The Ticket

Streamed this based on a general interest in following Dan Stevens's post-"Downton" career. Owing to this film's totally amateur sound editing, I could not learn critical information about what these characters were like before the health change that became a key trigger for the whole story. Did not know how and why the marriage seemed to work despite hurdles that many would find crushing, or whether the Dan character had ever before shown signs of an aggressive, competitive personality. I just went from one mumbling, whispering personal scene after another to the not only clear but blasting country songs at the dance venue and totally audible phone sales pitches in the workplace. It's only in the indispensable character-developing scenes that this film leaves us high and dry and totally frustrated.

From his IMDb bio page, it looks as if director Ido Fluk has only one 2011 feature-length film to his credit before 2016's "The Ticket," with short films and writing credits (including this film) and assistant directorships in his history. I cannot see how Dan's early (and awkward for everyone!!) departure from "Downton" has led him to projects this lacking in production professionalism and I hope he can right his ship very, very soon. His and Oliver Platt's work is excellent, but how many times can he afford to risk straight-to-DVD oblivion while groping for a long-lasting film career?

A film with many details that lead nowhere, All movie scenes are predictable - and became to me a very slow paced melodrama that, I didn't really enjoy. the dialogue between the characters is dry, not developing, heavy. In general this movie is stuck in a slow is neither interesting nor intriguing.

Dan Stevens stars here as James, a man who suddenly regains his sight, after many years, when a pituitary brain tumor shrinks. At first, he celebrates with his loving wife Sam (Malin Akerman) and his 13-year-old son Jonah (Skylar Gaertner). However, soon James wants more in his life and this leads to strong marital discord and his engaging in shady and manipulative business practices at his real estate company job.

This will all eventually lead to predictable consequences, and the film became to me a very slow paced melodrama that I didn't really enjoy. The very vague and ambiguous ending certainly didn't help any either.

James (Dan Stevens) is blind, married to Sam (Malin Akerman) with young son Jonah. He works at a call center with other blind people including his friend Bob (Oliver Platt). One morning, he wakes up cured of his blindness. His personality changes. His flirtations with co-worker Jessica (Kerry Bishé) get serious.

There are some good actors doing good work but this movie is stuck in a slow, disjointed, cold art-house world. It also fails as a character study for a simple reason. His change at the very start makes it hard to know James' personality before his turn. It's hard to know the degree of his change, or feel for Sam's loss. This film just leaves me feeling cold and pining for the lost potential.

"If you leave, you can't come back."

How would you react when you lose your eyesight at a young age, leaving you the rest of your life depending on others, never having seen your wife and child, with no idea how your environment looks like and working as a blind in a Call center for a real estate company (in other words, a hopeless job). And then one day you wake up and you realize you can see again. I'm convinced that it'll be a shock. Finally you can see how attractive your wife is and at the same time find out she's a real control freak. You discover you have a cute little son who's being bullied at school for some time and you're wife never told you about it. And the house you live in looks quite dusty and old fashioned with that flower wallpaper. And on top of that, you are satisfied because you see a pretty attractive guy when looking in the mirror. Time to shape up and become the better flirt, I'd say.

This all sounds quite plausible. But James (Dan Stevens) turning into an arrogant, egocentric jerk who only wants to enrich his personal life and get that promotion as soon as possible so that he can improve his materialistic life, felt a little exaggerated to me. Sorry, but the first thing I would do was to go to a zoo, an amusement park or the cinema for example, so I could admire what I missed all those years. But no. James rather starts an ego trip, forsaking those who supported him all these years. A beautiful example of someone who exchanged his physical blindness for a total emotional blindness.

The question is, of course, whether this was a natural healing or a divine intervention. James' daily prayer, with him thanking the Lord for his rich life full of well-meaning people, perhaps finally paid off. Maybe that's the reason why he came up with this luminous idea to convince people in church to sell their homes right now and get rid of everlasting debts. In his sales talk, he always uses the story about the person who desperately wants to win the lottery and prays for it every day. But he never buys a lottery ticket. I think the message is as follows : if you want to change your life, you also need to act in such a way that this change is possible. In my opinion, James is convinced he has won that winning ticket, after piously praying for years. But the actions he undertakes afterwards, are dramatically exaggerated in my opinion.

And how unlikely the turnaround is at the beginning, the more unlikely the turnaround is at the end. Eventually, it seemed the winning ticket was only valid temporarily. Or was it a divine punishment because James let the dark side of his personality dominate? Anyway, I saw the outcome coming a mile away (pun not intended). Personally, I thought the footage where nothing was to be seen, the most fascinating. An impression of how James looked at the world. A black spot with stroboscopic light effects and misty reflections. A successful demonstration of how a blind person experiences his sight. The most emotional moment was the turning point in the dusty dance cafe where James dances one last time with his wife Sam (Malin Akerman) intimately. Despite the artistic character, the many dead moments and the slow pace, Dan Stevens and Malin Akerman know how to give a lively and fascinating performance. "The ticket" won't be a blockbuster like "Beauty and the Beast", but will show a glimpse of Dan Stevens' versatility.

More reviews here : http://bit.ly/2qtGQoc