L'homme irrationnel

Sometimes a guy can't catch a break, and it may be for good reason. With Woody Allen and the critics of Irrational Man, one may think there's a rational reason, no clever spin intended. Here's a man who is spectacular at what he does, but he doesn't have the most immense range of the American iconoclast-auteurs - by this point, after writing films for 50 years and directing for over 45, critics and most audiences get the gist of what the man works with: some occasional fantasy, light-hearted comedy, serious, brooding drama, romance, mystery, magic, existentialism and the separation of reality and fantasy. But for myself, I went into this trying to take it just on its own terms: does it work as its own story, as to what it's trying to do, with or without the author's baggage? I think it does, often quite well, and it makes a sort of cap to an unexpected, thematic trilogy of movies, which I'll get to in a moment.

In Irrational Man it starts out like what seems to be a story of a philosophy professor (Phoenix) caught in despair, while an eager, bright student (Stone) starts to fancy him. He's blocked, he can't seem to write (or "sleep with" Parker Posey's character early on), and he drinks fairly heavily (Phoenix adds a pot belly to the mix). But its main turning point turns it into what is a Hitchcockian tale of murder and deception, all due to eavesdropping on the sad tale of a cruel judge presiding over a custody case. It turns this professor's life around, albeit with a rather dark twist.

By Hitchcockian it's easy to throw that label around, but this is a filmmaker who has previously used a scene from Shadow of a Doubt (I forget which movie, but I remember characters watching it in one of his films), and now has some elements taken from it. Hey, how about a discussion in a very lively, satirical manner about the best way to go about a murder? Or what if it's a complete stranger with a poison of some kind? At the same time Allen throws in Emma Stone, once again after 'Moonlight' but here now modern and always great to look at as a star on screen with full-on talent and energy to burn with her co-star. Phoenix, meanwhile, gets a lot of this man's despair, and then his odd joy too - though Phoenix may not seem like the most spot-on actor to show 'energy' in the later half of the film, he is still completely there for what this character requires.

What I liked about Irrational Man, even with some of its familiarity in the Allen world - professor with a younger student romantically, questions of morality, what it means when PURE luck really defines what happens for people - is that it was genuine about how its characters saw and changed with their views on the world, and that on its own you get wrapped up in the question of "Will he really get away with this?" To be sure, this question was asked with greater intellectual rigor in Crimes & Misdemeanors, and Match Point had an even tougher, bleaker view of what it means for people to get ahead in the world no matter who stands in heir way. But all three of these movies seem to make up a trilogy - maybe we can call it his 'Dostoyevsky' series - with this one being what I should think is the capper of them. Now it's not an older businessman or a young upstart, but someone who has spent his life trying to figure out what it means to live a meaningful life in theory vs practice.

It may be the literalness of this comparison that will throw off some viewers. That and/or the narration. I have to say that is the one thing I'm really unsure of after seeing it for the first time; on the one hand it works with the realm of film noir, as in here are characters who are constantly plotting or trying to think their way through some sort of emotional or moral logic (and the moment where the plot really kicks off, it seems hard for me to figure how it could be done without voice-over), but on the other there are moments where it is too much, that a moment could work without the character's direction. On the other hand again, it's an existential comedy that takes itself very seriously, or a semi-romantic and dramatic love story that has some light touches (and that ending!) Irrational Man isn't great, but it's very good, exceeding any expectations I could've had, in large part thanks to a cast and, by the way, some really skillful and beautiful direction on the whole (and the warm cinematography, all shot in Newport, Rhode Island). I'll be curious if this gets re-evaluated in 10-15 years.

I saw this movie today and it was just a breath of fresh air. In this era of political correctness and the consequent surge of tragicomedies that seem to be made to drive home the point that everything in life must be serious, Woody, in his infinite wisdom, has prescribed us a style of comedy often hated, misunderstood, and forgotten: the murder comedy a la Chaplin's Monsieur Verdoux. I haven't laughed this hard at someone trying to kill another person since Preston Sturges's 1948 film Unfaithfully Yours, even though it's ultimately a much more understated English style of humor (very Comedy of Manners-ish.) As such, it doesn't surprise me that Irrational Man has been hated by most critics, since they are likely to fall into the trap of expecting that this movie will be one of the aforementioned tragicomedies, and thus simply think it fails to deliver. Instead, here Woody seems to find comedy in everything from Kant to sexism to suicide to faculty gossip, and as a consequence, the movie ends up as loose as his "early funny movies," unfortunately adding just another layer that might further confuse audiences. Essentially, if you don't find the satire quick you just won't understand what you're watching. On the actor side of things, Stone and Joaquin really kill it. It almost feels like they can turn the intensity up as easily as turning a knob, and there are three moments when you really get a sense of how far they can go.

This will certainly be on a list of Woody's most underrated movies in ten years time if the bad reception it gets doesn't slow down, and I hope that people will take the time to realize just what this movie is because I think they'd really have a good time watching it.

Basically, I'll watch any film that Woody Allen makes. That said, it doesn't mean I think all of his films are top rank. His best films blend comedy, psychology, and philosophy with a good storyline. His worse fall short in one of these areas. When I first started watching the film, I thought it had all the potential of some of his better films. A charismatic, somewhat famous, professor comes to a small college. His questionable reputation intrigues and titillates students and colleagues alike. The professor (Joaquin Phoenix )is in the throes of mid-life angst and burdened by the expectations others have of him. In an attempt to recharge his life, he heads down some questionable trails.

The psychological aspects of the plot evaporate into a crime drama. For a moment, the professor becomes a Raskolnikov-like character and I began to think the psychological aspect may once again come to the fore and make this an interesting movie. Instead, this potential plot twist is brushed aside and, sadly, the rest is more or less predictable.

The acting is good enough, though the romantic relationships among the characters are shallow and not well-developed, making them somewhat difficult to believe.

Woody Allen fans may find the film interesting enough, but don't expect another Midnight in Paris or a crime story as good as Manhattan Murder Mystery. If Irrational Man was more in keeping with its title, it would have been less predictable and more interesting.

I enjoyed this even more than my rating suggests and I haven't scored it higher because it didn't make me want to see it again straightaway, which is basically my rationale for giving a film tops. Why not? Because, I think, I simply loved everything about this film and sat smiling and tingling not sure what was coming next but loving it all and I don't think all that would happen second time. Daft? Yes, maybe but certainly this is a must see film, perfectly constructed with full on comedic script and intelligent and sparkling dialogue. There is even a bit of action! Woody gives a nod here to Strangers on a Train but i think he he were honest there is even more of 'Dexter'. Its that clever mix of logic, rationality, morality, sin and humour. Lots of little things amused me, I particularly liked the elements of 'chance' and the astute and sharp critiques of various philosophers. i also enjoyed being surprised and never quite knowing where this was going - just loving the ride. This is most defiantly like 'one of those early funny ones, indeed we may have to start referring to 'those later funny ones' if Woody Allen carries on at this rate. Excellent.

The philosophy professor Abe Lucas (Joaquin Phoenix) arrives at the Braylin University with the reputation of alcoholic wolf. However he is a nihilist man living an existential crisis after the losses of his best friend in Iraq and of his wife that left him with a friend while he was helping people in New Orleans. The promiscuous Professor Rita Richards (Parker Posey) unsuccessfully tries to have sex with Abe. However he feels a platonic attraction by his brilliant student Jill Pollard (Emma Stone) and spends most of his leisure time with her as a friend. One day, they overhear a conversation about a corrupt judge in a diner and Abe secretly plots the plan of a perfect crime. Will he set his plan in motion?

"Irrational Man" is a film by Woody Allen where he blends his style with the idea of Hitchcock´s "Strangers on a Train". The lovely Emma Stone has excellent performance. The plan of Abe Lucas based on the principle that a stranger without motive could commit the perfect crime works very well until the commercial moralist conclusion. Instead of making a thought provoking amoralist conclusion, Woody Allen makes a convential ending for the disappointment of his fans. My vote is seven.

Title (Brazil): "O Homem Irracional" ("The Irrational Man")