STEVIE D is a humorous crime drama about a Los Angeles construction magnate whose only son has accidentally killed a connected man. A sinister plan is hatched that sends the son into hiding ... Read allSTEVIE D is a humorous crime drama about a Los Angeles construction magnate whose only son has accidentally killed a connected man. A sinister plan is hatched that sends the son into hiding while an unsuccessful actor is hired to fill his shoes and unknowingly take the hit.STEVIE D is a humorous crime drama about a Los Angeles construction magnate whose only son has accidentally killed a connected man. A sinister plan is hatched that sends the son into hiding while an unsuccessful actor is hired to fill his shoes and unknowingly take the hit.
- Awards
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At the opening of the film, I was concerned that I was going to be subjected to 2 hrs of a predictable, mafia-trope-laden tale of caricature bad guys from the East Coast doing and saying "down and dirty" East Coast things (in LA). While there were elements of this (strip clubs, the uber-machismo of the film's antagonist and his legion of sycophantic followers) the story quickly settled into an engaging and charming ride for the audience.
In the end, this is a wonderful film. Chris Cordone scores the proverbial hat trick - It is well written, directed and acted with ALL the characters from main cast to supporting players to the bit parts so well developed and ALL contributing to the story. A fun tale that I characterize as: "Prince & The Pauper meets the confluence of RomCom, Mafia, ActorLife & Noir"
I liked the story. It was actually original, although some of the relationships were strained and unexplainable (for instance, a cold to hot leading lady just did not cut it, nor several other relationships).
Seeing Hal Linden as one of the minor support characters was a shear delight. Another reviewer here noted that there seemed to be a remarkable rift between the quality of the young and old actors on this film - and I would agree.
The two best things I can say about this film is that I watched it all the way through - and for me that's saying something. I don't tolerate bad films for any length of time. Also, the music was the very best thing about this film. It was jazzy, professional, fully integrated into the story and the scenes, and way ahead of the rest of the flawed story/acting/scenes.
One other complaint was the cinematography and staging. It was amateur. Again, I may be a bit harsh here, but the camera was often too focused, without the wide sweeps that tell part of the story, from strip clubs, to restaurants, to hotel rooms, and even a golf club. If you have good equipment, use it.
Here's the real proof of how much I enjoyed the movie: as I would look to see how much time was left, the end of the movie was in sight and I didn't want it to be over.
And yet something happened that made the ending kind of a disappointment, so I no longer felt the way I had felt. But that's okay because things got better.
I recognized Hal Linden, who I knew so well as Barney Miller. I've thought I saw him before, but this time it was really him. And he's still got it. As of whenever this movie was made.
And there were plenty of other good performances from leading actors. Let's not forget the hit men, who seem a little threatening but can't seem to do anything right.
And we do get to see Lenny act in a real movie. He's actually good!
The music was great. Mostly jazz, and I don't mean smooth jazz.
Is this family friendly? Not really. There are the scenes in the strip club, and in the version I saw the sound goes out a lot while the mouth of the character speaking is blurry. But I get the impression a lot of words were left out that would be fine on broadcast TV.
This was a very funny movie.
Did you know
- ConnectionsReferences State Department: File 649 (1949)
- SoundtracksMeet Me In Cognito
Music by Giacomo Gates
Lyrics by Tom Robbins (from his novel "Villa Incognito")
Performed by Giacomo Gates (vocals), Ted Howe (piano), Chris Colangelo (bass), Joe LaBarbera (drums)
Recorded and mixed by Talley Sherwood at Tritone Recording, Glendale, CA
Details
- Runtime1 hour 59 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1