Royal-ish

The premise is pure Hallmark: Theme park princess meet handsome real life prince.

However, there are some very un-Hallmark issues here; the Princess is worried about aging out of her job and is frustrated by her unfinished educational goals, the prince's young daughter has emotional issues due to the death of her mother.

So, it's not perfect in this tale of fairy land meets real life fairy land.

The problem is how the Prince is portrayed. He talks in formal complete sentences and acts like his shorts are too small. A bad parody of what Americans think "Royals" are like.

Cardboard antagonists (the icy Queen and "Privy Council" head) are there to create roadblocks.

In private conversations the Prince acts and sounds entirely artificial. How about having him have two personas...one stuffy and "official" when acting in a official capacity and another where he talks and acts like a regular guy when talking to his daughter and the young woman trying to help her? The script DOES have him talk with the child and princess, but the actor uses the same tone all the time.

Do the Hallmark execs think a character with two facets (personas) is too subtle for audiences?

I hate to say it, but you have to blame the director here. A bit of subtle characterization would have done wonders here. I'm no Scorsese, but after watching a few takes I would if had the actor do the scene both ways...the traditional stilted Hallmark method, and one where the prince is acting less stereotypically "royal" when he needs to. When talking privately, make him a real person, not a stuffy stereotype.

Sakura does a wonderful job given her constraints, Moseley given his experience playing a modern prince in "The Royals" soap should have pushed his character to make him more realistic and relatable.

I hope to see more of Sakura, she comes across as much more real and worldly than the usual Hallmark lead female.

The basics were there to make it a much warmer, more dramatic and touching (but still HEA) film.

Hopefully Hallmark will let writers, directors and actors expand from their (admittedly successful) approach.