La Grande Aventure Lego 2

I'm having trouble figuring out exactly what it is, but this film is severely lacking in something the first one mastered.

Let's start with the easy stuff. There are way too many references and bad puns. Some reviewers would call these references "jokes the adults can understand", and while that is true, they aren't funny. They're just kind of there. They are references that exist for you to say "I get that". There is no "ha" preceding that. Yes, the original also had references and bad puns, but they were used well and there weren't nearly as many.

The first LEGO movie was very self aware, but it had a soul that really seemed to care about what it was saying. The second LEGO movie was so self aware that it was very difficult to take seriously.

There was an obvious message about how growing up should be about learning to work with different people, but it kind of fell flat beneath the veil of "play with others even if you don't like how they play". It honestly made me a little angry. Maybe it wasn't intentional, but the film seemed to suggest that traditionally masculine things are incapable of being used in an imaginative way. I couldn't help but feel a pinch of modern social politics biting for my throat.

The first film felt very apolitical, and I believe that's fitting for a film about a franchise of toys that cradled our imaginations before we cared about politics. This film certainly didn't "ruin my childhood" by any means, but it was a disappointment.

Actually the first lego movie and the lego batman movie are quite awesome, with interesting dialogues and original stories. Yet, this lego Movie 2 essentially kills the lego franchise. The screenplay is chaotic. The singing and dancing are merely noisy. The subplots are just irrelevant. The structure is very loose. The plot does not have any sense of credibility. I hoped that it could have become thrilling at some point, but it never did. There is neither anything new nor anything intriguing in the screenplay.

I got roped into seeing this with my friend and our kids, and I went in with a bad attitude prepared to hate it. I think I actually liked it more than the kids!! It's really funny, well written for the kids to enjoy but also a lot of adult jokes in there with a great cast. Really recommend.

I absolutely fell in love with The LEGO Movie. It was creative, unique, and surprisingly heartfelt. Unfortunately, none of these words could be used to describe The LEGO Movie 2: The Second Part. While it is a far cry from bad, it never manages to recapture what made the original so special.

Let's start with the pros. The animation is still as excellent and smooth as it was in the last film, and I continue to marvel at how the animation team is able to replicate the stop-motion look. The voice-acting is still top-notch and I enjoyed the performances from the few new characters. As well, many of the jokes were very funny and, although Phil Lord and Chris Miller did not write this film alone, it is apparent that this is still their specific style of humour. The concept of the film is very interesting and provided some smart scenes that drew parallels to the real-world aspects of the film. Finally, the film was very fast-paced and moved along quickly, therefore I was never bored or felt as though a scene went on too long.

Now, time for the cons (and unfortunately, there's plenty). What made the first film so unique in my opinion was its heartfelt ending and message about creativity and being yourself. This film tries to replicate that with its own emotional message, but fails mainly due to the storyline feeling very messy and unfocused. It doesn't feel as cohesive as the original did because, unlike the first film, this one has its characters split up for the most part, encountering different obstacles and trying to reach different goals. The writing didn't feel lazy by any means, but didn't feel as creative or special as the first. Also, many of the jokes were bad. REALLY bad. Luckily, the movie moves so quickly that it never lingers on any one joke for too long, but I was left thinking about some of the worst ones even after they ended. There are a few new characters in this film and, while I said that the performances were good, I didn't love these new characters. Rex Dangervest is the most interesting out of the bunch and his interactions with Emmet are a highlight, however Queen Whatevra Wanabi was SO annoying. It was hard to get through scenes with her. What made it even worse was that they had a pretty cool new character that could've taken the Queen's place in the story: General Meyhem. Unfortunately, she doesn't do anything in the film and is around for little to no reason, yet she has an interesting design and the helmet on her head adds a mystery that could've been interesting had it been explored more. Another thing that left me scratching my head was the inclusion of a few musical numbers. They were catchy songs, I'll give them that, but they had no place in this film and made it feel like a completely different world than the first one. As well, there is a twist that is very obvious to anyone paying attention, though after it's explained a little more it becomes more interesting.

Overall, the film is still funny, charming, and better than a lot of crappy animated films you'll find out there, it just suffers from an unfocused story and a director that cannot live up to the standards set so high by Lord and Miller. Not bad, but not so awesome either.

Five years removed from the infectious first installment, comes a serviceable extension of a story that already had a proper ending. The subtitle The Second Part is surely a half truth considering how this narrative slapped together by the original writers Christopher Miller and Phil Lord seems tacked on in a "Oh let's take a victory lap then" sense. The new director Mike Mitchell is planted into a zero sum game as he tries to reignite the novelty of the first film while propelling a more mature plot that Miller and Lord insisted on being needlessly convoluted. This sequel comes off as a afterthought worthy to stand beside the other spinoff LEGO films, but lacks all of the magic of its predecessor.

The magic present in The LEGO Movie resides in the playful allegory of capitalism mixed with the earned nostalgia of the animation's medium. Not to mention the brilliant reveal of a child's imagination directing the entire story. These are all elements revisited the second time around, but the trick has already been explained by the magician. The world of Brickville goes through sufficient changes almost immediately once toddler-sized LEGO creations attack with unrivaled fury. The brick civilization reverts to a Mad Max world after the invincible fat-bricked organisms regularly search and destroy anything colorful or shiny.

Through some less-than-subtle live action mirage shots early in the film, its apparent that Finn (Jadon Sand) the boy mastermind in the first film is being plagued by his younger sister Bianca (Brooklynn Prince). Her entry-level LEGO creations clash with his more involved and complex structures, and the result is a sibling pair never learning to play in symbiosis. Of course this conflict is merely implied before the lazy live action finale that resolves the paper thin dispute, and wholly lacks the gusto of the first movie's twist. The jig is already up from scene one of the sequel, because we are aware of the children's narrative dictatorship, so none of the LEGO characters' sentience ever feels authentic.

Chris Pratt returns to voice Emmet a happy-go-lucky construction worker who retains a life of cheer in the apocalyptic wasteland. Elizabeth Banks also reprises her role as Lucy, the brawn and brains to Emmet's fumbling optimism. Lucy desperately attempts to calibrate Emmet's persona to something more appropriate to the ruined world they now live in, but he maintains the "everything is awesome" outlook that figures problematic in a much more adult environment. In a hardly tongue-in-cheek fashion, a character outright states the thesis of the movie to be "a statement on the waning affects of adolescence on imagination." This stands as the most egregious example of "meta exploitation," but several runner ups tail close behind.

Falling victim to exhausting cleverness, LEGO Movie 2 doesn't know when to edit its goofs. When you merely reformat the first film's plot to fit another child builder, new additions need to elevate the otherwise regurgitated formula. These additions include ramping up the meta meter to 11 and including two more banger tracks to hopefully burrow into the viewers' minds. The main attraction song here has a hook the repeats endlessly, "This song's gonna get stuck inside your head." Oh and I mustn't forget the cameos, which come with This is the End regularity, and if you can imagine, with far less originality.

I didn't waste your time by running you down a plot synopsis for good reason. The film plays with your expectations in a cheap and unearned fashion without offering any reasonable explanation upon the conclusion other than, "We just wanted to plant red herrings, because...reasons." Screenwriters will go to great (and absurd) lengths to make an unoriginal script appear more interesting. This parasitic sequel will deliver many chuckles and feels to audiences that have already surrendered to the committee-made trajectory of the LEGO universe, but I feel somber for those choosing to double feature this lackadaisical copy with its bold predecessor.