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Greetings again from the darkness. Put me down as one of those saps who struggles mightily watching kids in peril ... even if 'it's only a movie.' Writer-director Dan Kay taps right into my weakness in the opening scene. Two sisters find their mother on the floor of the rural house - dead from an overdose. It's a situation where initially we have hope. Perhaps the girls will be better off without a druggie mom. But life is rarely that simple.

Mckenna Grace (GIFTED, 2017) is remarkable as 15-year-old Spider. She's so determined to keep together what remains of her family that she looks forcefully in the eyes of her younger sister Jessie (a terrific Jojo Regina, WHERE THE CRAWDADS SING, 2022) and says, "I'll die before I let them break us up." And neither Jessie nor us viewers have any doubt she means it. Yet, the challenges of that promise mount quickly ... and start with what to do with mom's body while keeping her death a secret.

Other challenges include mom's frightening druggie boyfriend, Reece (Dacre Montgomery, WENT UP THE HILL, 2025), who threatens the girls in order to extort money from them. There is also a social worker (Tamara Austin), and a well-meaning local Sheriff (Jesse Williams, "Grey's Anatomy), who happens to be the father of Spider's best friend Alexis (Malia Baker, "The Baby-Sitters Club"). All of this is piled up on the girls attending school and not arousing suspicion ... an incredibly stressful task for two youngsters. The emotional strain forces them to deal with a situation way beyond their years.

The interaction between the two sisters is mesmerizing to watch. Both actors are tremendous and create characters that find us believing everything they say and do. Spider has (mostly) pent up anger, while Jessie chooses to remember her mom's goodness. The dynamics shift a bit when local boy Cody (Forest Goodluck, THE MISEDUCATION OF CAMERON POST, 2018), takes an interest in Spider, using photography as an icebreaker. This acts as a reminder that Spider is a young girl who should be enjoying friends and figuring out relationships, rather than protecting her sister from outsiders.

Filmmaker Kay delivers an ending that fits so well with a story that has put the characters and viewers through immense emotional strain. This is one of the indie gems that has a lot going for it, not the least of which is these two outstanding young actors.

A limited theatrical rollout continues August 22, 2025 and August 29, 2025 in select cities.

Greetings again from the darkness. Kate Beecroft's first feature film as writer-director can be accurately described as a biographical-drama, yet we can't help but wonder if a straight documentary could have been equally interesting. In no way is that meant as a criticism of the film, it's just that most of the cast (with only a couple of exceptions) is made up of non-actors playing versions of their real-life selves ... and each one of them holds our attention, leaving us wanting to know even more.

Tabatha Zimiga is a tough-looking mom who runs a 3000 acre horse farm near the Badlands of South Dakota. She's a horse trainer and trader, and is known as a 'horse whisperer' (her abilities are so renowned, some even jokingly refer to her as a witch). The auction prices on her horses have dropped recently, adding stress to Tabatha's existence. Not only did her husband die, leaving her to run the farm, but she's also the one who welcomes local kids to live at her place when things don't go well at their own home. As noted by the signs of blight in the area, poverty is commonplace, and some folks can't handle the added burden of kids. In fact, Tabatha currently has seven teenagers and her own three-year-old son to care for - so the reduced price for horses puts many in peril.

One of the teenagers is Tabatha's fourteen-year-old daughter, Porshia, a champion rider who markets the horses on TikTok ... while also going through the moods of a teenager who no longer has her dad. Also on the farm are Tabatha's mother Tracey (played by the always excellent Jennifer Ehle, SAINT MAUD, 2019) and Tabatha's boyfriend Clay. Tracey seems best suited to smart-aleck remarks as she brews her own moonshine. Tabatha calmly and firmly runs the show, knowing full well how dependent the kids are on her.

After one of the auctions, Roy Waters (Scoot McNairy, A COMPLETE UNKNOWN, 2024), a cocky rancher from Fort Worth, Texas makes an offer to Tabatha. He will buy the ranch and allow her and the kids to continue living and working there to build the horse trading business. He recognizes the value in having a horse whisperer of Tabatha's caliber. One can imagine how angry this makes Porshia, as it's the only home she's ever known, and the farm carries all memories of her late father. It's here where the film slips a bit, as the interaction between Tabatha, Porshia, and Roy seems a bit clunky, leaving us to fill in a few too many gaps.

Cinematographer Austin Shelton does a terrific job at capturing the unique terrain of the area, as well as the near chaos of the energetic kids. Periodically, the music is a bit too strong for the scene, but there is something true and honest here as we ask ourselves, "what makes a family?" It certainly seems like Tabatha knows.

The film opens on August 15, 2025.