Orphans
- Episode aired Dec 17, 2014
- TV-MA
- 53m
IMDb RATING
8.7/10
5.1K
YOUR RATING
A death at the camp causes Elsa to seek out a new home for Pepper. Meanwhile, Desiree has enough of Dell's failure as a husband, and Stanley lends Jimmy a hand.A death at the camp causes Elsa to seek out a new home for Pepper. Meanwhile, Desiree has enough of Dell's failure as a husband, and Stanley lends Jimmy a hand.A death at the camp causes Elsa to seek out a new home for Pepper. Meanwhile, Desiree has enough of Dell's failure as a husband, and Stanley lends Jimmy a hand.
Frances Conroy
- Gloria Mott
- (credit only)
Finn Wittrock
- Dandy Mott
- (credit only)
Kathy Bates
- Ethel Darling
- (credit only)
Featured reviews
This is a fantastic episode, this would be a ten but due to it being in the wrong season it has to be a seven because by having it on freakshow you make it a filler episode , this was really a asylum episode
This episode, by far, was the best episode of the season. Grossman played the roll of Pepper so exquisitely that I couldn't catch my breath during the intense scenes. I was blubbering like a baby and I had to take a moment after the episode ended to collect myself.
Pepper has been in the background for this entire season. After this episode, I'm so disappointed that they didn't have her character in the forefront. Grossman is a phenomenal actress, as shown in this episode, and it's too bad that her gifted acting skills went to waste in the other episodes. Her performance was definitely award-winning and unforgettable.
Pepper has been in the background for this entire season. After this episode, I'm so disappointed that they didn't have her character in the forefront. Grossman is a phenomenal actress, as shown in this episode, and it's too bad that her gifted acting skills went to waste in the other episodes. Her performance was definitely award-winning and unforgettable.
i discovered ahs a year ago, a friend of mine suggested that i watched it, and so i did. i finished s01 and s02 on one weekend, i gotta say that one episode was enough to get me hooked on that show, the main reason was that the show had this line that u can see how the plot was developing not exactly but u could wounder on what's coming next. i agree that s03 had some boring parts (and some holes in the plot) but overall it was pretty descent. i was looking forewords to this season more than any other show and i gotta say i am pretty disappointed so far, the main thing a loved about it is the fact that u have a good horror story with brilliant casting and script alongside with quality set and visually. s04 has it all but the good script, the story is lame and not much for building characters or the plot with back story's like a classic ahs season. o.k so this mid season epi was pretty good i was looking forward to see how brayen Murphy's going to connect the dots, and it was amazing, peppers story was quite emotional as it was interesting. but still, i think that we should get this kind of level at any or at least most of the episodes. so, i hope next season will have more of that cause even if all the remain episodes left, will be in the same level, it doesn't make up for a whole season gone wrong!.
I was a bit concerned viewing the 1st episode for "Freak Show". Not because I didn't love it, but because it was so phenomenal that I wondered if they could keep it up! Lange, Bates, and Paulson(s!) gave so much depth in that episode and it almost seemed to be bringing too much "WOW" to the table much too quickly.
Which I even admired, but wondered about the "too much, too soon" HOOK-EM QUICK charade. Then Lange so tragically/beautifully performed Bowie's "Life On Mars" near the end. I was in complete awe & in that moment I somehow just knew that "Freak Show" was going to redeem "Coven". (A fan of previous seasons, though "Coven" had it's issues"). "Life On Mars", accompanied by her fascinating "monsters" was so haunting and well-designed/produced. It was during that song on that 1st episode that I was in that rare "mouth-open/this could be truly special" mode! Then as more musical numbers came rolling in following weeks, I wondered if it was only playing off the success of "Asylum"s pristine "Name Game" montage (Or even more scarier, a version of AHS: Glee!")
I worry about overkill with Ryan Murphy. Examples: "Glee", "Nip/Tick", and sadly last year's "AHS: COVEN" which began beautifully then lost itself somewhere in mid-season, becoming: "Who's the Most Annoying, Evil Bitch" by the finale episodes, spiced up with a moment or two of awkwardly-staged (bless her heart)-- Stevie Nicks cameos that seemed like music videos to me. It's good we had Kathy Bates' delicious role with a few other cast members to keep it afloat during those "red flag moments". By the finale I literally was just rooting for Lange to just keep it going as Grand Supreme. I could almost not have cared any less. Not intending to reminisce on the pilot and "Coven" so much, but Twisty the clown was gimmicky to me. YET--it still brilliantly worked due to it's timely manner...and because of the actor's incomprehensibly expressive performance using almost entirely only his eyes to act. Dingy, dirty,blood-stained, deformed clowns are terrifying enough in any case. But a murderous clown in a public park, on a lovely summer's day doing such dastardly things to his victims is indeed fresher & more visceral.
I was already sick of hearing about the new season and the scary damned clown...too gimmicky for such a smart show. But no sooner was I getting a bit irritated (merely because it deserves to be remembered as more than the "Eerie Clown" season), when Finn Wittrock (Dandy) was tousled in. That made Twisty seem less awful as the season has progressed (Wittrock is an AMAZING actor; very fun to watch).
So this one tonight was the "PEPPER" episode that loyal fans have been salivating over! And it was worth the wait. I have noted how carefully they have had Pepper shuffling around in the background this season, but doing nothing to progress the plot. This episode was her moment to shine, even more so than she was able to in "Asylum".
I refuse to spoil anything here, but Naomi Grossman takes every opportunity to show us who Pepper was and she does it convincingly with heartbreaking results. If Pepper had been a bigger part I am sure she'd be looking at award nominations for this.
This episode also provided the opportunity to bring back two "AHS" alumni: Mere Winningham as Pepper's sister, and the "oh-so-missed" Lily Rabe...if you haven't heard...reprising her "pre-possessed" Sister Mary Eunice character from "Asylum"!
Without ruining the episode, I'd like to state that it was the most lovely, poignant episode of the season thus far. It really shifted gears! Lange & Grossman have scenes that almost brought me to tears. It also showed yet another layer of Elsa for us to decipher...this time a sincere, compassionate, maternal side to stuff in the proverbial "Elsa Box".
It was a pleasure to see so much of Grossman acting her ass off; great to see Lange unveil yet another facet of her complex character; bravo to Lily Rabe's Mary Eunice return (albeit too brief); and there were some big developments for Angela Bassett finally. With Ethyl gone, it seems she's taking the reigns and the troupe seem to be in good hands.
Not much going on with Jimmy, Dandy, or others this week, but Pepper deserved and received a complete episode!
--Does anybody else feel like Michael Chikilis (Dale) has done fine, but now just seems to be walking around with bottles all the time? They completely wasted the talents of Evan Peters in "Coven". It killed me to watch him grunt around all season.
FYI--A SURPRISE ENDING THIS WEEK! I AM TAKEN BY SURPRISE**
**ONE NAGGING QUESTION--Wouldn't Pepper (who is far from an idiot) notice in the following years as Sister Jude (Elsa), Kit (Jimmy), and Dot/Bette (Lana) entered the asylum? Minus 2 wooden legs, one head, and webbed-hands, they don't appear any differently between seasons. I like the connection of seasons idea (if they don't overdo it), but does anybody else sense the implausibility here? No matter, it's been an appetizing, most welcome season thus far...(now praying: "Don't ruin the finale episodes, Ryan Murphy! When you're good, you're SO GOOD).
Which I even admired, but wondered about the "too much, too soon" HOOK-EM QUICK charade. Then Lange so tragically/beautifully performed Bowie's "Life On Mars" near the end. I was in complete awe & in that moment I somehow just knew that "Freak Show" was going to redeem "Coven". (A fan of previous seasons, though "Coven" had it's issues"). "Life On Mars", accompanied by her fascinating "monsters" was so haunting and well-designed/produced. It was during that song on that 1st episode that I was in that rare "mouth-open/this could be truly special" mode! Then as more musical numbers came rolling in following weeks, I wondered if it was only playing off the success of "Asylum"s pristine "Name Game" montage (Or even more scarier, a version of AHS: Glee!")
I worry about overkill with Ryan Murphy. Examples: "Glee", "Nip/Tick", and sadly last year's "AHS: COVEN" which began beautifully then lost itself somewhere in mid-season, becoming: "Who's the Most Annoying, Evil Bitch" by the finale episodes, spiced up with a moment or two of awkwardly-staged (bless her heart)-- Stevie Nicks cameos that seemed like music videos to me. It's good we had Kathy Bates' delicious role with a few other cast members to keep it afloat during those "red flag moments". By the finale I literally was just rooting for Lange to just keep it going as Grand Supreme. I could almost not have cared any less. Not intending to reminisce on the pilot and "Coven" so much, but Twisty the clown was gimmicky to me. YET--it still brilliantly worked due to it's timely manner...and because of the actor's incomprehensibly expressive performance using almost entirely only his eyes to act. Dingy, dirty,blood-stained, deformed clowns are terrifying enough in any case. But a murderous clown in a public park, on a lovely summer's day doing such dastardly things to his victims is indeed fresher & more visceral.
I was already sick of hearing about the new season and the scary damned clown...too gimmicky for such a smart show. But no sooner was I getting a bit irritated (merely because it deserves to be remembered as more than the "Eerie Clown" season), when Finn Wittrock (Dandy) was tousled in. That made Twisty seem less awful as the season has progressed (Wittrock is an AMAZING actor; very fun to watch).
So this one tonight was the "PEPPER" episode that loyal fans have been salivating over! And it was worth the wait. I have noted how carefully they have had Pepper shuffling around in the background this season, but doing nothing to progress the plot. This episode was her moment to shine, even more so than she was able to in "Asylum".
I refuse to spoil anything here, but Naomi Grossman takes every opportunity to show us who Pepper was and she does it convincingly with heartbreaking results. If Pepper had been a bigger part I am sure she'd be looking at award nominations for this.
This episode also provided the opportunity to bring back two "AHS" alumni: Mere Winningham as Pepper's sister, and the "oh-so-missed" Lily Rabe...if you haven't heard...reprising her "pre-possessed" Sister Mary Eunice character from "Asylum"!
Without ruining the episode, I'd like to state that it was the most lovely, poignant episode of the season thus far. It really shifted gears! Lange & Grossman have scenes that almost brought me to tears. It also showed yet another layer of Elsa for us to decipher...this time a sincere, compassionate, maternal side to stuff in the proverbial "Elsa Box".
It was a pleasure to see so much of Grossman acting her ass off; great to see Lange unveil yet another facet of her complex character; bravo to Lily Rabe's Mary Eunice return (albeit too brief); and there were some big developments for Angela Bassett finally. With Ethyl gone, it seems she's taking the reigns and the troupe seem to be in good hands.
Not much going on with Jimmy, Dandy, or others this week, but Pepper deserved and received a complete episode!
--Does anybody else feel like Michael Chikilis (Dale) has done fine, but now just seems to be walking around with bottles all the time? They completely wasted the talents of Evan Peters in "Coven". It killed me to watch him grunt around all season.
FYI--A SURPRISE ENDING THIS WEEK! I AM TAKEN BY SURPRISE**
**ONE NAGGING QUESTION--Wouldn't Pepper (who is far from an idiot) notice in the following years as Sister Jude (Elsa), Kit (Jimmy), and Dot/Bette (Lana) entered the asylum? Minus 2 wooden legs, one head, and webbed-hands, they don't appear any differently between seasons. I like the connection of seasons idea (if they don't overdo it), but does anybody else sense the implausibility here? No matter, it's been an appetizing, most welcome season thus far...(now praying: "Don't ruin the finale episodes, Ryan Murphy! When you're good, you're SO GOOD).
When Salty mysteriously dies apparently of a heart attack, Pepper is inconsolable, and Elsa tells Desiree how she brought Pepper to the Freak Show. She also recalls how she acquired Ma Petite first and Salty later to be companion of Pepper. She also says how pure Pepper is. Elsa decides to look for Pepper's sister Rita Gayheart to create her with love since she is going to Hollywood. Jimmy is still in jail and Dot and Bette offer their savings for the surgery to Madison to hire a lawyer to defend him, but Stanley arrives first at the jail. Madison discloses to Desiree that Stanley and she are scammers and takes her to the American Morbidity Museum. She sees La Petite, Salty's head and the surprising new acquisition.
"Orphans" is the saddest and cruelest episode of the "American Horror Story", with the heartbreaking story of Pepper before arriving at the mental institution Briarcliff Manor. The plot shows how wicked "normal" people may be, and the attitude of Rita and her husband is despicable. Poor Jimmy, in jail without financial resources to hire a lawyer to defend him. The final scene, when Madison faints, indicates a great sequel to the story. My vote is eight.
Title (Brazil): "Orphans"
"Orphans" is the saddest and cruelest episode of the "American Horror Story", with the heartbreaking story of Pepper before arriving at the mental institution Briarcliff Manor. The plot shows how wicked "normal" people may be, and the attitude of Rita and her husband is despicable. Poor Jimmy, in jail without financial resources to hire a lawyer to defend him. The final scene, when Madison faints, indicates a great sequel to the story. My vote is eight.
Title (Brazil): "Orphans"
Did you know
- TriviaEvan Peters plays Jimmy Darling in AHS: Freakshow. His character is based on the real life "Lobster Boy," Grady Stiles Jr..
- Goofs(at around 26 mins) While talking to Maggie, Bette/Dot stands up and Dot's collarbone is clearly visible, minus Belle's head.
- Quotes
Desiree Dupree: I wasn't born on a farm, but I know bullshit when I smell it, and that's a whole lot of bullshit.
Maggie Esmerelda: Go to Hell, triple tits.
- ConnectionsFeatured in WatchMojo: Top 10 Scariest American Horror Story Moments (2019)
Details
- Runtime53 minutes
- Color
- Sound mix
- Aspect ratio
- 16:9 HD
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