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Caledonia Twin #1

Joined Sep 2000
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.

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Caledonia Twin #1's rating
Tess of the D'Urbervilles

Tess of the D'Urbervilles

7.6
  • Apr 30, 2001
  • The visualization of Hardy's imagination

    If I may be so bold, I would say that this particular adaptation of Tess of the d'Urbervilles is just what Hardy had in mind when he wrote his masterpiece. However, it's difficult to put into words just why one production works so well. For me, one crucial ingredient was the music. The music in this production is emotive, a bit lively, innocently hedonistic, playful and lilting, but with a definite, bittersweet note illustrating the transient glory and ups and downs of Tess' too brief, and unfortunately, mostly tragic life. The beautiful Justine Waddell plays the role of Tess with great talent and simple dignity. In particular, I liked the scene in which she says there's no point learning about history only to discover that there have been countless other people like her in the past living through the same kind of drudgery. Oliver Milburn, who played Angel Clare, brings a new kind of skeptical optimism to the role not as apparent in Peter Firth's portrayal back in 1979. Milburn seems more angelic and innocent and innocuous in manner, posture, appearance, and in facial expression. He is open and appealing, very easily seducing the heart of Tess in spite of her reservations. His treatment of her when he has discovered her secret seems all the more callous and tragic for his previous admiration and light-hearted demeanor. But kudos must go to the directors and cinematographers of this production. From the opening scene of the maidens dancing in the field, the visual shots in this film are rich in beauty and light, at least when all is well. Even the drear scenes to come are depicted with absolute visual integrity and adhere faithfully to Hardy's vision and eloquent natural language. In particular, I like the fact that in this film, the last scene at Stonehenge has been more accurately portrayed from the book than in the previous version, 1979's "Tess". (Ie. the atheistic comments have not been censored out when Tess mourns with despair that Angel and she will never meet again.) All in all, this film is worth every moment watching. Not only are the dialogues delightful and the themes intriguing, but many will be captivated simply by the glorious scenery and by the beauty and demeure grace of Tess herself. My rating: 10/10
    Tigre et Dragon

    Tigre et Dragon

    7.9
  • Apr 22, 2001
  • Excellent

    This was a very excellent film which not only showcases Chinese language (Mandarin), culture, and scenery but also adds an element of lyrical mysticism and magic to the martial arts film genre. I enjoyed "Crouching Tiger hidden Dragon" immensely and did not find the subtitles distracting at all. However, Western audiences may not be prepared for such a tragic ending, as one typically expects of a Chinese film; crouching tiger also offers far more storyline, plot, and character development than the average martial arts flick. Ang Lee's tasteful direction can be thanked for that. I give the film a *10/10*, with a note that filmgoers expecting meaningless staged fights and badly dubbed dialogue, a happy romantic ending or intermittent comedic interludes will be disappointed. Personally, I thought the film was fantastic.
    À la poursuite d'Octobre Rouge

    À la poursuite d'Octobre Rouge

    7.5
    9
  • Feb 5, 2001
  • Sure it's American Cold War propaganda, but so what? It's got the ingredients masterpieces are made of.

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