kowloonzai

This is unquestionably my favourite in the YnD series - and I'm a huge YnD buff. You have all the "stars" of the franchise here, Chn Ho Nam, Chicken, Stammer, the priest, but also great support characters played by Anthony Wong Chau Sang and Karen Mok, probably the two best HK actors of their generation. You have a bad guy who's really really really bad, and you have that sense of a documentary film about a Hong Kong which does not exist anymore, already after the British colonial period, and still before the Chinese takeover (and there's quite a few humorous lines about that in the movie). A Hong Kong society that almost belonged to itself. OK, the storyline is in fact a direct copy of the first film in the series (they just changed the characters and locations), but you won't notice unless you're a real expert of the series. I miss those times.

No spoilers here !

Remember Metropolis, the great silent film by Fritz Lang, and probably the most revered science-fiction film of all times ? Well, if Snowpiercer is not such an absolute masterpiece, I do believe it's the best reiteration of the same concept that made Lang's film so unique : asking questions about the condition of mankind in a futuristic society, and how it does and does not evolve as compared with current times.

It's good that not all near-blockbuster scale sci-fi movies do not come out of Hollywood anymore. Snowpiercer is based on a long-forgotten 70's French graphic novel. The Korean director got his hands on a bootleg translation in a Seoul bookshop while filming The Host and got totally hooked. The end product is a French-Korean production, in the making of which one of the authors of the original graphic novel got directly involved.

The plot is simple : ecologist freaks have pushed governments to unleash a gas in the atmosphere to control global warming, this proved so effective that the world is now a standalone, snow-covered giant ice cap. The only survivors are all aboard a revolutionary train that goes on and on making loops around the world. It's like Noah's Ark, but including the politics that come with it : first class, second class, workers, fraudsters, the ticket is your fate - for generations. And the consequences are extreme, to such and extent that you can't conceive. Prepare to be shocked at times. Imagine the vertical multistoreyed humanity of Lang's Metropolis, the horizontal way. Some of the tail section fraudsters decide to rebel against their condition and progress to the head car of the train regardless of the risks. Every car they go through bears its grotesque and mind-bending surprises. And tells us more about how this society actually works and what it relies on.

This film has style. Even though it reminds of Gilliam (see 12 monkeys) and Matsumoto (Galaxy Express), there is real personality and originality. CGI is limited to a few breathtaking scenes that really add up to the storyline. Acting is mostly excellent, especially by Ed Harris and John Hurt. But most importantly, this film triggers reflection, soul-searching and debate like true Sci-Fi gems should. Unlike most Hollywood movies, it is not Manichaean : the story and morals are complex and debatable. You heart keeps swinging for scene to scene as you learn more. The ending asks a lot of questions.

All in all, when the end credits start rolling, it's a film you want to rewatch, not because you haven't understood, but because you want to understand more, and experience more.