alannasser

This film was remarkable for its lack of movement. There is indeed something of a story line, but it has no motion or tension to it. The feeling is flat and inconsequential from beginning to end. The giveaway is that you are not drawn into either the story or the characters. The idea of blood as an essential component of this artist's work has a "so what" resonance to it, i.e. it's a fact but there is no reason to care. The writing is embarrassingly ridden with clichés, and are lines are delivered by characters with no depth and actors with no breadth. While on the face of them certain developments are dramatic, you are consistently left with the feeling that nothing is happening. You want to be drawn in, but the story and the writing won't let you.

Take a chance if you feel like it, but I found this film to be one of the worse I've seen in a very long time. Not at all recommended.

This is an utterly undistinguished Lifetime movie, the same one you've seen many many times if you watch Lifetime. The actors are uninteresting, the direction is pedestrian and the writing is bland and amateurish. This movie could be the template from which all Lifetime movies are made. The relatively high rating is almost certainly due to one or both of two things: either some reviewers were associated with the production, and/or some were impressed with the twist which was truly unexpected. The question is: was the movie good enough to make the twist worth watching the film? I say NO. You will find the film tedious in the extreme, you will not expect the ending, and you will still regret having watched this howler.

The first ten minutes of this movie lead you to expect another very poor Lifetime movie - sluggish pace, wooden acting and embarrassing dialog. But things soon take a felicitous turn and the film ends up worth watching, notably better than standard Lifetime fare. Remember now, it's a Lifetime movie and certain heights will not be attained. That said, the plot turns out to be more layered than you might expect - usually it's a heroine and a bad guy, two characters interacting in a manner supposed to generate tension and thrills. Here we have 5 or 6 characters interwoven in a way that keeps your interest. The female lead's performance improves after the first 10 minutes and Natalia Cigliuti, playing a central character, proves herself to be a first rate actor (not actress - why call a female actor an "actress"?), far superior to the rest of the cast here. I was quite surprised to find myself fully engaged with the story. The other reviewers are right: the ending is a total bust - trite, unimaginative, implausible - as if the writer couldn't come up with a conclusion as interesting as the plot. As usual, the heroine cannot be left without a romantic prospect in Lifetime, so the story had to written with a character who could perform that function in the final seconds of the movie.