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While I understand why the filmmaker might feel the need to address criticism leveled at Spielberg and his work (too populist, overly sentimental, etc), she takes a far too direct approach by voicing through interviews precisely why the viewer should dismiss those and see Spielberg through the same lens she does. The recent documentary DePalma, made about one of Spielberg's fellow "movie brats," did a brilliant job of asking that filmmaker, Brian DePalma, to open up about the work, major themes and controversies, and left the viewer to draw conclusions for themselves. Watching this last night, I found myself wishing the documentary itself hadn't decided itself to become so sentimental, only explaining the merits of Spielberg's oeuvre.

Don't get me wrong, Spielberg certainly is one of the most (if not THE most) influential players in the film industry and the film does a great job of showing how he became so successful, but the most interesting segments involve discussion of the craft behind iconic films. For Jaws, the discussion of how a low budget helped to build suspense is as rewarding as the anecdotes about Spielberg's process with actors on the set of Schindler's List. With a running time of 2.5 hours, not every film gets equal treatment, but revealing details of his process abound for the cinema buff.

All in all, worth a look, but don't be afraid to make up your own mind.

I enjoyed this movie, and had never heard of it before I watched it for a class. I was amazed that I hadn't, given the number of stars in it. Christopher Walken, John Heard and Melanie Griffith before they were big names. What I loved most about the film though, was its ambiguity about the extent of "true" magic in the New Mexican town of Milagro. The very fact that the town is named Milagro, Spanish for miracle, suggests a magical quality about the town. Many things happen that could be explained rationally, but are not clarified or suggest the supernatural. When the water from the local river owned by Devine's Miracle Valley site accidentally flows into the Mondragon bean field, ghosts are at work. When Amarante, the oldest man in the village is talking to saints and angels, other people see a senile old man and never imagine that he truly could be talking to ghosts apparent to his eyes only. When crosses mentioning "El Brazo Onofre," the thieving trickster of local lore, Devine and his men assume that its the work of dissenting townspeople, though no one ever admits to the crime or is implicated in any way. These ordinary forms of magic show a charmingly realistic depiction of the supernatural. Even the music, beautifully scored by the talented Dave Gruisin suggests a mysterious air. The music sounds like carnival music, alternating from major to minor keys suddenly and ethereally, just as the elements of nature and reality contort to suit the needs of the "miracle town."

Having never seen any anime before Utena, except for the nauseating dubbed versions of Sailor Moon and Pokemon, I became immediately hooked. The series is a must-see, and the film is excellent, but it will confuse the heck out of anyone who hasn't seen the series. This series and movie are definitely for adults, simply because of the complex themes and symbolism. Even if you don't understand what's going on however, you can appreciate the eye candy in the film. The artistry is spectacular, and the film is a deep examination of the themes in the series. Definitely one of my favourites! Highly recommended viewing, but don't skip the series!