Two siblings become increasingly frightened by their grandparents' disturbing behavior while visiting them on vacation.Two siblings become increasingly frightened by their grandparents' disturbing behavior while visiting them on vacation.Two siblings become increasingly frightened by their grandparents' disturbing behavior while visiting them on vacation.
- Awards
- 1 win & 14 nominations total
Erica Lynne Arden
- Train Passenger
- (uncredited)
Kevin Austra
- Street Walker
- (uncredited)
Richard Barlow
- Police Officer
- (uncredited)
John Buscemi
- Police Officer
- (uncredited)
Evan Charles
- Surfer
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I love horror and some flat out just suck but I have been wanting to see this one.
Tyler and Becca are sent to see their grandparents, whom they have never met since Papa and Nana had a falling out with their mother years ago. Some bad blood between them and Mom wants to go on a vacation with her boyfriend so she sends the kids to meet their grandparents for the first time. They live on a rural farm in the middle of nowhere with no cell service and little internet access.
At first they seem like a normal old couple but soon after it becomes obvious something is off esp with Nana. They maintain in constant communication with their mother. It is obvious Nana does not like to talk about their mother so the kids are still trying to figure out what the estrangement is all about. Things then get weird! A good solid flick. Great job M. Knight for keeping me entertained and scaring me a little
Tyler and Becca are sent to see their grandparents, whom they have never met since Papa and Nana had a falling out with their mother years ago. Some bad blood between them and Mom wants to go on a vacation with her boyfriend so she sends the kids to meet their grandparents for the first time. They live on a rural farm in the middle of nowhere with no cell service and little internet access.
At first they seem like a normal old couple but soon after it becomes obvious something is off esp with Nana. They maintain in constant communication with their mother. It is obvious Nana does not like to talk about their mother so the kids are still trying to figure out what the estrangement is all about. Things then get weird! A good solid flick. Great job M. Knight for keeping me entertained and scaring me a little
Now I am the first to admit you have to be in the mood for one of M Night Shyamalan's films. He intentionally tries to throw you off guard when you are watching one of hid films, you constantly question if all is as it should be, or quite simply is he messing with you.
I had ignored all info, trailers and chat about this film, as with all his movies once you know what's going on they change somehow, it's the first for a little while of M's films I can say I really enjoyed.
I won't go into too much of the plot, a single woman estranged from her parents receives an online message from them, she allows her two kids, Becca and Tyler to stay with their grandparents for a week. The kids use the experience to make a film, some behaviour they capture is rather inexplicable.
Excellent acting, but it's the kids that steal the show, I really thought they were brilliant.
At one point in the film my heart truly sank, I felt uneasy being the viewer, I felt powerless, and for that reason I give this film an 8, it's been a while since a movie has done that to me. A bit slow for the first twenty minutes, but the ending is worth the wait.
I had ignored all info, trailers and chat about this film, as with all his movies once you know what's going on they change somehow, it's the first for a little while of M's films I can say I really enjoyed.
I won't go into too much of the plot, a single woman estranged from her parents receives an online message from them, she allows her two kids, Becca and Tyler to stay with their grandparents for a week. The kids use the experience to make a film, some behaviour they capture is rather inexplicable.
Excellent acting, but it's the kids that steal the show, I really thought they were brilliant.
At one point in the film my heart truly sank, I felt uneasy being the viewer, I felt powerless, and for that reason I give this film an 8, it's been a while since a movie has done that to me. A bit slow for the first twenty minutes, but the ending is worth the wait.
I almost didn't see this film because of all the hate for it on this site. I was going to skip it - considering it wasting my time, but my wife insisted. Afterwards, I was pleasantly surprised and glad we watched it.
It's not really a very typical horror film. It's not even a typical M. Night film. It is scary at times, but mostly creepy. It leaves you glued, wondering what's going to happen next. Which is what a film is supposed to do.
It's low-budget. There isn't anybody in it you would recognize. Which, to me, made it seem more "real." It's not perfect. It does have some clichés, some jump out and "BOO!" kind of scares, which turn some people off. It is NOT a 'found footage' film. Reviewers who labeled it that don't know the definition. The young girl is trying to shoot a documentary and SOMETIMES you look through the camera lens as she's filming. But it's NOT the whole movie and nobody finds the footage. The camera is sometimes shaky, but they are kids, not pros, and it doesn't do that very long. It does have very few plot issues that you kind of have to "go with." What horror film doesn't?
But - I've certainly seen worse thriller/horror type movies. I've even seen worse M. Night movies. This is the best from him in years. The acting was decent and the characters seemed real and flawed. The story was intriguing and it kept you guessing. Just when it seemed like it might be getting long, it was over. Not my favorite movie, but certainly not as bad as people are panning it. It's worth your time if you like this sort of movie.
I'll make you a deal -- If you don't like horror thrillers, don't watch them or review them and I'll do the same for romantic comedies.
It's not really a very typical horror film. It's not even a typical M. Night film. It is scary at times, but mostly creepy. It leaves you glued, wondering what's going to happen next. Which is what a film is supposed to do.
It's low-budget. There isn't anybody in it you would recognize. Which, to me, made it seem more "real." It's not perfect. It does have some clichés, some jump out and "BOO!" kind of scares, which turn some people off. It is NOT a 'found footage' film. Reviewers who labeled it that don't know the definition. The young girl is trying to shoot a documentary and SOMETIMES you look through the camera lens as she's filming. But it's NOT the whole movie and nobody finds the footage. The camera is sometimes shaky, but they are kids, not pros, and it doesn't do that very long. It does have very few plot issues that you kind of have to "go with." What horror film doesn't?
But - I've certainly seen worse thriller/horror type movies. I've even seen worse M. Night movies. This is the best from him in years. The acting was decent and the characters seemed real and flawed. The story was intriguing and it kept you guessing. Just when it seemed like it might be getting long, it was over. Not my favorite movie, but certainly not as bad as people are panning it. It's worth your time if you like this sort of movie.
I'll make you a deal -- If you don't like horror thrillers, don't watch them or review them and I'll do the same for romantic comedies.
This is Shayamalan's second film after the Last Airbender fiasco. It's a return to his light horror and small, contained story roots. The acting and script were good, and combined with the hand-held mockumentary conceit it felt very real. If you like Shayamalan movies and scary movies about crazy old people, give it a try.
After having spent years squandering the studio money & garnering the wrath of film critics in his past few outings, M. Night Shyamalan takes a break from big-budget productions and decides to return to small-scale projects constrained by shoestring budget in an attempt to rediscover his creative side and with his latest feature, I'd say he has found it.
The Visit tells the story of two siblings who decide to spend a week with their grandparents at their farmhouse while their mother is planning a vacation with her current boyfriend. The two kids, having never met their grandparents in person before, find their company strange at first but as the days pass, they discover a deeply disturbing secret about their hosts.
Written & directed by M. Night Shyamalan, The Visit finds the director away from all sort of studio involvement, thus allowing him to rely on his creativity to overcome the restrictions imposed by its low budget and he does a really good job at it. The film makes use of all his trademarks and successfully blends different genres & shooting techniques into one solidly crafted thriller.
Shyamalan's screenplay isn't bad either. The plot is quite simple, the number of characters are kept to a minimum and all have relevant roles to play in the outcome and it's effectively brought to life on the film canvas. The found-footage camera-work is nicely carried out and its tight editing only helps in establishing an increasingly tense & suspenseful atmosphere, which is brilliantly sustained till the end.
The expected Shyamalan twist is also there, following which the movie becomes somewhat predictable and the pay-off isn't much rewarding. The performances are a definitely plus for the kids waste no time in becoming a nuisance, especially that 13-year old rapping douche, but it's actually their grandparents who leave the most lasting impressions with their eerie renditions, which only gets more menacing as the story nears its end.
On an overall scale, The Visit is a welcome return to form for M. Night Shyamalan after his lengthy string of critical & commercial failures and is a strange mix of horror & comedy that is able to balance the elements of both genres quite nicely. It does create a friction at times but for the most part, the narration is smooth. The few bad decisions taken in the picture lie within the characterisation range and as a whole, The Visit succeeds in delivering a thrilling movie experience, that comes loaded with odd laughs in between.
The Visit tells the story of two siblings who decide to spend a week with their grandparents at their farmhouse while their mother is planning a vacation with her current boyfriend. The two kids, having never met their grandparents in person before, find their company strange at first but as the days pass, they discover a deeply disturbing secret about their hosts.
Written & directed by M. Night Shyamalan, The Visit finds the director away from all sort of studio involvement, thus allowing him to rely on his creativity to overcome the restrictions imposed by its low budget and he does a really good job at it. The film makes use of all his trademarks and successfully blends different genres & shooting techniques into one solidly crafted thriller.
Shyamalan's screenplay isn't bad either. The plot is quite simple, the number of characters are kept to a minimum and all have relevant roles to play in the outcome and it's effectively brought to life on the film canvas. The found-footage camera-work is nicely carried out and its tight editing only helps in establishing an increasingly tense & suspenseful atmosphere, which is brilliantly sustained till the end.
The expected Shyamalan twist is also there, following which the movie becomes somewhat predictable and the pay-off isn't much rewarding. The performances are a definitely plus for the kids waste no time in becoming a nuisance, especially that 13-year old rapping douche, but it's actually their grandparents who leave the most lasting impressions with their eerie renditions, which only gets more menacing as the story nears its end.
On an overall scale, The Visit is a welcome return to form for M. Night Shyamalan after his lengthy string of critical & commercial failures and is a strange mix of horror & comedy that is able to balance the elements of both genres quite nicely. It does create a friction at times but for the most part, the narration is smooth. The few bad decisions taken in the picture lie within the characterisation range and as a whole, The Visit succeeds in delivering a thrilling movie experience, that comes loaded with odd laughs in between.
Did you know
- TriviaAccording to statements made on Twitter, director M. Night Shyamalan prepared three different cuts of the film: one that was "pure comedy," another that was "pure horror," and a final one that "fell somewhere in between."
- GoofsThe amount of snow covering the landscape varies dramatically from day to day and even between scenes taking place on the same day.
- Alternate versionsIn the FX broadcast, to keep the TV-14 rating, the defecation featured in the movie are censored. In addition, two scenes involving nudity is blurred out.
- SoundtracksPossession
Written by Harry Revel
Performed by Les Baxter and His Orchestra and Chorus
[Theremin - Dr. Samuel Hoffman]
Courtesy of RCA Records
By arrangement with Sony Music Licensing
- How long is The Visit?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Los huéspedes
- Filming locations
- 3049 Merlin Road, Chester Springs, Pennsylvania, USA(Exterior House)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $5,000,000 (estimated)
- Gross US & Canada
- $65,206,105
- Opening weekend US & Canada
- $25,427,560
- Sep 13, 2015
- Gross worldwide
- $98,450,062
- Runtime1 hour 34 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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