After an epidemic spreads all over Australia, a father searches for someone willing to protect his daughter.After an epidemic spreads all over Australia, a father searches for someone willing to protect his daughter.After an epidemic spreads all over Australia, a father searches for someone willing to protect his daughter.
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As much as I usually enjoy horror movies, the zombie sub-genre has never been one I'm particularly fond of. Except for classic films such as "Night of the Living Dead" and Raimi's "Evil Dead" movies, or modern entries into the genre such as "Shaun of the Dead" or "Train to Busan", I have never seen any outstanding zombie films which stood out from the crowd. However, this year's "Cargo", an Australian indie based on a 2013 short film and starring Martin Freeman, succeeded in its attempt to do just that: stand out from the crowd.
With a tense atmosphere, a well-written plot and breathtaking cinematography, "Cargo" is better than the average thriller in the way it focuses on its main character and creates sympathy with him to allow the viewer to actually become interested in the film's eventual outcome. The premise, featuring zombies in a post-apocalyptic Australia, is as important as the development of Martin Freeman's character, and the combination of both aspects ultimately allowed this film to turn into something surprisingly original in a genre which I thought had nothing original left anymore.
Some sloppy editing now and then might be my only criticism about the film. Freeman was a great choice for the leading actor; the film was visually gorgeous to watch; the plot was filled with interesting and unpredictable twists (even if you've seen the short film) - in short, I loved the experience I had while watching it. I don't think everybody will; "Cargo" surely is restricted by the limitations of its genre and will leave some viewers disappointed, and that's completely fine - I only hope its Netflix release will allow "Cargo" to see the wide audience it absolutely deserves.
With a tense atmosphere, a well-written plot and breathtaking cinematography, "Cargo" is better than the average thriller in the way it focuses on its main character and creates sympathy with him to allow the viewer to actually become interested in the film's eventual outcome. The premise, featuring zombies in a post-apocalyptic Australia, is as important as the development of Martin Freeman's character, and the combination of both aspects ultimately allowed this film to turn into something surprisingly original in a genre which I thought had nothing original left anymore.
Some sloppy editing now and then might be my only criticism about the film. Freeman was a great choice for the leading actor; the film was visually gorgeous to watch; the plot was filled with interesting and unpredictable twists (even if you've seen the short film) - in short, I loved the experience I had while watching it. I don't think everybody will; "Cargo" surely is restricted by the limitations of its genre and will leave some viewers disappointed, and that's completely fine - I only hope its Netflix release will allow "Cargo" to see the wide audience it absolutely deserves.
I read some of the negative reviews of this film before watching it. I almost avoided it for that reason but I'm so glad I didn't. It's a great film, well written and acted, perfectly staged in various locations of the Australian outback to complement the characters and situations they find themselves in. I felt it conveyed realistic human dilemmas and heart, and brought something new to the genre. Forget the naysayers, do yourself a favour and experience this film.
Greetings from Lithuania.
"Cargo" (2017) won't blow you away in terms of post apocalyptic genre by its size, scope or budget. This is a low key indie movie with a small budget but made with idea and passion, and you can see it during its whole runtime 1 h 40 min. Its well acted, directed and written story set in a very beautiful landscape.
Overall, "Cargo" was a surprisingly good movie. Its small, but its made so well that you won't mind spending 1 h 40 min with it. Very well movie overall.
"Cargo" (2017) won't blow you away in terms of post apocalyptic genre by its size, scope or budget. This is a low key indie movie with a small budget but made with idea and passion, and you can see it during its whole runtime 1 h 40 min. Its well acted, directed and written story set in a very beautiful landscape.
Overall, "Cargo" was a surprisingly good movie. Its small, but its made so well that you won't mind spending 1 h 40 min with it. Very well movie overall.
Some of the reviews here are extremely harsh on this movie. This movie is an adaptation of a 7 minute short film, was produced by netflix, didn't have a huge budget, and they still managed to create a fansastic film with incredible acting and a heartwarming, if tragic, storyline. This is not an oscar worthy film and wasnt created under the same standers as some of these comments seem to believe, but it was definitely worth the watch. If you want an exciting, emotional story about a parent's devotion to his child amidst the end of the world, give this movie a shot!
This isn't a zombie movie. This is a beautiful masterpiece about parenting, survival, and what it means to be human. I found the strong message to be that we are all family. We are all in this together. The only way to survive is to with each other, together. No one gets out alive, but together we can survive as a species; the human race, which is more important than you or I as individuals. It was really quite powerful. Fantastic filmography -the landscape was it's own character.
Did you know
- TriviaActor Martin Freeman found a special rapport with young actress Simone Landers: "Simone's never acted before, she's been a joy. She's a really lovely lovely girl, she loves to laugh. She was charging me a dollar every time I swore so I ended up giving her a lot of money."
- ConnectionsFeatured in Endless Possibilities: South Australia (2017)
- SoundtracksTrust Me
Performed by I'm Talking
Written by Kate Ceberano (as K. Ceberano), Robert Goodge (as R. Goodge), Stephen Charlesworth (as S. Charlesworth), Ian Cox (as I. Cox), Barbara Hogarth (as B. Hogarth) & Cameron Newman (as C. Newman)
Published by Mushroom Music Publishing
Courtesy of I'm Talking
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- Lối Thoát Hậu Tận Thế
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- Gross worldwide
- $56,385
- Runtime1 hour 45 minutes
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- 2.35 : 1
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