Vampyres

Another try at dipping my toe into the murky waters of modern horror and it's 2015's VAMPYRES, a remake of the Jose Ramon Larraz 1974 same-name classic that I happen to rate quite highly. As usual with remakes, I spent most of the time wondering whether it was worth it, and the answer is unsurprisingly no. This is virtually a shot-for-shot retread missing out entirely the horror and eroticism of the original, replacing them with extra characters and boring subplots.

From the outset this is a tough slog, a very cheap looking digital production with that greyed-out look that many of us recognise and hate. It's another Spanish film, badly dubbed in English in the version showing on Netflix, and the no-name cast give resolutely poor performances, particularly the lead actresses who do nothing with their roles. There's some requisite blood and nudity but it's a far cry from that of the original film. The only notable thing are a couple of nothing cameos from Caroline Munro and Lone Fleming (TOMBS OF THE BLIND DEAD). Avoid!

To be frank, I've been unreasonably excited to watch this for one reason: I absolutely hated José Ramón Larraz's original 1974 film. I found it lacking in meaningful horror, eroticism, or baseline sensuality, otherwise poorly made, and altogether flailing, dull, and boring. Fast-forward 40 years, and surely Victor Matellano couldn't do any worse with a remake, could he? Seeing as how within the first three minutes (most of which are the opening credits) 2015's version of 'Vampyres' demonstrates a more earnest sense of sexual energy and genre thrills, and substantially better direction, cinematography, stunts, and effects? Well surprise, surprise, by doing the bare minimum of film-making and storytelling, Matellano has already bested Larraz in at least some measure. And these aspects remain consistently better throughout these 80 minutes, though not consistent within this picture itself. With that said, it can reasonably be remarked that this is an extremely mixed bag in pretty much every regard. By being a mixed bag instead of abjectly awful this is an improvement; admittedly, however, such a statement doesn't necessarily get one very far.

Beyond illustrating some level of more rudimentary competence than Larraz, whether or not this rendition is any good of its own accord is another question. Matellano shows little to no mind as a filmmaker for tact or nuance, and that bluntness generally trickles down to other facets such as most of the performances, editing, music, costume design, sound design, and more, including too much of the sex scenes, and the fundamental production values. That's not to say that these elements are thusly tawdry across the board, or even if they were, that they couldn't still be worthwhile such as they are. There are actually some fine examples here of shot composition, for example, and themes in the score - and hey, the feature still manages to somehow build a small tinge of atmosphere (another advantage over Larraz), even as the plot doesn't so much advance as it does stumble forward and to the side. But the cumulative effect is troublesome nonetheless. In fairness to the cast and crew alike, I can't tell if they're just poor actors, and inadequate at their own jobs, or if Matellano is just that bad of a writer and director. The dialogue (and its delivery) is mostly so rotten that I'd rather there weren't any dialogue at all; this is actually a very visual movie anyway, so the verbiage is broadly superfluous. Too much of the scene writing is so forceful and unsubtle that I wonder if we wouldn't have been better off had Matellano gone the most brazen route and shot his own picture based specifically on Larraz's screenplay, and possibly just changing or adding small bits and pieces. I don't think Matellano's new story around the same concept is bad, but it's indisputably very light on substance, to the point that when the "climax" rolls around, it feels like a total non sequitur.

The ending, meanwhile - the sequence of short moments we get in succession following the climax - has one good idea among them, culminating in the final shot. The rest are so haphazard and weakly written that I'm not even sure what we're supposed to make of most of it. Within those last minutes, at least part of it all could have been left on the cutting room floor without losing anything. That goes for a lot of the horror violence, for that matter, which is little more than slightly toned-down "torture porn" a la Eli Roth. It looks great, and is duly gnarly, but I think it would've had more impact if it were approached more carefully and sparingly. 2015's sex scenes are a significant improvement on 1974's, which I thought to be among the worst I've ever seen, but are still often too heavy-handed; moreover, the nudity here is tiresomely gratuitous. It's noteworthy that Matellano filmed his Spanish production in English: for as much as his cast tend to struggle with the language, or at least to naturally and convincingly deliver their lines in it, I'm flummoxed as to why he didn't simply shoot in Spanish in the first place and employ subtitles. And so on, and so on. It would be too easy to continue to go into considerable detail about all the peculiarities in 'Vampyres,' and pick it apart, but all the criticism boils down to the same thing. For whatever the filmmaker, his cast, and his crew did well here, the project was in dire need of far more mindful, more attentive, and tighter writing, acting, and craftsmanship. Every component part would have benefited were the production at large more tempered, restrained, and thoughtful in every regard, and the intended effect of the horror or eroticism would have been heightened in turn. Instead, in too many ways this feels like the most bare-bones, unpolished realization possible of the concept. (Which, once more, really says a lot about Larraz, that his movie was absolutely worse.)

I'd love to say that I like this more than I do. For every instance that the title lands on something good, however, it's followed in short order by something that again lowers my esteem, or vice versa. I entered with low expectations, though I admit some part of me was hoping that Matellano would show up Larraz to some degree just because I loathed the antecedent picture so much; could that yearning mean that my perception of this remake was unconsciously altered in its favor from the start? Even if that were the case - in the greatest spirit of generosity one could just overreach and perhaps say that this is "average," but if I'm being honest, it's still a hair below. There is value here, but it's set against a burdensome stack of detractions that prevent it from standing any taller. It's a shame, really; I recognize the potential of what this might have been, but in one fashion or another, it just can't achieve it. 'Vampyres' is mildly enjoyable if you come across it, and don't particularly mind when a film is overall Lesser. Unless you're desperate for more genre flicks, however, or an utmost fan of someone involved, I hesitate to even use the word "recommend" in connection with this.

It's nice to see a rare instance of a remake that genuinely improves on its predecessor. How much that really means, here, is up for debate.

Spanish terror movie about two Vampyre women who cause dreadful murders , being originally directed by the Spanish craftsman Victor Matellano . It begins with a sentence by Teophile Gautier : ¨She sprang from the bed with the force of a savage animal directly to my wound , sucking my life's blood with undescribable voluptuosity¨. Blood-soaked erotic movie upon two gorgeous Vampyres coerce unsuspecting campers to their castle , a regal English manor , for a good time . Introducing a devilish new spin to the vintage movie directed by Joseph Larraz starred by Marianne Morris and Anulka . Here is told a similar story , a lesbian vampire couple (Marta Flich , Almudena León) who would waylay and kidnap various passers-by , both male and female , to take them captive at their luxurious rural manor . It is an allegory yarn set at a luxury mansion occupied by two tempting female vampires and a man they have under lock & key in their cellar . They ensnare victims with their sexy bodies , they lurk the rude woods preying on the innocent and the foolishly valiant to tread solitary , then chew their blood the old way . But their existences and lifestyles are suddenly turned upside down when three meddlesome hikers camping at a tent come upon their lair seeking to uncover their dark secrets . The campers inevitably , embrace their amazing fate as soon as to be aware that some legends are real . A decision that has unexpected sexual but ominous consequences .

This is an up-and-coming remake based on a classic movie by director José Ramón Larraz released in 1974 , a film called Vampyres . In fact , the film is dedicated and in Memoriam to Jose Ramon Larraz , master of arty gore and soft-core . Here Victor Matellano brings this ghastly and stylish story plagued with eerie intrigue , nudism , wicked sado-masochistic behaviors , highly blood-curdling scenes and murders executed in a creepy mansion . The gorgeous protagonists , Marta Flich , Almudena León , deliver the goods , they are are a pair of beautiful vampires who get victims to pull over by hitchhiking , then they proceed to bring them back to their house and drink their blood . Support cast is pretty good , including some grateful cameos as Caroline Munro , Fele Martínez , Antonio Mayans , Lone Fleming , Conrado San Martin and May Heatherly's last film .

This horror movie results to be entertaining but slow-moving , focusing two vampires abduct trippers and drivers , to hold them at their large mansion in the countryside in order to kill and feed on them to satisfy their insatiable thirst for chew their blood . Their starving wishes seem to carry out terrible deaths , which are impossible to stop . As they feed them wine , have passionate sex , and then stab them to death while drinking their blood . The alluring female Vampyres shared the pleasures of the flesh , bloody hungry , and the horrors of the grave . They unleash their fantastic skills and become even more violent and sadistic . A group that has not yet found a better place to remain attempts to find out the rare events leading to an old mansion in bloody results which end in death .

This frightening movie deliberately told contains thrills , chills , suspense , sleazy images and lots of violence and gore , including obnoxious killings . It is a straight horror film that features gallons of sleaze upon sleaze and a lot of sexualized violence . The screenplay is credited to director José Ramón Larraz along with Victor Matellano. This is a Spanish exploitation from Hammer Vampyres vein , as Victor Matellano based on the original plot from José Larraz takes here and there from ¨The Vampire Lovers" , ¨Carmilla¨, ¨Countess Dracula¨, and ¨Twins of Evil¨ , among others . Sometimes weak screenplay is added to well-staged murders and some gory special effects . Furthermore , a scary and thrilling musical score creates a real terror . Colorful but extremely dark cinematography in Hammer style with glimmer as well as lurid colors .

This imitation to sexy , twisted 1974 cult classic was professionally made -but with no originality- by Victor Matellano and was a flop at box office , in fact in Spain was only released in 15 theaters . Victor is an expert on terror movies , as he also directed : ¨Stop over in the hell¨ , ¨Wax¨ , and Short movies such as ¨La Cañada De Los Ingleses¨ , ¨¡Zarpazos! Un Viaje Por Spanish Horror¨ or ¨A Journey through Spanish Horror¨ , ¨Stacatto¨ and ¨Tío Jess¨ . His films are plenty of raw eroticism , grisly killings and depraved gore .

This sort of feels like a remake of 70s movies with the same title. But to be honest there have been quite a few erotic movies in the 70s with lesbian vampires. So this is maybe something that was gone for a while, but it was merely sleeping in the dark - no pun intended.

So after all that lurking, maybe you have to be forgiving when it comes to the acting of it all. The accent is not helping, unless it is a thing you'd consider "authentic". That said, a lot of nudity, a lot blood (the throat cutting effects in the film are quite well done and the movie knows it) ... I reckon there are worse movies. Especially if you don't mind the non-plot you are being served or the non-actors trying their luck to act ... is that a pun?

I love a good vampire flick so I was tempted by the title. All I can say is this "just sucks". Its sucked dry of quality scripting, narrative and the acting ranges from passable to truly awful.

Suffice to say the only thing this film feeds upon is your time and not in a good way. 2/10 from me.