[go: up one dir, main page]

    Release calendarTop 250 moviesMost popular moviesBrowse movies by genreTop box officeShowtimes & ticketsMovie newsIndia movie spotlight
    What's on TV & streamingTop 250 TV showsMost popular TV showsBrowse TV shows by genreTV news
    What to watchLatest trailersIMDb OriginalsIMDb PicksIMDb SpotlightFamily entertainment guideIMDb Podcasts
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthSTARmeter AwardsAwards CentralFestival CentralAll events
    Born todayMost popular celebsCelebrity news
    Help centerContributor zonePolls
For industry professionals
  • Language
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Sign in
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Use app

fabbro-2

Joined Sep 1999
Welcome to the new profile
We're making some updates, and some features will be temporarily unavailable while we enhance your experience. The previous version will not be accessible after 7/14. Stay tuned for the upcoming relaunch.

Badges2

To learn how to earn badges, go to the badges help page.
Explore badges

Reviews2

fabbro-2's rating
Guardami

Guardami

5.5
7
  • Sep 15, 1999
  • The eternal fight between eros and thanatos fakes down.

    It is nice to see that an italian director can use in such a fine way a lot of real cinema "speech" , I mean not-plain-as-pain editing and no one shot is bad, too!. But bold Ferrario, first dares both with the language and with the contents (we are shown REAL sex, just as in hardcore pic), but then resolves the eternal dilemma in the most common way, that is:"yeah, boys history sucks, all is decaying, but life still goes on, no one will ever defeat love and life"......That's a pity because, methinks, everybody could agree on the fact that if Ferrario did not write himself his scripts he would surely achieve something appreciable worldwide.
    Autunno

    Autunno

    5.5
    7
  • Sep 14, 1999
  • three generation of middle-upper-class nevrotics meet

    There really is nothing very original in this movie, nothing still unseen; exspecially by Woody Allen or Nanni Moretti followers. But it has something like a feeling for what he shows us and for what it tries, succesfully indeed, to communicate the audience. Unfortunately enough it's the very subject of the movie (too much on the autobiographical side) the thing that will hardly catch your sympathy just because of the extreme youth of the director (she is 24 and was 22 during the shoots). Young Nina has, nevertheless, style and a precious capability in using the cinematographic language; and that's uncommon in a "first-time" italian director. I am sure that when she starts developing a poetic of her own, her already mature style will allow her to be one of the most followed italian directors.

    Recently viewed

    Please enable browser cookies to use this feature. Learn more.
    Get the IMDb App
    Sign in for more accessSign in for more access
    Follow IMDb on social
    Get the IMDb App
    For Android and iOS
    Get the IMDb App
    • Help
    • Site Index
    • IMDbPro
    • Box Office Mojo
    • License IMDb Data
    • Press Room
    • Advertising
    • Jobs
    • Conditions of Use
    • Privacy Policy
    • Your Ads Privacy Choices
    IMDb, an Amazon company

    © 1990-2025 by IMDb.com, Inc.