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This John Wick spin-off works as a natural extension of the saga, though it gains its own identity thanks to the magnetic presence of Ana de Armas. The film leans on the same mix of impossible choreography, stylized violence, and atmospheric settings, but what stands out is the space it gives a female lead who not only holds her own but shines in every action sequence.

From the very first scene, de Armas takes over the screen. Her physicality, controlled expressiveness, and ability to convey vulnerability without losing toughness make her instantly compelling. The script doesn't reinvent the wheel -the revenge plot is straightforward and predictable- but she elevates even the most routine moments. Watching her wield weapons and dive into meticulously choreographed combat is pure spectacle.

Alongside her, it's a pleasure to see David Castaneda again, bringing freshness and chemistry to a universe usually dominated by solemnity. Len Wiseman's direction may lack the refinement of Chad Stahelski's work in the main saga, but it delivers strong visuals and relentless pacing. The elegance and inventiveness of the original films are missed, yet the movie compensates with energy.

The weak points are clear: a forgettable villain and a script more concerned with fitting into the "Wick canon" than standing on its own. Still, when it focuses on what it does best -pure, creative, brutal action- the result is tremendously entertaining.

Overall, Ballerina is a solid addition to the franchise. It doesn't aim to reinvent the formula, but it proves the John Wick universe can expand beyond its original hero. With Ana de Armas driving the film, it delivers exactly what it promises: an intense, stylish action spectacle that keeps on dancing in the middle of chaos.

The Architect surprises with its simplicity and its ability to unsettle without relying on big spectacle. In just four twenty-minute episodes, it imagines a future so close that it feels like our present stretched to the extreme. Unaffordable housing, precarious jobs replaced by machines, and a system that turns daily life into a bureaucratic procedure with no room for humanity.

The series plays like a long Black Mirror episode, but with a colder, more satirical Nordic tone. The protagonist, Julie, portrayed with striking naturalism by Eili Harboe, embodies the frustration of a generation caught between talent and the impossibility of building a decent future. Her refuge in an empty parking lot becomes a metaphor for a system that has lost all sense.

What stands out most is how little fiction exaggerates here: drones walking dogs, banks turned into impersonal machines, outrageous rents, and contracts designed to humiliate. Everything feels plausible, even familiar, which makes it more disturbing than any futuristic twist.

Although at times the tone feels softened-perhaps to avoid being too bleak-the series still leaves its mark. Its brevity works in its favor: you can watch it in one sitting and be left with uncomfortable questions about where we are headed.

In the end, The Architect may be short in length but it's big in message. A satire that makes you laugh uneasily and think with unease, reminding us that the dystopian future it depicts is already knocking at the door.

Wednesday achieves what few series can: it hooks you from the very first episode with a mix of dark humor, mystery, and a strong aesthetic. Tim Burton leaves his unmistakable mark on the direction, evident in the settings, atmosphere, and that macabre fairytale vibe that fits the character perfectly.

The real strength of the series is, without a doubt, Jenna Ortega. Her portrayal of Wednesday Addams is magnetic: cold, sarcastic, and yet endearing. Every gesture and line of dialogue is carefully delivered, making the character feel authentic and connecting both with longtime Addams Family fans and a new generation.

The beginning is the strongest part: fast-paced mystery and a story that balances the supernatural with teenage drama. It's true that at times the script gets a little sidetracked with so many subplots, but overall the show holds interest with well-placed twists and secondary characters who add variety and freshness.

The atmosphere is another highlight. Nevermore Academy is filled with visual details and gothic nods that create a world where the fantastic blends seamlessly with the everyday. Danny Elfman's score also enhances the series with a dark yet playful identity that suits it perfectly.

Not every episode is at the same level, and some narrative dips are noticeable. Still, the show recovers with memorable moments and undeniable charisma. The blend of sharp humor and suspense always makes you want to keep watching one more episode.

In the end, Wednesday, across its two seasons, is a solid piece of entertainment with its own personality, led by a Jenna Ortega at her best. It doesn't aim to reinvent the wheel but delivers a dark, fun, and confident show that more than justifies its popularity.