kevin c
Joined Oct 2000
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Ratings567
kevin c's rating
Reviews534
kevin c's rating
This is so unlike the traditional Best Pictures. It's quiet, when others are boastful. It prefers simple, over peril. It's a beautiful film that doesn't toy with the pain of its subjects. They have no choice, but do not want to be pitied.
McDormand is fantastic, it looks fantastic; it's simply a fantastic movie.
McDormand is fantastic, it looks fantastic; it's simply a fantastic movie.
Movie night with Gertie.
This had mixed reviews but i mostly loved it. I felt it had a real feel of the 1970s Superman.
The plot is convoluted, and it's 30-mins too long. However, I warmed to the positivity and it's timing felt spot-on. Diana might be indestructible in some ways, but she's surprisingly brittle in others. Jenkins's camera is captivated by her resilience, as it lingers on adoring shots of WW in action. Every beat of WW 1984 feels like it's arrived to pulverise this miserable Covid year into dust.
This had mixed reviews but i mostly loved it. I felt it had a real feel of the 1970s Superman.
The plot is convoluted, and it's 30-mins too long. However, I warmed to the positivity and it's timing felt spot-on. Diana might be indestructible in some ways, but she's surprisingly brittle in others. Jenkins's camera is captivated by her resilience, as it lingers on adoring shots of WW in action. Every beat of WW 1984 feels like it's arrived to pulverise this miserable Covid year into dust.
A Sally Hawkins performance is always so enthralling. Her latest role, in Craig Roberts's dark comedy, sees her play Jane a woman living with paranoid schizophrenia. There's a stark sense of isolation here - scenes take place in rooms that are half-empty, but filled with long, hungry shadows.
It has light, funny moments. When Jane falls for Mike (David Thewlis), someone also chewed up and spat out by the mental health system, they become frolicking lovers in a French New Wave classic. However, the movie is never unfaithful to the psychological reality of its central character.
Eternal Beauty shows, we might not be able to conquer our demons, but we can try to live with them. This is a nuanced, evolved take on mental illness than most films are capable of.
It has light, funny moments. When Jane falls for Mike (David Thewlis), someone also chewed up and spat out by the mental health system, they become frolicking lovers in a French New Wave classic. However, the movie is never unfaithful to the psychological reality of its central character.
Eternal Beauty shows, we might not be able to conquer our demons, but we can try to live with them. This is a nuanced, evolved take on mental illness than most films are capable of.