bldsimple2
Joined Oct 1999
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Reviews15
bldsimple2's rating
First off, hats off to James Mangold for assembling what had to be one of the finest casts of the 1990's. Second, another hat off to him for making the best Martin Scorsese film Scorsese never directed. Third, thanks for reuniting DeNiro and Keitel. They need to work more (together, that is).
But the real treasure of this film is Sylvester Stallone turning in the finest performance of his career (arguably) and the finest since the original Rocky (indisputable). If you have only seen Stallone in his pumped-up muscle fests of the 80's and early 90's, then you haven't seen the real Stallone. Copland allows Stallone to inhabit a character that completely unlike any other we have seen him do.
Freddie Heflin is the sheriff of a small town on the Jersey side of the Hudson River. He desperately wants to be NYPD but can't because he is deaf in one ear. The good news is, the entire town is populated with NYPD cops so the town has the lowest crime rate in the state. The bad news is someone got all those cops low-interest home loans through the mob in exchange for some favors. Freddie was given the position of sheriff because the locals think he's slow, stupid and will tow the line to keep his job. They are about to find out that they are wrong.
Stallone gained a lot of weight to become Freddie. He plays the role totally introverted, only speaking out toward the end when he is finally pushed in a corner. His clothes don't fit him. He walks awkwardly. He nods and smiles a lot. In short, Stallone melts into the character, leaving behind all the ego he has been accused of bringing to his parts. It's truly a revelation...and should have re-launched Stallone as a dramatic actor, possibly even a mini-DeNiro.
I'm not going to give away the whole story, but one of the best elements I have to mention here. The way Freddie lost is hearing is a tragic story. At the age of 18 he witnesses a car go off a bridge. He dives into the water to save the driver, a teenage girl. He rescues the girl, but loses his hearing in the process. The girl, whom he falls in love with, rejects him and marries another man, an NYPD cop. To this day, Freddie watches her from afar, always keeping an eye on her and hoping one day she'll come around to feel the same way for him as he does for her. It's a touching extra to a story of hard boiled men locked in a hardcore power struggle.
Lastly, I know a lot of people love Ray Liotta. At the time this came out I was not a fan. This, in my opinion, is Liotta's finest work. He utters one of the best quotes in cop movie history, "Being right isn't a bullet proof vest, Freddie."
But the real treasure of this film is Sylvester Stallone turning in the finest performance of his career (arguably) and the finest since the original Rocky (indisputable). If you have only seen Stallone in his pumped-up muscle fests of the 80's and early 90's, then you haven't seen the real Stallone. Copland allows Stallone to inhabit a character that completely unlike any other we have seen him do.
Freddie Heflin is the sheriff of a small town on the Jersey side of the Hudson River. He desperately wants to be NYPD but can't because he is deaf in one ear. The good news is, the entire town is populated with NYPD cops so the town has the lowest crime rate in the state. The bad news is someone got all those cops low-interest home loans through the mob in exchange for some favors. Freddie was given the position of sheriff because the locals think he's slow, stupid and will tow the line to keep his job. They are about to find out that they are wrong.
Stallone gained a lot of weight to become Freddie. He plays the role totally introverted, only speaking out toward the end when he is finally pushed in a corner. His clothes don't fit him. He walks awkwardly. He nods and smiles a lot. In short, Stallone melts into the character, leaving behind all the ego he has been accused of bringing to his parts. It's truly a revelation...and should have re-launched Stallone as a dramatic actor, possibly even a mini-DeNiro.
I'm not going to give away the whole story, but one of the best elements I have to mention here. The way Freddie lost is hearing is a tragic story. At the age of 18 he witnesses a car go off a bridge. He dives into the water to save the driver, a teenage girl. He rescues the girl, but loses his hearing in the process. The girl, whom he falls in love with, rejects him and marries another man, an NYPD cop. To this day, Freddie watches her from afar, always keeping an eye on her and hoping one day she'll come around to feel the same way for him as he does for her. It's a touching extra to a story of hard boiled men locked in a hardcore power struggle.
Lastly, I know a lot of people love Ray Liotta. At the time this came out I was not a fan. This, in my opinion, is Liotta's finest work. He utters one of the best quotes in cop movie history, "Being right isn't a bullet proof vest, Freddie."
I'm gonna get creamed with e-mails from fans of the original CSI show, but I can't help it. In my opinion, CSI: Miami is superior to the original and a good foundation for (the also superior) CSI:NY.
Don't get me wrong, the original is the original, but the fact that the real Miami/Dade CSI's are cops first allows this show to explode in gunfire at any moment...and place our lead, David Caruso, at the center of the action. Now I want to make something clear: Almost 15 years ago I saw some of Caruso's early work and I was trying to figure out what all the fuss was about. What makes THIS guy a sex symbol (on NYPD Blue)? Then, just as fast as he becomes a major star, he exits Blue, makes two movies that bombed (the really good "Kiss Of Death" and the laughable "Jade") and he's suddenly poison. It was after seeing Caruso in Kiss of Death and a previous film, The King of New York" that I realized we were missing one of the last REAL tough guys.
CSI: Miami has brought him back. Caruso spearheads this show with a vengeance. Sure his line readings have their own stilted rhythm, but he did the same thing on NYPD Blue and people loved him then. Caruso with a gun in his hand looks more natural than anything else I have seen on TV (and my favorite show is The Shield).
CSI: Miami is action packed. The stories are seedier. The cinematography is unmatched by any other show. Go watch the DVDs. Tune in Monday nights. I swear, you'll be a convert.
Then go watch Gary Sinise give the performance of his life in CSI:NY. You'll be glad you did.
Don't get me wrong, the original is the original, but the fact that the real Miami/Dade CSI's are cops first allows this show to explode in gunfire at any moment...and place our lead, David Caruso, at the center of the action. Now I want to make something clear: Almost 15 years ago I saw some of Caruso's early work and I was trying to figure out what all the fuss was about. What makes THIS guy a sex symbol (on NYPD Blue)? Then, just as fast as he becomes a major star, he exits Blue, makes two movies that bombed (the really good "Kiss Of Death" and the laughable "Jade") and he's suddenly poison. It was after seeing Caruso in Kiss of Death and a previous film, The King of New York" that I realized we were missing one of the last REAL tough guys.
CSI: Miami has brought him back. Caruso spearheads this show with a vengeance. Sure his line readings have their own stilted rhythm, but he did the same thing on NYPD Blue and people loved him then. Caruso with a gun in his hand looks more natural than anything else I have seen on TV (and my favorite show is The Shield).
CSI: Miami is action packed. The stories are seedier. The cinematography is unmatched by any other show. Go watch the DVDs. Tune in Monday nights. I swear, you'll be a convert.
Then go watch Gary Sinise give the performance of his life in CSI:NY. You'll be glad you did.
