramatic conflicts. The cast is headed by Judy Garland, fresh from her triumph in the blockbuster musical "Meet Me In St. Louis" and her quietly moving dramatic performance in "The Clock". During the filming of "The Harvey Girls", Garland was one of the top box-office draws in the nation, and Hollywood's most versatile actress. She performs the role of Susan Bradley, an adventurous mail order bride who befriends the Harvey girls en route to New Mexico, with a vibrant comic touch. Her ability to combine tongue in cheek humor with her signature vulnerability is very satisfying in this film, and is an early highlight in her already legendary career.
The rest of the cast is first-rate: Angela Lansbury gives a wickedly fine performance as Em, the jaded dance-hall queen with hooded eyes and no-flies-on-me attitude. John Hodiak is the local tough guy and dance-hall owner, and also the object of Garland and Lansbury's affections. Broadway legend (and Garland's "Wizard of Oz" co-star) Ray Bolger does an amusing turn as the town's rubber legged blacksmith, and Preston Foster is the murderous Judge Purvis. The ranks of the Harvey girls are filled by some of Hollywood's most marvelous character actresses, including Marjorie Main and Virginia O'Brien, and the dancer Cyd Charisse in one of her first roles.
The film boasts what New York Times film critic Bosley Crowther appreciatively called "an abundance of chromatic spectacle and an uncommonly good score", the centerpiece of which is the Academy Award-winning song of the year (1946), "On The Atchison, Topeka, and the Santa Fe". This production number fills the screen with the colorful bustle of singers, dancers, and horses, and in the best Broadway tradition, advances the plot by introducing almost every cast member and giving them the opportunity to tell their story, in song, and their motivation for coming west in the first place. A spectacular bit of Golden Age musical magic, topped off by Garland's star turn entrance and full-throated belting of the Johnny Mercer/Harry Warren song.
The creative team behind this fable is as impressive as the talent in front of the camera. In addition to the score by Mercer and Warren, the film was directed by George Sidney ("Show Boat", "Annie Get Your Gun"), produced by Arthur Freed ("Singin In The Rain", "Gigi"), art directed by Cedric Gibbons ("The Great Zeigfeld", "The Wizard of Oz"), with musical direction by Lennie Hayton, orchestrations by Conrad Salinger, and musical arrangements by "Eloise" children's book author and singer Kay Thompson (a decade before she sizzled onscreen as the fashion magazine editor in the Audrey Hepburn classic "Funny Face").
This film will include restored Technicolor and stereo sound on DVD, and also a few musical numbers which were cut when the film was released due to length, and have been locked away in the MGM vaults. Now they have been restored, and the viewer can enjoy more of what film critic Howard Barnes called "a great big animated picture postcard."
Inspired by the revolutionary success of "Oklahoma" on Broadway and tailored to fit the protean talents of it's young leading lady, Judy Garland, the film tells the story, in words and music, of a group of waitresses brought west in the late 1800's to open another link in the Fred Harvey chain of restaurants. In the process, they encounter all kinds of romantic and dramatic conflicts. The cast is headed by Judy Garland, fresh from her triumph in the blockbuster musical "Meet Me In St. Louis" and her quietly moving dramatic performance in "The Clock". During the filming of "The Harvey Girls", Garland was one of the top box-office draws in the nation, and Hollywood's most versatile actress. She performs the role of Susan Bradley, an adventurous mail order bride who befriends the Harvey girls en route to New Mexico, with a vibrant comic touch. Her ability to combine tongue in cheek humor with her signature vulnerability is very satisfying in this film, and is an early highlight in her already legendary career.
The rest of the cast is first-rate: Angela Lansbury gives a wickedly fine performance as Em, the jaded dance-hall queen with hooded eyes and no-flies-on-me attitude. John Hodiak is the local tough guy and dance-hall owner, and also the object of Garland and Lansbury's affections. Broadway legend (and Garland's "Wizard of Oz" co-star) Ray Bolger does an amusing turn as the town's rubber legged blacksmith, and Preston Foster is the murderous Judge Purvis. The ranks of the Harvey girls are filled by some of Hollywood's most marvelous character actresses, including Marjorie Main and Virginia O'Brien, and the dancer Cyd Charisse in one of her first roles.
The film boasts what New York Times film critic Bosley Crowther appreciatively called "an abundance of chromatic spectacle and an uncommonly good score", the centerpiece of which is the Academy Award-winning song of the year (1946), "On The Atchison, Topeka, and the Santa Fe". This production number fills the screen with the colorful bustle of singers, dancers, and horses, and in the best Broadway tradition, advances the plot by introducing almost every cast member and giving them the opportunity to tell their story, in song, and their motivation for coming west in the first place. A spectacular bit of Golden Age musical magic, topped off by Garland's star turn entrance and full-throated belting of the Johnny Mercer/Harry Warren song.
The creative team behind this fable is as impressive as the talent in front of the camera. In addition to the score by Mercer and Warren, the film was directed by George Sidney ("Show Boat", "Annie Get Your Gun"), produced by Arthur Freed ("Singin In The Rain", "Gigi"), art directed by Cedric Gibbons ("The Great Zeigfeld", "The Wizard of Oz"), with musical direction by Lennie Hayton, orchestrations by Conrad Salinger, and musical arrangements by "Eloise" children's book author and singer Kay Thompson (a decade before she sizzled onscreen as the fashion magazine editor in the Audrey Hepburn classic "Funny Face").
This film will include restored Technicolor and stereo sound on DVD, and also a few musical numbers which were cut when the film was released due to length, and have been locked away in the MGM vaults. Now they have been restored, and the viewer can enjoy more of what film critic Howard Barnes called "a great big animated picture postcard."
"The Harvey Girls" is a splendid example of a well-crafted Metro-Goldwyn-Mayer musical from a time when well-crafted musicals were being dished out in abundance from Metro's golden bowl.
Inspired by the revolutionary success of "Oklahoma" on Broadway and tailored to fit the protean talents of it's young leading lady, Judy Garland, the film tells the story, in words and music, of a group of waitresses brought west in the late 1800's to open another link in the Fred Harvey chain of restaurants. In the process, they encounter all kinds of romantic and dramatic conflicts.
The cast is headed by Judy Garland, fresh from her triumph in the blockbuster musical "Meet Me In St. Louis" and her quietly moving dramatic performance in "The Clock". During the filming of "The Harvey Girls", Garland was one of the top box-office draws in the nation, and Hollywood's most versatile actress. She performs the role of Susan Bradley, an adventurous mail order bride who befriends the Harvey girls en route to New Mexico, with a vibrant comic touch. Her ability to combine tongue in cheek humor with her signature vulnerability is very satisfying in this film, and is an early highlight in her already legendary career.
The rest of the cast is first-rate: Angela Lansbury gives a wickedly fine performance as Em, the jaded dance-hall queen with hooded eyes and no-flies-on-me attitude. John Hodiak is the local tough guy and dance-hall owner, and also the object of Garland and Lansbury's affections. Broadway legend (and Garland's "Wizard of Oz" co-star) Ray Bolger does an amusing turn as the town's rubber legged blacksmith, and Preston Foster is the murderous Judge Purvis. The ranks of the Harvey girls are filled by some of Hollywood's most marvelous character actresses, including Marjorie Main and Virginia O'Brien, and the dancer Cyd Charisse in one of her first roles.
The film boasts what New York Times film critic Bosley Crowther appreciatively called "an abundance of chromatic spectacle and an uncommonly good score", the centerpiece of which is the Academy Award-winning song of the year (1946), "On The Atchison, Topeka, and the Santa Fe". This production number fills the screen with the colorful bustle of singers, dancers, and horses, and in the best Broadway tradition, advances the plot by introducing almost every cast member and giving them the opportunity to tell their story, in song, and their motivation for coming west in the first place. A spectacular bit of Golden Age musical magic, topped off by Garland's star turn entrance and full-throated belting of the Johnny Mercer/Harry Warren song.
The creative team behind this fable is as impressive as the talent in front of the camera. In addition to the score by Mercer and Warren, the film was directed by George Sidney ("Show Boat", "Annie Get Your Gun"), produced by Arthur Freed ("Singin In The Rain", "Gigi"), art directed by Cedric Gibbons ("The Great Zeigfeld", "The Wizard of Oz"), with musical direction by Lennie Hayton, orchestrations by Conrad Salinger, and musical arrangements by "Eloise" children's book author and singer Kay Thompson (a decade before she sizzled onscreen as the fashion magazine editor in the Audrey Hepburn classic "Funny Face").
This film will include restored Technicolor and stereo sound on DVD, and also a few musical numbers which were cut when the film was released due to length, and have been locked away in the MGM vaults. Now they have been restored, and the viewer can enjoy more of what film critic Howard Barnes called "a great big animated picture postcard."
Inspired by the revolutionary success of "Oklahoma" on Broadway and tailored to fit the protean talents of it's young leading lady, Judy Garland, the film tells the story, in words and music, of a group of waitresses brought west in the late 1800's to open another link in the Fred Harvey chain of restaurants. In the process, they encounter all kinds of romantic and dramatic conflicts.
The cast is headed by Judy Garland, fresh from her triumph in the blockbuster musical "Meet Me In St. Louis" and her quietly moving dramatic performance in "The Clock". During the filming of "The Harvey Girls", Garland was one of the top box-office draws in the nation, and Hollywood's most versatile actress. She performs the role of Susan Bradley, an adventurous mail order bride who befriends the Harvey girls en route to New Mexico, with a vibrant comic touch. Her ability to combine tongue in cheek humor with her signature vulnerability is very satisfying in this film, and is an early highlight in her already legendary career.
The rest of the cast is first-rate: Angela Lansbury gives a wickedly fine performance as Em, the jaded dance-hall queen with hooded eyes and no-flies-on-me attitude. John Hodiak is the local tough guy and dance-hall owner, and also the object of Garland and Lansbury's affections. Broadway legend (and Garland's "Wizard of Oz" co-star) Ray Bolger does an amusing turn as the town's rubber legged blacksmith, and Preston Foster is the murderous Judge Purvis. The ranks of the Harvey girls are filled by some of Hollywood's most marvelous character actresses, including Marjorie Main and Virginia O'Brien, and the dancer Cyd Charisse in one of her first roles.
The film boasts what New York Times film critic Bosley Crowther appreciatively called "an abundance of chromatic spectacle and an uncommonly good score", the centerpiece of which is the Academy Award-winning song of the year (1946), "On The Atchison, Topeka, and the Santa Fe". This production number fills the screen with the colorful bustle of singers, dancers, and horses, and in the best Broadway tradition, advances the plot by introducing almost every cast member and giving them the opportunity to tell their story, in song, and their motivation for coming west in the first place. A spectacular bit of Golden Age musical magic, topped off by Garland's star turn entrance and full-throated belting of the Johnny Mercer/Harry Warren song.
The creative team behind this fable is as impressive as the talent in front of the camera. In addition to the score by Mercer and Warren, the film was directed by George Sidney ("Show Boat", "Annie Get Your Gun"), produced by Arthur Freed ("Singin In The Rain", "Gigi"), art directed by Cedric Gibbons ("The Great Zeigfeld", "The Wizard of Oz"), with musical direction by Lennie Hayton, orchestrations by Conrad Salinger, and musical arrangements by "Eloise" children's book author and singer Kay Thompson (a decade before she sizzled onscreen as the fashion magazine editor in the Audrey Hepburn classic "Funny Face").
This film will include restored Technicolor and stereo sound on DVD, and also a few musical numbers which were cut when the film was released due to length, and have been locked away in the MGM vaults. Now they have been restored, and the viewer can enjoy more of what film critic Howard Barnes called "a great big animated picture postcard."