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JamesPP

Joined Mar 1999
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.

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JamesPP's rating
Dracula vit toujours à Londres

Dracula vit toujours à Londres

5.5
  • Aug 24, 1999
  • Healthy slice of 70's cheese

    As a Dracula film, this is rather sad and misguided and very typical of the late Hammer fare. But as a piece of classic cheesy 70's British filmmaking, it's a treasure! Loads of tacky scenes and acting, rough looking down-and-out location work and a collection of cheddary extras and character actors.

    Peter Cushing looks like he's about to kick the bucket (die) although he miraculously seems to grow younger and less grandpa looking by Star Wars (1977). Who'd have thought he make it to 1994!! There's a healthy dose of Cushing hair flicking in this. Although not to the standard of earlier Frankenstein hair flicks, the old locks are still thrashing around :)
    Crossbow

    Crossbow

    7.2
  • Mar 8, 1999
  • Quality Film Series

    The only thing that sunk this series was its timing. Produced in 1986, it was considered too similar to the highly successful "Robin of Sherwood" (1984-86) film series that had just finished its run in June. "William Tell" as it was called in the UK was shown at primetime in Summer 1989 and just didn't get the viewing figures. Actually a sumptuously filmed quality production with a stunning soundtrack, filmed in France and Europe, the similarities with its British cousin (RoS) were just too much.
    Nom de code: TKR

    Nom de code: TKR

    4.6
  • Mar 3, 1999
  • Misguided Attempt to recreate the genre

    Why was this so bad? Because the decision to make it came from 90's TV execs. This was trying to be slick and hip with a young politically correct cast and no relation to the original whatsoever. The ORIGINAL series was successful because it didn't take itself seriously. And it had humour! And character actors who developed 'brand loyalty'. Now if Universal had approached Larson Entertainment and persuaded Hasselhoff to return with the Original KITT (ignoring the mistake that was KR2000) and all new Larson-stable plots and directors, we would have had a guaranteed hit.
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