Keltic-2
Joined Sep 1999
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Keltic-2's rating
It shouldn't have mattered, but it did. Every time I saw Tom Wilkinson, I thought "Gerald Cooper" (_Full Monty_), not "John Dyke". Just couldn't take him seriously as a hard man. Similarly, Sean Bean, who I normally find very entertaining, was only lukewarm in his portrayal of the psychotic gangster.
I really wanted to like _Essex Boys_, being a big fan of gangster cinema, but it just didn't do it for me. Nothing stands out as particularly bad, but equally nothing stands out as particularly fresh or original either. It seems fairly standard for British crime films to be less manic and slower-paced than their American counterparts, but _Essex Boys_, for whatever reason, didn't have that spark that makes an interesting and memorable film.
I really wanted to like _Essex Boys_, being a big fan of gangster cinema, but it just didn't do it for me. Nothing stands out as particularly bad, but equally nothing stands out as particularly fresh or original either. It seems fairly standard for British crime films to be less manic and slower-paced than their American counterparts, but _Essex Boys_, for whatever reason, didn't have that spark that makes an interesting and memorable film.
_Talos_ is excruciatingly slow-paced. For a film that is supposedly horror, this is the kiss of death. The special effects are in general rather poor, and for a large portion of the far-too-long running time we are treating to the spectacle of people being chased and killed by demonic rags that look remarkably like moving toilet paper.
_Waterdance_ explores a wide variety of aspects of the life of the spinally injured artfully. From the petty torments of faulty fluorescent lights flashing overhead to sexuality, masculinity and depression, the experience of disability is laid open.
The diversity of the central characters themselves underscores the complexity of the material examined - Joel, the writer, Raymond, the black man with a murky past, and Bloss, the racist biker. At first, these men are united by nothing other than the nature of their injuries, but retain their competitive spirit. Over time, shared experience, both good and bad, brings them together as friends to support one another.
Most obvious of the transformations is that experienced by Joel, who initially distances himself from his fellow patients with sunglasses, headphones and curtains. As he comes to accept the changes that disablement has made to his life, Joel discards these props and begins to involve himself in the struggles of the men with whom he shares the ward.
The dance referred to in the title is a reference to this daily struggle to keep one's head above water; to give up the dance is to reject life. _Waterdance_ is a moving and powerful film on many levels, and I do not hesitate to recommend it.
The diversity of the central characters themselves underscores the complexity of the material examined - Joel, the writer, Raymond, the black man with a murky past, and Bloss, the racist biker. At first, these men are united by nothing other than the nature of their injuries, but retain their competitive spirit. Over time, shared experience, both good and bad, brings them together as friends to support one another.
Most obvious of the transformations is that experienced by Joel, who initially distances himself from his fellow patients with sunglasses, headphones and curtains. As he comes to accept the changes that disablement has made to his life, Joel discards these props and begins to involve himself in the struggles of the men with whom he shares the ward.
The dance referred to in the title is a reference to this daily struggle to keep one's head above water; to give up the dance is to reject life. _Waterdance_ is a moving and powerful film on many levels, and I do not hesitate to recommend it.