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emm

Joined Mar 2001
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.

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emm's rating
Ringmaster

Ringmaster

3.4
2
  • Dec 17, 1999
  • Trashy comedy knocks itself out of the ring

    You don't need to write a script for this trashed outrage! You just sit back and watch a pair of moonshine women and guests duke each other out before a riotous audience exposure at "The Jerry Show"! Violent and obnoxious, this cash-in on the real Jerry Springer program reveals everything that the over-rated hyped talk show doesn't show to you on the air - - unless you have a collection of uncensored videos made by the producers of "Cops". Even the outside world of Springerland reveals the most amateurish acting of the decade! This goes to show you that THE GONG SHOW MOVIE had a central character in a motion picture turkey. Change the channel! REJECTED
    Diabolique séduction

    Diabolique séduction

    5.8
    5
  • Dec 10, 1999
  • As the height of suspense draws closer, the excitement falters

    Nick moves into the neighborhood until 14-year old girl Darian becomes strongly infatuated with him, and takes the consequences. Silverstone, in her first major film vehicle, proves sensitively capable for her young age in this uninteresting thriller that inheritedly reverses the gender frame when it comes to natural suspense. The compelling premise that tries to aim for Hitchcock discouragingly wears thin after the first run-through, and a shallow distinction is all that's left.

    RATING: * *
    Sailor & Lula

    Sailor & Lula

    7.2
    7
  • Dec 10, 1999
  • Inventive, bleak romance drama has power

    A real stimulatingly offbeat exhibition from Lynch is the dark and wild backdrop of a romantically engaged traveling pair: "Sailor" who is on parole after committing a brutal murder, and "Lula" whose mother demands her to return from a spoiled trip to Texas with help from a detective. It's a twisted, artsy journey that is often repulsive and long to boot (and certainly not for the squeamish!), but fares inventive at a certain degree and boasts some of the strongest performances ever worked on a Lynch film, perhaps even in 1990. Cage's concert act and the magically rendered semi-ending are two classic acclaims put together in this moving cinematic collage.

    RATING: * * *
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