freakus
Joined Mar 2000
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freakus's rating
This movie is basically a crime put on film. I wonder what the laws in Israel were like that this exploitative garbage could even legally be shown. I can't believe the participants would sign a waiver.
It's horrible in every conceivable way. The humor is boorish and classless, the set-ups aren't very funny or clever and the bits of real people they capture aren't interesting. The episode with the large breasted woman is sad and embarrassing to watch for many reasons. It's really hard to believe anyone ever thought this thing was funny even with the changing of attitudes since then.
Just awful.
It's horrible in every conceivable way. The humor is boorish and classless, the set-ups aren't very funny or clever and the bits of real people they capture aren't interesting. The episode with the large breasted woman is sad and embarrassing to watch for many reasons. It's really hard to believe anyone ever thought this thing was funny even with the changing of attitudes since then.
Just awful.
On the face of it, this is a very "violent youth" type of exploitation film but there are some very interesting social matters running through the film. It revolves around the relationship between Japanese, occupying Americans and the "half" offspring of the groups.
There are interesting contrasts. Baron's gang runs around in American military jeeps yet we see through flashback that Baron's hatred of "halfs" may spring from his sister being raped by a US serviceman. His gang sets up a "party" with foreigners but they are the most ugly and brutish types imaginable. We have these ugly stereotypes of whites on the one hand yet the soundtrack features an on-cameras role by the group "Golden Halfs", five attractive "half" japanese women.
This is all packaged in a fantastic Suzuki style "exploitation "film. Great use of color and composition mark the influence of the Seijin Suzuki style on the director Hasabe. A great film for any "Violent Youth" fans.
There are interesting contrasts. Baron's gang runs around in American military jeeps yet we see through flashback that Baron's hatred of "halfs" may spring from his sister being raped by a US serviceman. His gang sets up a "party" with foreigners but they are the most ugly and brutish types imaginable. We have these ugly stereotypes of whites on the one hand yet the soundtrack features an on-cameras role by the group "Golden Halfs", five attractive "half" japanese women.
This is all packaged in a fantastic Suzuki style "exploitation "film. Great use of color and composition mark the influence of the Seijin Suzuki style on the director Hasabe. A great film for any "Violent Youth" fans.
This films story is not very engaging but I found myself enjoying many of it's moments purely for the visual poetry. The scenes of men and women in the bath house, the 9crazy?) woman's living space complete with chickens, the incarnations of the painting of Mt. Fuji on the wall...all these images will stay with me for awhile after I have forgotten what the film was about. UA gives a good performance as a woman haunted by the rain and Asanobu does a good job with what little is given him in the way of character. Don't expect to come away moved by the drama of the film but you may feel as if you have been to a rather good gallery showing.