cpu-4
Joined May 2000
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The title and marketing would make it seem like this is a movie about hardcore gabber, but that is only partially the case. Despite that, if you lived through the 90s and went to gabber raves in Rotterdam like me, I think there is still enough to like.
Let's start with my gripes. I did not find the "troubled brother" very convincing as a real Rotterdam gabber. The main protogonist seemed inexplicably way more upper middle class than his parents. His affliction with gabber also seemed a bit superficial. If your first experience of raving in the early 90s as a teen was a gabber rave in the Energiehal with proper chemical stimulation, let me tell you: it would be extremely unusual for this not to be the beginning of an intense obsession. The ending also is a bit abrupt and superficial: after a little foray into the evil and criminal world of hardcore gabber, our young protogonist can put this all behind him to proceed with a serious life as a classical pianist? His hardcore seemed to have died quite quickly then.
On the up side, I liked most of the supporting cast, including the "villains". Though the story wasn't incredibly original (in fact almost cliche), there was still enough depth for me not to be bored. Though not everything about the raves was "period correct", much of it was done well enough to give me some goosebumpish flashbacks. You do get a sense of the intense energy of the music, the crowd, and the drugs. As a Rotterdam native it was fun to recognize locations.
In summary, I was plenty entertained despite the flaws and false advertizing.
Let's start with my gripes. I did not find the "troubled brother" very convincing as a real Rotterdam gabber. The main protogonist seemed inexplicably way more upper middle class than his parents. His affliction with gabber also seemed a bit superficial. If your first experience of raving in the early 90s as a teen was a gabber rave in the Energiehal with proper chemical stimulation, let me tell you: it would be extremely unusual for this not to be the beginning of an intense obsession. The ending also is a bit abrupt and superficial: after a little foray into the evil and criminal world of hardcore gabber, our young protogonist can put this all behind him to proceed with a serious life as a classical pianist? His hardcore seemed to have died quite quickly then.
On the up side, I liked most of the supporting cast, including the "villains". Though the story wasn't incredibly original (in fact almost cliche), there was still enough depth for me not to be bored. Though not everything about the raves was "period correct", much of it was done well enough to give me some goosebumpish flashbacks. You do get a sense of the intense energy of the music, the crowd, and the drugs. As a Rotterdam native it was fun to recognize locations.
In summary, I was plenty entertained despite the flaws and false advertizing.
This flick stars the awesome Ching-Ying Lam as a kind of current day Mr. Vampire. Sounds promising, and so are the first scenes.
Things quickly go downhill though as the two sidekicks are introduced, who might manage to provide some low brow comic relief for ages 5 and below, but are guaranteed to annoy anyone else, and who are given way too much screen time. The other prominent character, Mr. Vampires niece, must be around 18 years old, yet acts like she is a whiny cognitively challenged toddler which obviously gets irritating very quickly as well.
On the up side: Michiko Nishiwaki is convincing as a wicked sorceress, and Ching-Ying Lam doesn't disappoint.
To sum it up, there sure are some entertaining scenes and fights, but you will probably find yourself fastforwarding a lot as well. Might be worth it for Mr. Vampire fans, but certainly not required viewing.
Things quickly go downhill though as the two sidekicks are introduced, who might manage to provide some low brow comic relief for ages 5 and below, but are guaranteed to annoy anyone else, and who are given way too much screen time. The other prominent character, Mr. Vampires niece, must be around 18 years old, yet acts like she is a whiny cognitively challenged toddler which obviously gets irritating very quickly as well.
On the up side: Michiko Nishiwaki is convincing as a wicked sorceress, and Ching-Ying Lam doesn't disappoint.
To sum it up, there sure are some entertaining scenes and fights, but you will probably find yourself fastforwarding a lot as well. Might be worth it for Mr. Vampire fans, but certainly not required viewing.
Michael Caine and the misanthropic humor in the script made for some enjoyable moments, and Christopher Reeve was more than adequate. But I found the old "psychic" neighbor excruciatingly unfunny, so much that I had to fast-forward through much of the scenes with her presence. Her mannerisms and accent (over the top horribly fake mix of German / Eastern European / Russian, even though she was supposedly from Holland) made her very hard to watch. Perhaps her character worked in the play, as on stage there is more of a tendency for over acting, but I think her part here just about ruined the otherwise quite enjoyable movie.
Still worth it for Michael Cain fans, and it was fun to see Reeves play someone other than Superman, but be prepared for the akwardness of the scenes with the psychic.
Still worth it for Michael Cain fans, and it was fun to see Reeves play someone other than Superman, but be prepared for the akwardness of the scenes with the psychic.