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shaft21

Joined Sep 2000
Welcome to the new profile
We're still working on updating some profile features. To see ratings breakdowns and polls for this profile, please go to the previous version.

Reviews11

shaft21's rating
Spider-Man 3

Spider-Man 3

6.3
4
  • May 6, 2007
  • betrayed

    Banco

    Banco

    5.6
    3
  • Jan 8, 2007
  • Burt on a Trampoline!

    This movie needs to be watched for only a handful of reasons.

    One, it'll completely revolutionize the way you think about how Burt Reynolds can jump. Sure, it's a pretty lousy stunt double for most of the scenes, and Burt is as oily and haggard as he ever was in the 80s, but he has some ridiculous fight scenes where he inexplicable can jump 12 feet in the f**king air. It's incredible.

    Also, the ending is so void of substance, that you'll question your own appreciation of time, and ask yourself, "why in the hell did I just watch this." You'll then become a better person and get more out of life.

    Watch with caution, and every time Burt slugs someone or jumpkicks the hell outta them or throws medallions at their face, yell "HEAT!" at the t.v. It's the only way to go, and you'll feel much better.
    The Freshest Kids

    The Freshest Kids

    8.1
    10
  • Sep 30, 2003
  • Fundamentals.

    Perhaps eclipsing the recent Spellbound as the best documentary of the last few years, The Freshest Kids brilliantly chronicles the birth, death, and reemergence of the B Boy and all encompassing facets of break culture.

    Director Israel's passion for the B Boy world exudes with every frame, and the work put into such a film constitutes the highest acclaim. Being a B Boy student myself, this movie solidifies itself as the ultimate primer on hip hop, graffiti art, and of course highlights power moves, top rock, flair, low rock, and freezes as it tries to reaffirm breakin as a cultural phenomenon refusing to fade. The Freshest Kids touches on the dismantling of breakin by the government and the transition to crime many dancers took after the saturation of the market in the 80s. The reunions of today are still pockmarked by cop interference. At one point, B Boy "elder" Crazy Legs turns to the camera after riot cops rain in, "All this over dancing..."



    Even if I hated everything hip hop, the film itself is done with such technical and directorial deftness that I would have taken notice and commended it.

    It's hard to express what b-boying does to you, it's too visceral to try explaining. However, this film is such a charge to the core that it's impossible to not want to battle right after seeing it. I suck so I'd get burned right away but after the moves showcased in this movie, I'm humbled already.
    See all reviews

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