libertysonenterprisesinc
Joined Dec 2022
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libertysonenterprisesinc's rating
EXORCISM AT 60,000 FEET is a quintessential hangout movie for cutting loose with friends.
It's a diverting, devil-may-care crossbred curio concoction of a classic oldschool spoof fed through a provocateur horrorsploitation lense, resulting in a unique comfort-viewing experience that's at once easy and subversive. The giddily irreverent non-p.c. Sensibility matches the overall throwback 1970s/80s vibe of the venture, making it stand out as counterprogramming to much of modern pop media.
The eclectic Bai Ling (STAR WARS: EPISODE III, THE CROW, CRANK: HIGH VOLTAGE) is very funny in her go-for-broke screwball performance that incorporates her emotional range, and she displays wonderful teamwork with the comedically gifted Matthew Moy (Tim and Eric, How I Met Your Mother). And Actors Studio actor Robert Miano (DONNIE BRASCO, SLIVER, Criminal Minds) beautifully anchors the proceedings with a credibility and gravitas that makes the movie's absurdity pop.
If you're in the right silly ironic mood to not take things seriously, E@60K' is the ticket.
It's a diverting, devil-may-care crossbred curio concoction of a classic oldschool spoof fed through a provocateur horrorsploitation lense, resulting in a unique comfort-viewing experience that's at once easy and subversive. The giddily irreverent non-p.c. Sensibility matches the overall throwback 1970s/80s vibe of the venture, making it stand out as counterprogramming to much of modern pop media.
The eclectic Bai Ling (STAR WARS: EPISODE III, THE CROW, CRANK: HIGH VOLTAGE) is very funny in her go-for-broke screwball performance that incorporates her emotional range, and she displays wonderful teamwork with the comedically gifted Matthew Moy (Tim and Eric, How I Met Your Mother). And Actors Studio actor Robert Miano (DONNIE BRASCO, SLIVER, Criminal Minds) beautifully anchors the proceedings with a credibility and gravitas that makes the movie's absurdity pop.
If you're in the right silly ironic mood to not take things seriously, E@60K' is the ticket.
CYNTHIA is impressive from a directorial standpoint in how it not only juggles heterogeneous components but also unifies them within a single hard-edged & threatening yet breezy popcorn tone.
That the movie can, in such agile fashion, be part GREMLINS, part REVOLUTIONARY ROAD, part ROSEMARY'S BABY, all housed within this very specific fun escapist voice is marvelous.
And in terms of screenwriting, the movie formidably explores its theme of the inherent conflict that comes from being different. Both through the title character as well as through the male lead character Michael played by the charismatic Kyle Jones from Masters Of Sex.
The character Cynthia is a hoot. And in the central most protagonist role of Robin, HALLOWEEN star Scout Taylor-Compton absorbingly and organically carries this movie with heart, strength, vulnerability, and star quality. Recommended creepy fun. Would watch a sequel.
That the movie can, in such agile fashion, be part GREMLINS, part REVOLUTIONARY ROAD, part ROSEMARY'S BABY, all housed within this very specific fun escapist voice is marvelous.
And in terms of screenwriting, the movie formidably explores its theme of the inherent conflict that comes from being different. Both through the title character as well as through the male lead character Michael played by the charismatic Kyle Jones from Masters Of Sex.
The character Cynthia is a hoot. And in the central most protagonist role of Robin, HALLOWEEN star Scout Taylor-Compton absorbingly and organically carries this movie with heart, strength, vulnerability, and star quality. Recommended creepy fun. Would watch a sequel.
🙂 PIG KILLER is savvily inkeeping with Scorsese's habit of putting character above plot, which is perfect for the real life-inspired subject matter.
Of course the movie still has a structure, progression, and mounting conflict and tension, so it's shaped like a story, but presenting the movie through the subjective dual prisms of lead characters Willy and Wendy is without a doubt the most potent ride for the audience as a human experience, making us wonder what's going to happen next, and exploring Willy from the inside out as a person while not letting him off the hook or glorifying him.
And the textured tone that fuses the macabre with cockeyed absurdity has got to be the optimal way to render these events as compelling and cinematic.
It's unforgettable to watch: Alternately entertaining, frightening, queasy, twisting the viewer in knots, just like Willy himself. Indelible, absorbing, disorienting like a drug, conversation-provoking, and admirably true to its adventurous filmic vision.
Of course the movie still has a structure, progression, and mounting conflict and tension, so it's shaped like a story, but presenting the movie through the subjective dual prisms of lead characters Willy and Wendy is without a doubt the most potent ride for the audience as a human experience, making us wonder what's going to happen next, and exploring Willy from the inside out as a person while not letting him off the hook or glorifying him.
And the textured tone that fuses the macabre with cockeyed absurdity has got to be the optimal way to render these events as compelling and cinematic.
It's unforgettable to watch: Alternately entertaining, frightening, queasy, twisting the viewer in knots, just like Willy himself. Indelible, absorbing, disorienting like a drug, conversation-provoking, and admirably true to its adventurous filmic vision.