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8.0/10
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Researchers discover film footage from World War II that turns out to be a lost documentary shot by Alfred Hitchcock and Sidney Bernstein in 1945 about German concentration camps.Researchers discover film footage from World War II that turns out to be a lost documentary shot by Alfred Hitchcock and Sidney Bernstein in 1945 about German concentration camps.Researchers discover film footage from World War II that turns out to be a lost documentary shot by Alfred Hitchcock and Sidney Bernstein in 1945 about German concentration camps.
- Awards
- 8 wins & 14 nominations total
Helena Bonham Carter
- Narrator
- (voice)
Leonard Berney
- Self - Royal Artillery
- (as Maj. Leonard Berney)
Josef Kramer
- Self - Commandant, Bergen-Belsen Concentration Camp
- (archive footage)
Mike Lewis
- Self - Army Cameraman, 1981
- (archive footage)
- (as Sgt. Mike Lewis)
Bill Lawrie
- Self - British Army Photographer
- (archive sound)
- (as William Lawrie)
Richard Dimbleby
- Self
- (archive sound)
Toby Haggith
- Self - Imperial War Museums
- (as Dr. Toby Haggith)
James William Illingworth
- Self - British Army Gunner
- (archive footage)
Alexander Vorontsov
- Self - Soviet Cameraman, 1986
- (archive footage)
- (as Alexander Voronstov)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is a miraculous film...miraculous in that it exists, but more than even that; miraculous in it's unadulterated depiction of the worst of humanity in wartime.
The dichotomy of war is depicted here. In Bergen-Belsen we see life struggling to be what life is and just feet away from piles of death as the corps were strewn. How can these two depictions of life occur so physically close? Only in the worst of war can such atrocities be present, if diversely repugnant. See this film and only trust your moral center as everything must be judged by inherent good.
The old adage that we are doomed to repeat history unless we learn from it comes to heart. Right now we have ISIS, a modern day Nazi style faction. Can we sit idly by and let evil fester. This film makes it clear that the cost will only exponentially multiply if good men sit by and do nothing. See this, weep for those lost at the hands of evil in the past, and renew your resolve that we must stand for good at this later day time where evil once more rears a powerful head.
The dichotomy of war is depicted here. In Bergen-Belsen we see life struggling to be what life is and just feet away from piles of death as the corps were strewn. How can these two depictions of life occur so physically close? Only in the worst of war can such atrocities be present, if diversely repugnant. See this film and only trust your moral center as everything must be judged by inherent good.
The old adage that we are doomed to repeat history unless we learn from it comes to heart. Right now we have ISIS, a modern day Nazi style faction. Can we sit idly by and let evil fester. This film makes it clear that the cost will only exponentially multiply if good men sit by and do nothing. See this, weep for those lost at the hands of evil in the past, and renew your resolve that we must stand for good at this later day time where evil once more rears a powerful head.
A fascinating film. A horrifying film. To be clear this is not the documentary about SS concentration camps that was left unfinished, and suppressed after the war. That film can be seen elsewhere. To be clear, having seen that film, this documentary does leave out just a few key elements. The original film goes out of it's way to say these camps were not only for Jews and lists all the nationalities and religions that came to be killed here. So to say that film is about the Holocaust is not entirely true and is specifically not the point of the original film.
What this film does is set the discovery of the camps and the aftermath into context both large--the governments involved, and small--the military camera crews and even some camp survivors who are seen both now and in the vintage footage. A real feat to find these people so many years later.
Sure you may think you've seen this all before, both in fiction films and in various documentary ones. But this still packs a punch, perhaps even more so since you will think you already know all there is to know. I've spent a lot of my life studying WW2 and I was still blown away by this film. I'm also a Hitchcock fan, and his name is being used to "sell" this film and the restoration and completion of the original documentary.
A point made in this excellent film is that the intention was to make a documentary that was a warning that unless what happened in Germany is seen and understood that 'night will fall' again and these type of large scale inhumanity will re-occur. Of course you can argue that does in fact happen.
This film shows footage not used in the original documentary and is as much about those who made the film as it is about everything else. Interestingly it talks about Hitchcock's input to help make the film convincing. The horrors of reality being so unreal that they might seem created for effect. You can also see in some of the dead faces some dead faces that will appear in Hitchcock's own fiction films after this one.
This film also contrasts the film which was suppressed with the film that did get finished and released--that version being supervised by Billy Wilder. The makers of this film obviously preferring Hitchcock's version.
And fans of both great directors will see their hand in how they shaped material shot by others. The camp footage was shot by army camera men without a director being there.
The graphic concentration camp footage is very graphic but focuses on the horrible expressions on the faces of the dead that is what makes it overwhelming and gripping.
Very little music is used, the voice over work is first rate as is haunting sound effects work. Part of what Night Will Fall does, by being a behind the scenes making of film is help to show just how real and unstaged these horrors of war were. It is hard to watch this film and come away thinking somehow all this was made up just for the sake of the Jews. In fact its impossible to believe that after you see this film.
Once more let me say this is not the so called Hitchcock film, though portions of that are shown within this film. That you have to seek out elsewhere and see for what it is, it has different things to show and say. This is almost an extended preview and background that helps viewing that film.
What this film does is set the discovery of the camps and the aftermath into context both large--the governments involved, and small--the military camera crews and even some camp survivors who are seen both now and in the vintage footage. A real feat to find these people so many years later.
Sure you may think you've seen this all before, both in fiction films and in various documentary ones. But this still packs a punch, perhaps even more so since you will think you already know all there is to know. I've spent a lot of my life studying WW2 and I was still blown away by this film. I'm also a Hitchcock fan, and his name is being used to "sell" this film and the restoration and completion of the original documentary.
A point made in this excellent film is that the intention was to make a documentary that was a warning that unless what happened in Germany is seen and understood that 'night will fall' again and these type of large scale inhumanity will re-occur. Of course you can argue that does in fact happen.
This film shows footage not used in the original documentary and is as much about those who made the film as it is about everything else. Interestingly it talks about Hitchcock's input to help make the film convincing. The horrors of reality being so unreal that they might seem created for effect. You can also see in some of the dead faces some dead faces that will appear in Hitchcock's own fiction films after this one.
This film also contrasts the film which was suppressed with the film that did get finished and released--that version being supervised by Billy Wilder. The makers of this film obviously preferring Hitchcock's version.
And fans of both great directors will see their hand in how they shaped material shot by others. The camp footage was shot by army camera men without a director being there.
The graphic concentration camp footage is very graphic but focuses on the horrible expressions on the faces of the dead that is what makes it overwhelming and gripping.
Very little music is used, the voice over work is first rate as is haunting sound effects work. Part of what Night Will Fall does, by being a behind the scenes making of film is help to show just how real and unstaged these horrors of war were. It is hard to watch this film and come away thinking somehow all this was made up just for the sake of the Jews. In fact its impossible to believe that after you see this film.
Once more let me say this is not the so called Hitchcock film, though portions of that are shown within this film. That you have to seek out elsewhere and see for what it is, it has different things to show and say. This is almost an extended preview and background that helps viewing that film.
I saw a documentary on this on TV some time back and bought the video expecting to see the actual remastered film in its entirety. Sadly its not there. Where is it? We are told of how the Imperial War Museum has obtained and restored the film and I was expecting to see it here. Without it, this is simply a documentary, albeit an extremely good one. The content itself is moving, harrowing and essential viewing if we are to learn from the atrocities of the past. I can't fault the quality and content of the documentary itself or the extra features. But to see the actual film as had been originally commissioned would have been even more powerful a message.
This has made me think of something that never occurred to me watching other documentaries of the holocaust. These tragic victims were disposed of without ceremony or dignity; each was an individual and when we think of the unthinkable events of this time the numbers of victims are too enormous to encompass, I mourn them all and yet as one person I cannot do enough to honour to six million. Could there be some way that we could have a worldwide movement to have individuals adopt one victim - if possible to know their birthday and date of death, to undertake to honour that one person in whatever way they might honour a friend or relative who had died. As one reviewer said this is about Jewish people but also intellectuals, homosexuals, gypsies - if six million people across the world were all honouring and remembering one of the victims, as time passes might we not do more to prevent night from falling again.
The imagery is searing. Yes, the finished documentary is loosely assembled, as others point out. But then it's the graphic horrors that count. At 75, I've seen the hellish horrors in other documentaries. Nonetheless, the tale must be told every generation, and what could be more persuasive than such footage. I'm glad the filming comes from a number of death camps, showing the systematic nature of the extermination, and what, I think, most any of us are capable of given certain conditions.
I am sorry that footage showing the gas chambers was apparently not yet available. That would further demonstrate the murderous Nazi intent. I've heard apologists claim that the mounds of emaciated dead resulted from a wartime lack of food, not the result of intentional starvation. Still, those German civilians parading through the camps do look well fed. Too bad that more isn't detailed about how the documentary got caught up in the politics of the day. As a result the film ended up filed away for decades. That appears an interesting story deserving of more explanation. Also, the interviews with survivors bring a bygone time to life, and are often as wrenching as the past is. For them, the reality of the camps is still a vivid presence.
No, the 75-minutes are not entertaining, as others point out. Nonetheless, the visible record of "human junk piles" presents an opportunity for our deepest reflection.
I am sorry that footage showing the gas chambers was apparently not yet available. That would further demonstrate the murderous Nazi intent. I've heard apologists claim that the mounds of emaciated dead resulted from a wartime lack of food, not the result of intentional starvation. Still, those German civilians parading through the camps do look well fed. Too bad that more isn't detailed about how the documentary got caught up in the politics of the day. As a result the film ended up filed away for decades. That appears an interesting story deserving of more explanation. Also, the interviews with survivors bring a bygone time to life, and are often as wrenching as the past is. For them, the reality of the camps is still a vivid presence.
No, the 75-minutes are not entertaining, as others point out. Nonetheless, the visible record of "human junk piles" presents an opportunity for our deepest reflection.
Did you know
- TriviaOliver Keers' documentary research debut.
- Quotes
Narrator for German Concentration Camps Factual Survey: Unless the world learns the lesson these pictures teach, night will fall... but by God's grace, we who live will learn.
- ConnectionsFeatures Die Todesmühlen (1945)
- How long is Night Will Fall?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- Images de la libération des camps
- Filming locations
- Berlin, Germany(Archive footage)
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 15 minutes
- Color
- Aspect ratio
- 1.78 : 1
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