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pablo-45

Joined May 1999
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.

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pablo-45's rating
The Price of Milk

The Price of Milk

6.5
10
  • Apr 7, 2001
  • Moari Magical Realism

    Maori magical realism in Queensland, New Zealand. Garcia-Marques meets the Kiwis. A thoroughly original film, in the purest definition of the term. Glorious. "Even though guns are fired, cars get crashed, and a menacing band of golf-loving Moari goon populate the film, no one gets hurt." This is story-telling at its childlike best while using the medium of film to create a vision grander than its story. A must see.
    Phoenix Arizona

    Phoenix Arizona

    7.2
    8
  • Jun 2, 1999
  • The Seattle Premier

    I flew up to Seattle on the '98 July 4th weekend to see the matinee premier on the Friday. Sherman Alexie is a, of course, a well known poetry and prose writer in the Northwest, but this was his first step into cinema with a screenplay based on his short story, 'The Lone Ranger and Tonto Fist Fight in Heaven.'

    The premiere was at an old, Egyptian-themed cinema in Seattle and the house was half full for the 4:30 matinee. The audience was predominately Native American.

    On exit, Sherman stood on the sidewalk in the late afternoon Seattle light and waited nervously like a child, to see the reaction to the film (which had ended with unanimous applauds from the half house audience). A film crew was there for exit polling.

    A diminutive Native American female elder slowly approached Sherman. She moved forward and extended her arms around him into a hug and spoke softly, "Thank you."

    Sherman was mush.

    Don't miss this film. He's not 'the Spike Lee of Native American film making' as the Time Magazine of that week put it. He's an independent, regional film maker, whose background is the 'Rez.'

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