AstrumPi

Alex de Ranzy was a director recognized in the world of adult cinema for his films that show normal people in explicit sexual situations. Like these girls from a massage parlor, who between services read Tarot cards and face their destiny.

The sexual scenes stand out for being guided by good taste and not leaving the viewer indifferent. Highlighting the appearance of Jamie Gillis like a submissive character and Joey Silvera in the sauna. In addition, the girls interact happily with a double dildo or serve clients in diverse situations with sex, always sweetly and with a happy ending.

With a slow and simple narration, the film could be a tutorial on the art of masturbation, with various massage situations well narrated in extreme close-ups of erect cocks and playful tongues with actresses who transmit emotions by sucking and showing an orgasm as a door to heaven.

After ten minutes of watching the movie I didn't understand anything. It was my first Jess Franco film, a whole new experience (do you remember yours?), and the strange plot included listening to a record reverse to capture the messages from the afterlife of a satanic nature. 'What a mess!!', I thought silently about of the eternal struggle between good and evil, but since I never like to leave a movie halfway, I suffered like every human being suffers to reach the end and watch the whole movie.

Why did this movie generate such degeneration in me that it turned my electrons into a simulacrum of a 'white dwarf star' collapsing in the immensity of infinite space (?). To explain it, I would have to remember that in each of its details of the feature film is a stochastic reality and it given that each intelligent entity 'creates' it through its interaction and participation in it, presents us with a quantum world populated by uncertainties that the mathematics of chaos describes in its own way.

Today, faced with this new graphic vision of the matter, I arm myself with courage and open the doors again to the creature of ecstasy, rose of darkness, and to discover the keys that once remained hidden in the background of a frame .