Les derniers jours dans le désert

There is an exchange of dialog in this film where Ewan McGregor's character asks another character in the story, "Why do you live in the desert?" and the answer comes back "Because the desert is ruthless ... it strips away all pretense ... it makes you see yourself for who you are."

Now, going into this film I was a little concerned that it was part of the New Wave of faith-based films. Don't get me wrong. I have reviewed several of those, and some are very well done. But what each faith-based film has in common is that it seems at first like a regular film ... and then gets a little odd. Not saying that is a bad thing. But it is odd.

This film starts with a certain tone and stays true to that tone for the entire run time. It never gets odd. For this reason I do not consider it a faith-based film but a true creative work that is is both brilliant and powerful.

The premise is simple -- can you focus on just a few days of one of the most inspirational figures in modern religion (fictionally)and, by the microcosm of those few days, achieve the flavor and the raw emotion of the entire life of that same character?

It is a daunting goal but I think McGregor and Garcia pull it off. To appreciate this film you need to start with no expectations and then get drawn into the film much the same way the central character allows himself to get drawn into the desert. Almost like a meditation, if you like.

In the right mindset this film is like the desert in the quote above. For a brief moment it allows you to see yourself for who you are.

Recommended.

Despite its very slow pacing, I found this film to be an absorbing tale, with a concise and sharp screenplay from Colombian filmmaker Rodrigo Garcia, who also directed the movie.

Ewan McGregor does well in his portrayal of Yeshua (Jesus). who has entered the desert alone for prayer and reflection, trying to get in touch with his inner self and to also connect spiritually with his Father. McGregor has a dual role here, as he also plays The Demon (Satan), who taunts and tempts Yeshua along the way.

Yeshua, on his way to Jerusalem, encounters a family living in the desert, and the strong acting of each family member from Ciaran Hinds, Tye Sheridan, and Ayelet Zurer adds well to the mix, as well as the movie being enhanced by its spectacular cinematography.

Overall, if one doesn't mind the low-key and very deliberate pacing, there's an engrossing tale to be told here, buoyed by a fine cast and the no-frills writing of Garcia.

This is one film that I have been waiting to see since January 2015. After it premiered at the Sundance film fest and received solid praise out of the gate, I was looking forward to it. But was it picked up for a wide release? No it was not. So, nearly a year and a half later it has finally hit shelves. Recently the box office has had an abnormally high amount of pandering faith driven religious films. Which isn't really a bad thing. They certainly know their audience, and they have cornered the market for their films. That being said, this isn't one of those films. Seeing a movie that is largely religion based you normally see the typical one sided, you're wrong and we are right thing.

I am happy to say that this doesn't do that. This adaptation is about Jesus, playing out in an imagined portion of his forty days of fasting in the desert. As he is trekking through the desert on his way home, he encounters a small family. He quickly realizes that they are in turmoil of emotional proportions.

He decides that their needs out way his own and attempts to aid them. The story mainly takes place during this period of time. Now this movie could have been so incredibly dull. The main story is fairly thin and it doesn't exactly move around that much. But writer/director Rodrigo García has infused this film with palpable emotion. The more we learn about this small family the more we realize that they are pretty dysfunctional.

The father and son don't see eye to eye on anything and the mother is laying on her death bed for the entirety of the films run time. For me the scenes between the son and father really struck true. I often have experienced the same communication issues with various people that these two do. Where you want to say something but don't know how and before you know it, the moment to express that feeling has pasted.

As these issues become more prevalent the more you just want them to work it out. This creates some real drama with in these scenes. But the shining moments of the film come in the short encounters between Ewan McGregor and Ewan McGregor. Who plays both Jesus and the devil. The conversations that they have point out both sides of the religion spectrum.

It presents interesting arguments for both parties. Which honestly helps you feel what Jesus is feeling. The whole point of Jesus's desert journey was to be put on trial to see if he could over come any adversity that the devil could come up with. So when the film puts him through these temptations and presents interesting arguments for either side, it helps you get into the characters shoes.

That being said this film still has a story that is thin as paper. So when you get outside the family drama it can be rather dull. The beautiful cinematography by Lubezski can carry one through a few scenes but not too many. There are some scenes where we watch McGregor just pace around the rocky terrain for long periods of time. And it left me longing for something, anything to happen.

This movie may not be the religious experience some people are looking for but it's really a breath of fresh air in a genre that had little going for it. It seems to have a keen grasp on the story it's adapting and does so with no shortage of grace. It offers excellent performances, beautiful visuals, an insightful story, and characters that you can actually get invested in. If it weren't for the thin plotting and some dull sequences this would truly be an excellent film. But considering all it does right it's definitely worth a watch.

it seems strange. far by the classic story of Jesus in Carantania desert. without the well known temptations and without the expected answers of Son of God. Rodrigo Garcia gives only the portrait of a strange meet of Jesus with a family. few riddles and dialogues and slow action and enigmatic facts. each- far by a religious film. or a coherent story. a riddle. like the riddles of the boy. in fact, only a challenge. puzzle of discreet cultural references from the roof of the Temple to Abraham and Last Temptation, from Pasolini to Paradjanov. a film of gestures and looks. maybe, a poem. ignoring Resurrection. because the Resurrection is the duty of the viewer. perfect subject of debates and controversies, it propose a new, interesting and far to be uninspired portrait of the Savior. Ewan McGregor gives a not comfortable Jesus but one who impress for the honest manner to remind old truths who are , in too many occasions, insignificant. a poem about the small things who defines the life. and nothing more.

A slow burning affair that will have many reaching for the off button or catching a quick nap during proceedings, Rodrigo Garcia visually striking and occasionally touching interpretation of Jesus's time of 40 days and 40 nights of fasting isn't a film for everyone but considering the other faith based films that have come our way over recent times, The Last Days in the Desert is a cut above other similar fair.

Joining Jesus's last portion of his experience as he travels back towards Jerusalem through the solemn desert, tempted as he goes, only for him to find a place of resting and meaning with Ciaran Hind's poor farming family consisting of a sick wife and depressed son, whose played rather disappointingly by Tye Sheridan.

With this, Garcia is less concerned with focusing on Jesus's more solitary trip, rather the "what if" scenario of his dealings with such a family and the moral choices he makes within his time with them, as he too continues to ponder his important future that lay at the end of his trip.

Played surprisingly by Ewan McGregor, who makes little to no effort at hiding his far from suitable linage in concerns to playing the Middle Eastern messiah but makes it work by the films later stages, we do get a great sense of feeling at the enormity of Jesus's path that he must follow and even though we get no glimpses of miracles or out of the ordinary occurrences, the story humanises Jesus's to the point that he feels like an ordinary man, set forth on an extraordinary journey and it's a nice point of difference from other such films that would prefer to focus on the miraculous, over the everyday.

It would've been an easy sell or a more obvious choice for Garcia to go all out and let his imagination run wild but the most out-there we get is McGregor playing off against McGregor as the prince of this world assumes the form of Jesus as he tries to cloud his judgement of what is to come.

The other detail working in Garcia's film favour is the stunning work of Terrence Malick's DOP Emmanuel Lubezki who captures the unforgiving lands of the Middle East with stunning authority.

Anyone familiar with Malick's more recent works will be able to instantly pinpoint the skills of the world class cinematographer as his camera glides over the dusty landscape and follows the cast on their various strolls and combined with Danny Bensi and Saunder Jurriaans classy score, Last Days feels like a polished and assured production, even if its fanfare free release suggests it wasn't going to be the case.

Final Say –

At times to slow and ponderous to ever threaten to become a must-see with slightly too much focus on Hind's and his family, Garcia who has shown a wise hand with fine dramas like Mother and Child and Nine Lives delivers an above average interpretation of a well-known Bible story and The Last Days in the Desert ends up becoming a quietly moving portrait of a human being unlike any other that was set on upon a path of greatness.

3 big bed bugs out of 5