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mbumba

Joined Mar 2007
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.

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mbumba's rating
Un señor muy viejo con unas alas enormes

Un señor muy viejo con unas alas enormes

5.2
10
  • Sep 27, 2008
  • an angel with the devil in the details

    Fernando birri directed this film in collaboration with the Cuban film institute. this film is based on a short story by gabriel garcia marquez. the "angel" that falls to earth is indeed an old man with enormous wings, and not at all clean. the very humble and unsophisticated people in the village where it befell, exploit his novelty for profit. the old man is not an angel, but a metaphor that represents natural resources that are lucratively commodified, and finally exhausted. if you are following me now, then you can see for yourself what the carnival represents. at the end of the movie the old man escapes his cage, but unfortunately some of us that have seen this movie have yet to leave ours.
    Barrio Cuba

    Barrio Cuba

    6.2
    10
  • Sep 25, 2008
  • the least of my brothers

    this is a film about the vicissitudes of revolutionary Cuba made by a revolutionary without dollars, but with raw talent. it shows that Cubans endure. solas is a master cineasta. his "lucia" is a masterpiece of world cinema. his epic full length version of "el siglo de las luces", is one of the great little known masterpieces of history as cinema. his last two films were made on a low budget, and he relaunched the aesthetic of imperfect cinema, calling it "el cine pobre". his film "un hombre de exito" made in 1985, told a story that transpires over 3 decades of a Cuban family torn apart by dictatorship and revolution. andy garcia's "lost city" appears inauthentic compared to this narrative. rest in peace maestro solas.
    Miel para Oshún

    Miel para Oshún

    6.2
    10
  • Sep 25, 2008
  • the beholder owns the eye

    the beholder owns the eye, and the film maker wields the dialectical prism. solas made a film about the Cuban dilemma. the protagonist Roberto was when a child kidnapped by his father, and taken to Miami (he believes that his mother abandoned him). as the first reel unwinds, Roberto as an adult is returning to Cuba to find his mother, and confront her. on his picaresque journey to encounter his mother, he travels across Cuba and discovers that he is among family and that he is not alone. solas who was a Marxist, subjects the financially well off Roberto to a Cuba reeling from the collapse of it's economy, but with it's heart still intact. it's a wonderful film about reconciliation.

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