Containment

From the title and the movie jacket there is no mystery as to what "Containment" is about. There has been an outbreak of a mysterious virus and the British government wishes to contain it before it spreads too far. I've seen enough of these types of movies and a few of them have been done really well. I expected this movie to be along the lines of "Contagion", "REC" and others like them.

"Containment" started off really hot. Right away the main character finds himself locked into his own flat. From that point on it is a matter of finding out why. He is joined by other neighbors and one of them is just a powder keg ready to blow. It was at the time of the neighbors joining one another that the movie began to sour for me.

I get that you need drama in movies for them to be exciting and worthwhile and a lot of times the drama comes from the characters themselves, but these characters were just plain unlikable. I get that stressful situations brings about certain behavior, but is it too much for people (neighbors no less) to be in accord just once? Because they were quarantined together I had to put up with this maddening motley crew for the entire movie. The focus was very local, as in you knew nothing more than what was going on at the apartment building under quarantine so all decisions being made were with the information available to the imprisoned. The containment situation went from bad to worse as level-headedness gave way to hysteria.

The problem with the film is that it has been done before, and much better. I am a fan of contagion themes - real ones, not zombies or some other crap like that - but I found this boring as hell. People talk a lot, overreact, reach stupid conclusions and then just fail right before implementing a good idea.

The only thing they got right is how incompetent "the authorities" would be in a case like that, but even that has been done to death, especially in British productions.

Bottom line: you know this film has failed when I suddenly found myself hoping the infected would act like zombies.

Mark wakes up late, missing a court appearance to find no water coming out of his taps, his communications cut off, and his door glued shut.

So it's a little flawed, it feels like it was made as a student film, and Lee Ross is the nine millionth person we'd cast as a lead role in a thriller, but for my humble opinion I felt it worked rather well. Lee is a great comic actor, but also credible in a straight role, he's great. The film is totally stolen by Sheila Reid, straight out of Benidorm, it could have been written for Madge, she's so good.

I expected an ambiguous ending and I wasn't disappointed, I kept expecting zombies and wondering if there'll be a follow up.

Imagine waking up to these events? Thought provoking, in a similar way to Threads. More enjoyable then the reviews give it credit for. 7/10.

Reviewed by: Dare Devil Kid

Rating: 3.5/5 stars

"Containment" gets by purely on resourcefulness and sincerity. It's a niftily executed viral-outbreak thriller that, true to its title, makes good use of a confined space to ratchet up the drama of the situation, while working hard to bypass the more obvious narrative traps it creates for itself. Strong attention to detail and a disquieting score set this directorial debut feature apart, but some of the characters' motivations aren't entirely convincing.

There's nothing groundbreaking in this low-budget British thriller, but newbie director Neil Mcenery-West makes excellent use of his claustrophobic setting. Eventually, "Containment" succeeds in proving that you don't need a whopping great budget, nor an A-list cast to produce an accomplished piece of work.

"Containment" (2015) is the film that sounds cliché but isn't. It's a surprisingly fresh take on an old standby -- diverse people isolated by an outside threat are forced to cope and survive with each other, along with the threat. In this case, an entire apartment block in Britain is forcibly and mysteriously quarantined overnight; residents awake to sealed doors and hazardous materials units being deployed along the grounds.

But this is a smartly written independent sci-fi thriller that avoids a lot of common tropes. Then it introduces plot developments that are unexpected, yet make perfect sense. It's more original than you'd guess at first.

There's a lot of nice acting, including work by Lee Ross, and by Louise Brealey of "Sherlock" (2010) fame.

My only complaint was a thematically ambiguous ending that seemed lost on me. But I'd still give this an 8 out of 10.