mclarenracer
Joined Aug 2007
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Reviews2
mclarenracer's rating
NEWS! This title has just been released in a shoddy copy on DVD. Wait until TCM shows it instead. I watched this film a couple of times while working on my own script. The War of 1812 is pretty much forgotten, except in Canada where it is part of the national identity. This is one of only three films that I know of in that setting.
Jeanie Macpherson writes well. From the Burning of Washington to the treachery of people in high places (Senator Crawford may be fictional, but cowardly generals, smugglers and spies plagued the Northern Frontier earlier in the War--aka TREASON), the plot twists result in scenes of true emotional power. The ending is brilliantly foreshadowed so that the audience sees it coming like a runaway train. And the dialogue? Pay attention to the scene in which the pirates do not want to fight with the U.S. but with the British: March is given electric lines to speak. The only thing that I did not like was Dominique You's character. He is a bit too cartoonish.
Fredric March gives a very good performance as Lafitte, but Franciska Gaal is wonderful as the dutch girl who loves him.
The battle scenes hold up quite well today. This is obviously made by the same director as the magnificent The Crusades and Cleopatra. Its pace is also quicker than the first half of The Ten Commandments (1956).
DeMille was at his peak in the 1930s.
Jeanie Macpherson writes well. From the Burning of Washington to the treachery of people in high places (Senator Crawford may be fictional, but cowardly generals, smugglers and spies plagued the Northern Frontier earlier in the War--aka TREASON), the plot twists result in scenes of true emotional power. The ending is brilliantly foreshadowed so that the audience sees it coming like a runaway train. And the dialogue? Pay attention to the scene in which the pirates do not want to fight with the U.S. but with the British: March is given electric lines to speak. The only thing that I did not like was Dominique You's character. He is a bit too cartoonish.
Fredric March gives a very good performance as Lafitte, but Franciska Gaal is wonderful as the dutch girl who loves him.
The battle scenes hold up quite well today. This is obviously made by the same director as the magnificent The Crusades and Cleopatra. Its pace is also quicker than the first half of The Ten Commandments (1956).
DeMille was at his peak in the 1930s.
I agree with the other reviewers that this is a forgotten gem. Sellers' portrayal of Italian thief Vanucci is as funny as his Clousseau! It satirizes peoples' obsession with film beautifully from wannabe actors to starstruck townspeople to film critics. (IMDbers take note!) Mike Myers gave this film a nod when he used one of its bits in an Austin Powers movie: instead of the contact speaking while Sellers kisses his beautiful sister, Austin is preoccupied with Nathan Lane!
Victor Mature gets laughs as the aging actor. The scene in which Ekland runs her fingers through his hair, and they end up covered in black dye is just one of the film's funny gags. I first saw this movie in the early 80s, and I thought of President Reagan!
Neil Simon delivers good writing as usual, and The Hollies and Burt Bacharach make some good music!
If The Life and Death of Peter Sellers is to be believed, Sellers and Ekland were having a miserable time during filming, which makes it more remarkable that this film works.
Victor Mature gets laughs as the aging actor. The scene in which Ekland runs her fingers through his hair, and they end up covered in black dye is just one of the film's funny gags. I first saw this movie in the early 80s, and I thought of President Reagan!
Neil Simon delivers good writing as usual, and The Hollies and Burt Bacharach make some good music!
If The Life and Death of Peter Sellers is to be believed, Sellers and Ekland were having a miserable time during filming, which makes it more remarkable that this film works.