chadwholovedme

I saw Revenge of the Sith when it came out, afterwards I was speechless, it was such a let down, I felt despite their faults Episodes 1 and 2 were building to something. Not only was Episode 3 too violent and not just at the end, but it was numbing, how many light sabre fights can you see before it gets tired? Episode 1's climatic fight was really good, and redeemed the film to an extent (and it had a great theme song), Episode 2's climax had good novelty the first time. Where as what we get is an entire film building up to the most overlong, disappointing duel, the only moment in the entire scene with any resonance was Obi-Wan telling Anakin not to fight him when he has the higher ground. Poor Ewan McGregor: not given a character to work with but a list of mannerisms, poor Christopher Lee: wasted, poor Natalie Portman: badly written. Samuel Jackson could've have been a bit better, although he had three films with nothing to do.

Now that I've seen them all, Episode 1 seems to be the best of the three; at least it has a contained narrative, while 2 and 3 are a complete mess, even if I can see what Lucas was trying to do. Now it's all over I can stop being concerned, the prequels were awful but I still enjoyed them in places, and I was genuinely excited to see all three, even when I read a 1 star review of Revenge of the Sith.

If you're a fan you'll have made your mind up, if not, it's not really worth seeing.

How I wish I was a child seeing Conan, if not to enjoy without knowledge of Hayao Miyazaki, but to have been able to go to school and talk about it with all my friends. It would have been my favourite show. Instead I've made do watching older, it's excellent though.

To explain the plot, the world has been partially destroyed by man through use of nuclear weapons, tilting the world on its axis, thus sinking most of the land and destroying civilisation as we know it. 30 years later the few survivors are on living on a small island, Conan an 11 year old boy lives with his grandfather peacefully, until a girl washes up on the beach. It would be criminal to go much further since one of the best features of 'Conan' is its storytelling, and at 26 episodes it can take it's time.

Directed by Hayao Miyazaki with some help from Isao Takahata, Conan displays many of the traits of a Ghibli movie, best described and a cross between 'Laputa: Castle in the Sky' and 'Nausicaa of the Valley of the Wind', both in plot and design. It could be said that these films improved and expanded on the ideas in Conan which could be taken that Conan isn't worthwhile, but it's more like Conan is an opportunity to see 13hrs of Miyazaki doing what he does so well.

Personally it's very difficult to review Conan, I know I love it, but there's so much to write. The plot is pretty complex, its twists and turns are genuinely surprising. The characters are great, since it's early Miyazaki there's a lot of slapstick, much in the vein of Miyazaki's Lupin III movie, the art direction is certainly of lower quality than his later offerings, but it was his directorial debut. Conan is dated in terms of animation, but again like in Lupin the characters are simplified, thus allowing animation to go smoothly, plus the backgrounds are beautiful, the ideas flowing, the design of the main boat is cleverly an upside down boat adapted to sail, at least I think it is! Its a few years before Joe Hisaishi is working with Miyazaki, so the music is less grand, but sweet and catchy.

Conan is a fantastic, while dated is as good a show a child or adult could watch today, plus another excellent Miyazaki project for the converted. I really can't praise Conan enough!

While there is a lot to recommend about Maetel Legend both in concept and finished product, it's ultimately a poor film. Plot wise it's a retelling of Maetel's early life, which is usually unclear; at the same time the writers take the opportunity to tell the story of the Machine Empire. And since Leiji Matsumoto has trouble not including his other work we get a starting point for Emeraldas her sister, Her mother: the Queen of La Metalle and a bit of Galaxy Express 999 to flesh out the film.

In short Maetel is a princess on the planet La Metalle, a planet with an irregular orbit, thus meaning its cycle around the nearest sun is reaching a cold stage and it's artificial Sun is dying. The Planet grows increasingly colder throughout the story, thus increasing the sense of doom. In order to protect her subjects and family the Queen decides that mechanisation is the only way to ensure survival of La Metalle's people. Enter Lord Hardgear, a robot / cyborg who provides the means for the job. Through the film, the characters are left to question mechanisation, will they still be human? Can Hardgear be trusted? Do souls and hearts remain? So for a fan of Matsumoto's work, there's lots to enjoy, questions to be answered, themes continued, except it's obvious that the film is meant to be an introduction, as well as a fan curiosity. The negatives, foremost the animation, while Galaxy Express 999, a TV series from over 20 years ago has shoddy mouth animation and at times sketchy character design, Maetel Legend has all the worst traits of modern animation and thus earns an air of respectability to Galaxy Express 999. The design is well detailed but unfortunately the animation has suffered leaving well drawn characters that 'slide', as in the backgrounds move or the camera zooms, a quick way of animating. However the few, yes few well animated scenes are re used over and over in dream sequences, repetition and in extra scenes. Anyone who's seem the film will wonder how many times Lord Hardgear can drink the same glass of wine.

Next the story, While in concept everything sounds great, the finished product is in fact a series of conversations of plot which are repeated over and over to little effect, the number of times the characters encounter the same problems and learn the same things is practically insulting to the audience and the characters, which are seemingly much more articulate in former incarnations. Add to all of that some terrible character design, that seem lifeless, over exaggerated, and the audience is left with a movie so miss handled it might as well have been rewritten as a different film, at least the newcomers wouldn't be left baffled.

And yet, it really has its moments, the ending at least is surprising. The plight of the citizens of La Metalle was quite affecting and rightly disturbing; I guess I find that whole man-machine theme distressing. It's hard know who to recommend Maetel Legend to, since it's not well animated, written or executed, plus confusing once Leiji Matsumoto's mandatory cross-referencing is introduced. However I can't help but brighten up when the magnificent entrance of Three-Nine occurs, now that's good cinema.

1/5 stars out of 5, 2 if you're a fan.