chainsaw-8
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chainsaw-8's rating
What starts off fairly well (and quite disturbing) quickly sinks into an annoying mess.
Dee Snider (of Twisted Sister infamy) apparently penned the screenplay from his own idea, and while the idea of a cyber-stalking pierce freak has potential, they really blow it here on uneven pacing, bad dialogue, and one of the greatest non-endings you'll ever see. Despite some lifeless performances, the director manages a genuinely creepy first reel. This really looks like it's going to be a good low-budget effort.
No such luck. The plot goes all over the map, and Snider's character relentlessly spits out tiresome psychotic fortune cookie lines that are supposed to pass for meaningful dialogue. Worse, the supporting cast barely registers, and the only halfway believable dialogue comes from a young girl who helps a detective navigate the internet.
What a waste of a great idea. Oh, and there is a new twisted Sister song, if you care.
Dee Snider (of Twisted Sister infamy) apparently penned the screenplay from his own idea, and while the idea of a cyber-stalking pierce freak has potential, they really blow it here on uneven pacing, bad dialogue, and one of the greatest non-endings you'll ever see. Despite some lifeless performances, the director manages a genuinely creepy first reel. This really looks like it's going to be a good low-budget effort.
No such luck. The plot goes all over the map, and Snider's character relentlessly spits out tiresome psychotic fortune cookie lines that are supposed to pass for meaningful dialogue. Worse, the supporting cast barely registers, and the only halfway believable dialogue comes from a young girl who helps a detective navigate the internet.
What a waste of a great idea. Oh, and there is a new twisted Sister song, if you care.
The days of low-budget slasher films appear to be back with Urban Legend, a mildly entertaining but mostly lame variation on Scream with an attractive cast of young TV stars.
The plot centers on a series of campus murders in the mold of urban legends, most of which will be familiar even to the younger audience this is pandering to. What little suspense there is comes from the anticipation of these scenes, since the surrounding story is almost as ridiculous as the film itself.
If the screenwriters had concentrated less on incorporating the whodunit aspect into the plot and more on the legends themselves, they might have had something here. Experienced viewers will spot the killer's identity (and motive) early on, and those that don't will be fooled only because the conclusion is so completely ludicrous, not to mention mostly impossible.
Of course, most of this would be easily overlooked if Urban Legend was scary, but time and again, director Jamie Banks telegraphs the surprises far ahead, and doesn't know how to time the shocks. Over and over we get the sudden burst of loud music followed by a character running into another character, but it doesn't work. And that gets annoying after the third or fourth try. Occasionally Banks does get something eerie going, but the style is more suited to an action flick.
Of the cast, most of the actors more or less get by despite a less-than-clever script, though it's disheartening to see a talented young actor like Jared Leto wasting his time with a nothing role as the reporter. Horror favorites Robert Englund and Brad Douriff pop up in cameos, adding a nice touch to their brief scenes.
What we're left with is an intriguing idea undone by cliche after cliche. The legends are potent enough to hold your attention to the end, and horror fans will find a few gruesome goodies to amuse themselves. And even though the script needs to be about three times again as clever as it is, there is a great in-joke at the end about one of the actresses and a commercial.
That clever scene might have been the first scene of a clever movie. It's the last scene of this one.
The plot centers on a series of campus murders in the mold of urban legends, most of which will be familiar even to the younger audience this is pandering to. What little suspense there is comes from the anticipation of these scenes, since the surrounding story is almost as ridiculous as the film itself.
If the screenwriters had concentrated less on incorporating the whodunit aspect into the plot and more on the legends themselves, they might have had something here. Experienced viewers will spot the killer's identity (and motive) early on, and those that don't will be fooled only because the conclusion is so completely ludicrous, not to mention mostly impossible.
Of course, most of this would be easily overlooked if Urban Legend was scary, but time and again, director Jamie Banks telegraphs the surprises far ahead, and doesn't know how to time the shocks. Over and over we get the sudden burst of loud music followed by a character running into another character, but it doesn't work. And that gets annoying after the third or fourth try. Occasionally Banks does get something eerie going, but the style is more suited to an action flick.
Of the cast, most of the actors more or less get by despite a less-than-clever script, though it's disheartening to see a talented young actor like Jared Leto wasting his time with a nothing role as the reporter. Horror favorites Robert Englund and Brad Douriff pop up in cameos, adding a nice touch to their brief scenes.
What we're left with is an intriguing idea undone by cliche after cliche. The legends are potent enough to hold your attention to the end, and horror fans will find a few gruesome goodies to amuse themselves. And even though the script needs to be about three times again as clever as it is, there is a great in-joke at the end about one of the actresses and a commercial.
That clever scene might have been the first scene of a clever movie. It's the last scene of this one.
This is truly magnificent film-making, and probably the finest war movie ever made, with terrific performances all around. I must say, however, that the scene where the German soldier slowly lowers the blade into the American's heart while whispering "shhh" was the most upsetting scene I've ever encountered...so much so, in fact, that I will never watch the film again. There's no denying, though, this is a great film.