imyjr
Joined Jun 2000
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Reviews30
imyjr's rating
Yes.... it's on Netflix and with English subtitles!!!!!!!!!!!! Well worth watching from the first episode. Great for binge watching. The plot merits such viewing, and being so addictive, you will find it hard to stop or take a break. The acting is superb from everybody. One has to sustain disbelief, not think too much about things: should one not be seeing more students? Should not the faculty be larger? Shouldn't there be more servants? Ultimately, these questions do not matter as suspense and intrigue is built with what one gets without need for extras. This is a very engaging series and very enjoyable to watch several episodes together.
With generosity and patience one could appreciate this movie. However, the director's choice of using split screens throughout is an overwhelming mistake that gets in the way of everything else he is trying to do. It becomes annoying, like receiving text totally underlined and in capital letters: not everything is equally important nor do the images on one side of the screen contribute continuously in any significant way to what happens on the other side nor enhance our grasp of the whole. So, we are regretfully left with a boring and pretentious conceit of the sort that should have been outgrown in film school. Rodrigo Bellott is nowhere near being a Peter Greenaway who can manipulate aspect ratios and split screens to profound dramatic effect, thereby creating effective, well-structured wholes (e.g. The Pillow Book, a film only done full justice on a theatre screen where the diverse aspect ratios which occur throughout the film can be shown.... DVD's can't do it).
Better luck next time.... and I truly hope there is a next time for Mr. Bellott. Forcing oneself to ignore his unfortunate aesthetic choice (and this is hard, for there is no avoiding it for the whole frigging movie) one realizes that Mr. Bellott may indeed have something worthwhile to say. I wish him to try again, preferably with a strong, experienced but sensitive producer at his side.
Better luck next time.... and I truly hope there is a next time for Mr. Bellott. Forcing oneself to ignore his unfortunate aesthetic choice (and this is hard, for there is no avoiding it for the whole frigging movie) one realizes that Mr. Bellott may indeed have something worthwhile to say. I wish him to try again, preferably with a strong, experienced but sensitive producer at his side.