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A deep dive into alternative theories surrounding the Manson murders reveals unexpected connections to government agencies, mind control experiments, and key figures from the era, challengin... Read allA deep dive into alternative theories surrounding the Manson murders reveals unexpected connections to government agencies, mind control experiments, and key figures from the era, challenging the accepted narrative.A deep dive into alternative theories surrounding the Manson murders reveals unexpected connections to government agencies, mind control experiments, and key figures from the era, challenging the accepted narrative.
Charles Manson
- Self - Manson Family Leader
- (archive footage)
Bobby Beausoleil
- Self - Convicted Murderer
- (archive footage)
- (voice)
Sharon Tate
- Self - Manson Family Murder Victim
- (archive footage)
Voytek Frykowski
- Self - Manson Family Murder Victim
- (archive footage)
Jay Sebring
- Self - Manson Family Murder Victim
- (archive footage)
Abigail Folger
- Self - Manson Family Murder Victim
- (archive footage)
Steve Parent
- Self - Manson Family Murder Victim
- (archive footage)
Leno LaBianca
- Self - Manson Family Murder Victim
- (archive footage)
Rosemary LaBianca
- Self - Manson Family Murder Victim
- (archive footage)
Gary Hinman
- Self - Manson Family Murder Victim
- (archive footage)
Bernard Crowe
- Self - Manson Shooting Victim
- (archive footage)
- (as Bernard 'Lotsapoppa' Crowe)
Ronnie Howard
- Self - Susan Atkins' Cellmate
- (archive footage)
Virginia Graham
- Self - Susan Atkins' Cellmate
- (archive footage)
Terry Melcher
- Self - Music Producer
- (archive footage)
- (voice)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Summary
Reviewers say 'Chaos: The Manson Murders' has mixed reception. Praises include engaging presentation, intriguing interviews, and unique insights into Manson's psyche and possible government involvement. Criticisms highlight rushed pacing, lack of depth, and failure to fully explore the book's theories. Some find the documentary disjointed, confusing, and overly reliant on conspiracy theories. Others appreciate its concise format and the director's style, despite noting it could benefit from more detailed exploration.
Featured reviews
While it is understandable why Charles Manson was regarded back then as having a supernatural charm and ability to influence his followers to commit unspeakable acts, the growth of knowledge into psychology, especially childhood trauma and personality disorders, in the past 50 years will easily dispel any conspiracy theory that arose in the 1970s following the murders. The roll-call of cultish personalities that followed Manson, such as Jim Jones, Marshall Applewhite and David Koresh, is proof that there is nothing magical about their ability to indoctrinate those who are susceptible to their influence; they are all basically following the same set of rules used by the greatest con-artists.
At the start of the documentary, Manson is shown proclaiming that he is not a nice man, but his would-be followers insisted that he is; they needed to view him as "nice" and thereby safe, perhaps helped by his diminutive stature, so he admitted to "reflecting nice back to them". People like Manson wield enormous influence over some simply because their superpower is sniffing out the weaknesses and vulnerabilities of others, and using that to their advantage. This superpower is often the result of severe childhood trauma and/or neglect, where the child does not have any healthy adult role models to learn empathy from, and views other people as merely tools to survive and get their needs met.
A cursory search into Manson's childhood revealed an alcoholic mother who was ill-equipped to raise him, a biological father that he never knew, and a step-father who flagged the mother for "gross neglect of duty". It is therefore no surprise that Manson's life was characterised by anti-social and criminal behaviour. In an ironic twist, the people most susceptible to those like Manson, such as Manson's followers, are usually themselves lost children seeking the guidance and love they never received from their parents. This shared experience of childhood trauma, and subsequent trauma bonding, is why Manson had such a hold over those he sent out to do his bidding. Manson himself was a scared child faking bravado to face the big bad world; that he ran away after injuring Hinman, leaving Beausoleil to deal with it, and how he delegated the killings to his followers proved what a coward he truly was.
As Beausoleil put it, Manson was not a mastermind. Far from it, he was instead a broken child in a man's body, hateful at the world for thwarting his desires, and the murders were his misguided way of taking revenge and exerting his will. That the documentary failed to explore any of his psychology and childhood, as well as that of his followers, makes it incomplete because the conspiracy theories are ultimately not as compelling as the truth behind Manson's deranged machinations. The only thing I got out of it was that Manson was a competent musician and songwriter. Perhaps in a parallel universe, where he had better parents and childhood, he might have become a successful musician, adored by many, instead of this infamous trainwreck of a human being.
At the start of the documentary, Manson is shown proclaiming that he is not a nice man, but his would-be followers insisted that he is; they needed to view him as "nice" and thereby safe, perhaps helped by his diminutive stature, so he admitted to "reflecting nice back to them". People like Manson wield enormous influence over some simply because their superpower is sniffing out the weaknesses and vulnerabilities of others, and using that to their advantage. This superpower is often the result of severe childhood trauma and/or neglect, where the child does not have any healthy adult role models to learn empathy from, and views other people as merely tools to survive and get their needs met.
A cursory search into Manson's childhood revealed an alcoholic mother who was ill-equipped to raise him, a biological father that he never knew, and a step-father who flagged the mother for "gross neglect of duty". It is therefore no surprise that Manson's life was characterised by anti-social and criminal behaviour. In an ironic twist, the people most susceptible to those like Manson, such as Manson's followers, are usually themselves lost children seeking the guidance and love they never received from their parents. This shared experience of childhood trauma, and subsequent trauma bonding, is why Manson had such a hold over those he sent out to do his bidding. Manson himself was a scared child faking bravado to face the big bad world; that he ran away after injuring Hinman, leaving Beausoleil to deal with it, and how he delegated the killings to his followers proved what a coward he truly was.
As Beausoleil put it, Manson was not a mastermind. Far from it, he was instead a broken child in a man's body, hateful at the world for thwarting his desires, and the murders were his misguided way of taking revenge and exerting his will. That the documentary failed to explore any of his psychology and childhood, as well as that of his followers, makes it incomplete because the conspiracy theories are ultimately not as compelling as the truth behind Manson's deranged machinations. The only thing I got out of it was that Manson was a competent musician and songwriter. Perhaps in a parallel universe, where he had better parents and childhood, he might have become a successful musician, adored by many, instead of this infamous trainwreck of a human being.
As "Chaos: The Manson Murders" (2025 release; 96 min.) opens, the documentary states its opening premise: how did Charles Manson get total control over the minds of the so-called Family, ordering them to murder innocent people? We then go to "August 9, 1969", the day after Sharon Tate and 4 others were murdered and before 2 more innocent people were killed later that day. At this point we are less than 10 minutes into the documentary.
Couple of comments: this is based on Tom O'Neill's book "Chaos: Charles Manson, the CIA, and the Secret History of the Sixties", in which he wonders whether the CIA somehow was involved in all this as it was working on a secret project called CHAOS to understand how to control people's minds. I have not read that book, and frankly I would not have been all that interested in watching this documentary, but for the fact that this is directed by the Oscar-winning Errol Morris ("The Fog of War"). Morris interviews O'Neill extensively, and makes it clear that he (Morris) is quite skeptical about O'Neill's original premise. One of the things that sets this documentary apart from the many other documentaries about these events is that Morris pays close attention to Manson's music (the lack of getting signed by a label; even better: the use of 8 songs sung by Manson, culled from his 1968 demoes).
"Chaos: The Manson Murders" recently started streaming on Netflix. After reading an interesting review on it in yesterday's NY Times, and realizing that Errol Morris directed this, I watched it last night. The documentary is currently rated 66% Certified Fresh on Rotten Tomatoes, which sounds about right to me. If you have an interest in the Manson murders now 56 years later, I'd readily suggest you check this out, and draw your own conclusion.
Couple of comments: this is based on Tom O'Neill's book "Chaos: Charles Manson, the CIA, and the Secret History of the Sixties", in which he wonders whether the CIA somehow was involved in all this as it was working on a secret project called CHAOS to understand how to control people's minds. I have not read that book, and frankly I would not have been all that interested in watching this documentary, but for the fact that this is directed by the Oscar-winning Errol Morris ("The Fog of War"). Morris interviews O'Neill extensively, and makes it clear that he (Morris) is quite skeptical about O'Neill's original premise. One of the things that sets this documentary apart from the many other documentaries about these events is that Morris pays close attention to Manson's music (the lack of getting signed by a label; even better: the use of 8 songs sung by Manson, culled from his 1968 demoes).
"Chaos: The Manson Murders" recently started streaming on Netflix. After reading an interesting review on it in yesterday's NY Times, and realizing that Errol Morris directed this, I watched it last night. The documentary is currently rated 66% Certified Fresh on Rotten Tomatoes, which sounds about right to me. If you have an interest in the Manson murders now 56 years later, I'd readily suggest you check this out, and draw your own conclusion.
While this documentary was highly entertaining, holding my interest for its duration, it certainly wasn't earth-shattering in its analysis or profoundly insightful. As far as this viewer could tell, the central premise of the film - that Manson and his followers were (perhaps unwitting) participants in MK Ultra, a CIA-administered "mind control" project relying primarily on the use of the hallucinogen LSD - the research into both components of this dyad (i.e., Manson and MK Ultra) seemed superficial at best, retelling only what numerous previous docs on these subjects separately have reveled, drawing only tentative, unsurprising correlations between them. Still, the presentation of material was concise and balanced, allowing viewers to arrive at their own conclusions. The interviews with many of the key players were likewise fair, interesting, and new. All-in-all, a well-made, if not jaw-dropping, endeavour.
This ninety (90) minute documentary is based upon Tom O'Neil's controversial book on the Manson Family. His book is a counter to the best selling Bugliosi book, Helter Skelter. The basic premise of the book and documentary is that Manson was not simply a crazy cult leader. He was a product of CIA MK Ultra LSD mild control experimentation by the US Government. The movie uses great documentary and interview clips to tell the story. It also uses Manson's original music as part of the soundtrack. The biggest issue with the documentary is that if you don't have some level of understanding of the facts and characters the film may be hard to follow. I recommend it anyway, and the book.
So sloppily done. I couldn't even tell who was speaking most of the time as there were no titles. We were to assume we knew who they were. So the author made the claim that the author of Vincent bugliosi was way off in his theory about why Manson and followers murdered in cold blood. Yet the author of this book did not offer any evidence to the contrary. He uses the term "brainwashing " which can not be used in a court of law because there is no such thing as brainwashing. It's correctly called thought conditioning or thought reform, supported by peer encouragement. The idea that the CIA had anything to do with this event was ludicrous. They were freaking high on drugs and in an isolated cult which removes them from any sort of consciousness or morality other than what they were told. The author Tom O'Neill was simply not credible enough for me to believe.
Did you know
- Quotes
Tom O'Neill: Frankly, I still don't know what happened. But I know that what we were told isn't what happened.
- ConnectionsFeatures Un crime dans la tête (1962)
Details
- Release date
- Country of origin
- Language
- Also known as
- Caos: Los crímenes de Manson
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 35 minutes
- Color
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