Swithin
Joined Jun 2000
Welcome to the new profile
We're making some updates, and some features will be temporarily unavailable while we enhance your experience. The previous version will not be accessible after 7/14. Stay tuned for the upcoming relaunch.
Badges4
To learn how to earn badges, go to the badges help page.
Ratings201
Swithin's rating
Reviews6
Swithin's rating
I first saw this film as a child in 1959, in a movie theater in New York City. Now in my 70s, it remains one of my favorite movies. I think it's one of the great science fiction/exploration films, imaginatively produced with great acting and literate script. (My friends and I used to quote from the film, as children.) I was moved by the film to read Jules Verne's novel; I enjoyed it but prefer the movie.
I've been a fan of science fiction and horror films all my life and have followed how both genres have changed over the decades. One of the great assets of "Journey" is its commitment to character development and mood. It doesn't rush right into the sensational and action aspects of the story, the way movies do today; it allows us the time to get to know the characters and their milieu.
The cast is excellent, from James Mason and Arlene Dahl to Peter Ronson and Thayer David. Pat Boone is very good. He was a heartthrob when the film was made and evidently demanded the opportunity to sing. I think that works and love his rendition of Robert Burns's poem, "My Love Is Like a Red, Red Rose," set to music by James Van Heusen. The supporting cast excels as well. Edith Evanson shines, in a small role as the hotel keeper in Iceland.
I took my first trip to Europe in 1970 and have been traveling there ever since, for work and vacation. On that first trip, the first place I visited was Edinburgh, Scotland, as a result of my childhood memories of this film. "Journey" continues to offer me engagement and enjoyment, each time I view it. I never dreamed, as a boy of ten, that I might one day actually own the movie!
"Journey" is one of those rare films that immediately falls into the 10 out of 10 category for me.
I've been a fan of science fiction and horror films all my life and have followed how both genres have changed over the decades. One of the great assets of "Journey" is its commitment to character development and mood. It doesn't rush right into the sensational and action aspects of the story, the way movies do today; it allows us the time to get to know the characters and their milieu.
The cast is excellent, from James Mason and Arlene Dahl to Peter Ronson and Thayer David. Pat Boone is very good. He was a heartthrob when the film was made and evidently demanded the opportunity to sing. I think that works and love his rendition of Robert Burns's poem, "My Love Is Like a Red, Red Rose," set to music by James Van Heusen. The supporting cast excels as well. Edith Evanson shines, in a small role as the hotel keeper in Iceland.
I took my first trip to Europe in 1970 and have been traveling there ever since, for work and vacation. On that first trip, the first place I visited was Edinburgh, Scotland, as a result of my childhood memories of this film. "Journey" continues to offer me engagement and enjoyment, each time I view it. I never dreamed, as a boy of ten, that I might one day actually own the movie!
"Journey" is one of those rare films that immediately falls into the 10 out of 10 category for me.
"King of the Zombies" is a fine film. It not only has a coherent, engaging script, it actually adheres to the then current zombie literature, e.g. you musn't give anything salty to a zombie (read Seabrook's "The Magic Island;" or anthropologist Andre Metraux's "Voodoo in Haiti.") It has a great cast, with Mantan Moreland giving a funny but actually wise performance: he's the first one who realizes what's going on. (He even mentions "haints," the ghosts/evil spirits of the Carolina coast.) The film also features a terrific performance by Madame Sul-Te-Wan as Tahama. For her earlier work, Madame was the first African American to receive a film contract from a major studio. Also in the cast is Lee Whipper as Momba. Whipper was the first African American to join Actors' Equity and was also one of the founders of the Negro Actors Guild of America. Other cast members of note include Marguerite Whitten, who is sort of the "straight man" to Moreland in the hilarious dining room scene. (Samantha: "You ain't no zombie. Zombies can't talk." Jeff: "Can I help it cause I'm loquacious?")
It's easy to make fun of this film, or bring up political incorrectness, but it's filled with humor and mystery and was also actually nominated for an Oscar for Best Musical Score. It does indeed have a great score. I first saw the film on television as a child, and the theme has stayed with me ever since.
"King of the Zombies" puts George Romero and other defilers of zombie lore to shame. As Mantan Moreland, who has the last line, says, "If there's one thing I wouldn't want to be twice, zombies is both of them!"
It's easy to make fun of this film, or bring up political incorrectness, but it's filled with humor and mystery and was also actually nominated for an Oscar for Best Musical Score. It does indeed have a great score. I first saw the film on television as a child, and the theme has stayed with me ever since.
"King of the Zombies" puts George Romero and other defilers of zombie lore to shame. As Mantan Moreland, who has the last line, says, "If there's one thing I wouldn't want to be twice, zombies is both of them!"