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Night Will Fall

  • 2014
  • Not Rated
  • 1h 15m
IMDb RATING
8.0/10
3.6K
YOUR RATING
Night Will Fall (2014)
Researchers discover film footage from World War II that turns out to be a lost documentary shot by Alfred Hitchcock and Sidney Bernstein in 1945 about German concentration camps.
Play trailer1:52
1 Video
48 Photos
Military DocumentaryDocumentaryHistoryWar

Researchers discover film footage from World War II that turns out to be a lost documentary shot by Alfred Hitchcock and Sidney Bernstein in 1945 about German concentration camps.Researchers discover film footage from World War II that turns out to be a lost documentary shot by Alfred Hitchcock and Sidney Bernstein in 1945 about German concentration camps.Researchers discover film footage from World War II that turns out to be a lost documentary shot by Alfred Hitchcock and Sidney Bernstein in 1945 about German concentration camps.

  • Director
    • André Singer
  • Writer
    • Lynette Singer
  • Stars
    • Helena Bonham Carter
    • Jasper Britton
    • Leonard Berney
  • See production info at IMDbPro
  • IMDb RATING
    8.0/10
    3.6K
    YOUR RATING
    • Director
      • André Singer
    • Writer
      • Lynette Singer
    • Stars
      • Helena Bonham Carter
      • Jasper Britton
      • Leonard Berney
    • 20User reviews
    • 21Critic reviews
    • 85Metascore
  • See production info at IMDbPro
    • Awards
      • 8 wins & 14 nominations total

    Videos1

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    Trailer 1:52
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    Photos48

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    Top cast31

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    Helena Bonham Carter
    Helena Bonham Carter
    • Narrator
    • (voice)
    Jasper Britton
    • Narrator for German Concentration Camps Factual Survey
    • (voice)
    Leonard Berney
    • Self - Royal Artillery
    • (as Maj. Leonard Berney)
    George Leonard
    • Self - Oxfordshire Yeomanry
    Josef Kramer
    Josef Kramer
    • Self - Commandant, Bergen-Belsen Concentration Camp
    • (archive footage)
    Anita Lasker-Wallfisch
    • Self - Bergen-Belsen Survivor
    Mike Lewis
    • Self - Army Cameraman, 1981
    • (archive footage)
    • (as Sgt. Mike Lewis)
    Bill Lawrie
    • Self - British Army Photographer
    • (archive sound)
    • (as William Lawrie)
    Richard Dimbleby
    Richard Dimbleby
    • Self
    • (archive sound)
    David Dimbleby
    David Dimbleby
    • Self - Broadcaster
    Raye Farr
    • Self - United States Holocaust Museum, 1995-2013
    Toby Haggith
    • Self - Imperial War Museums
    • (as Dr. Toby Haggith)
    James William Illingworth
    • Self - British Army Gunner
    • (archive footage)
    Alexander Vorontsov
    • Self - Soviet Cameraman, 1986
    • (archive footage)
    • (as Alexander Voronstov)
    Matvey Gershman
    • Self - Soviet 8th Guards Army
    Eva Mozes Kor
    Eva Mozes Kor
    • Self - Auschwitz Survivor
    Vera Kriegel
    • Self - Auschwitz Survivor
    Tomy Shacham
    • Self - Auschwitz Survivor
    • Director
      • André Singer
    • Writer
      • Lynette Singer
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews20

    8.03.6K
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    Featured reviews

    9AudioFileZ

    Never Again...If We Collectively Vow To Be Sure Good Trumps Evil

    This is a miraculous film...miraculous in that it exists, but more than even that; miraculous in it's unadulterated depiction of the worst of humanity in wartime.

    The dichotomy of war is depicted here. In Bergen-Belsen we see life struggling to be what life is and just feet away from piles of death as the corps were strewn. How can these two depictions of life occur so physically close? Only in the worst of war can such atrocities be present, if diversely repugnant. See this film and only trust your moral center as everything must be judged by inherent good.

    The old adage that we are doomed to repeat history unless we learn from it comes to heart. Right now we have ISIS, a modern day Nazi style faction. Can we sit idly by and let evil fester. This film makes it clear that the cost will only exponentially multiply if good men sit by and do nothing. See this, weep for those lost at the hands of evil in the past, and renew your resolve that we must stand for good at this later day time where evil once more rears a powerful head.
    9HEFILM

    Making of a documentary deemed to horrifying to complete

    A fascinating film. A horrifying film. To be clear this is not the documentary about SS concentration camps that was left unfinished, and suppressed after the war. That film can be seen elsewhere. To be clear, having seen that film, this documentary does leave out just a few key elements. The original film goes out of it's way to say these camps were not only for Jews and lists all the nationalities and religions that came to be killed here. So to say that film is about the Holocaust is not entirely true and is specifically not the point of the original film.

    What this film does is set the discovery of the camps and the aftermath into context both large--the governments involved, and small--the military camera crews and even some camp survivors who are seen both now and in the vintage footage. A real feat to find these people so many years later.

    Sure you may think you've seen this all before, both in fiction films and in various documentary ones. But this still packs a punch, perhaps even more so since you will think you already know all there is to know. I've spent a lot of my life studying WW2 and I was still blown away by this film. I'm also a Hitchcock fan, and his name is being used to "sell" this film and the restoration and completion of the original documentary.

    A point made in this excellent film is that the intention was to make a documentary that was a warning that unless what happened in Germany is seen and understood that 'night will fall' again and these type of large scale inhumanity will re-occur. Of course you can argue that does in fact happen.

    This film shows footage not used in the original documentary and is as much about those who made the film as it is about everything else. Interestingly it talks about Hitchcock's input to help make the film convincing. The horrors of reality being so unreal that they might seem created for effect. You can also see in some of the dead faces some dead faces that will appear in Hitchcock's own fiction films after this one.

    This film also contrasts the film which was suppressed with the film that did get finished and released--that version being supervised by Billy Wilder. The makers of this film obviously preferring Hitchcock's version.

    And fans of both great directors will see their hand in how they shaped material shot by others. The camp footage was shot by army camera men without a director being there.

    The graphic concentration camp footage is very graphic but focuses on the horrible expressions on the faces of the dead that is what makes it overwhelming and gripping.

    Very little music is used, the voice over work is first rate as is haunting sound effects work. Part of what Night Will Fall does, by being a behind the scenes making of film is help to show just how real and unstaged these horrors of war were. It is hard to watch this film and come away thinking somehow all this was made up just for the sake of the Jews. In fact its impossible to believe that after you see this film.

    Once more let me say this is not the so called Hitchcock film, though portions of that are shown within this film. That you have to seek out elsewhere and see for what it is, it has different things to show and say. This is almost an extended preview and background that helps viewing that film.
    8elhoggo-08306

    Harrowing and moving. But, as had been said, where is the film?

    I saw a documentary on this on TV some time back and bought the video expecting to see the actual remastered film in its entirety. Sadly its not there. Where is it? We are told of how the Imperial War Museum has obtained and restored the film and I was expecting to see it here. Without it, this is simply a documentary, albeit an extremely good one. The content itself is moving, harrowing and essential viewing if we are to learn from the atrocities of the past. I can't fault the quality and content of the documentary itself or the extra features. But to see the actual film as had been originally commissioned would have been even more powerful a message.
    franscott-07097

    A suggestion to prevent night from falling again

    This has made me think of something that never occurred to me watching other documentaries of the holocaust. These tragic victims were disposed of without ceremony or dignity; each was an individual and when we think of the unthinkable events of this time the numbers of victims are too enormous to encompass, I mourn them all and yet as one person I cannot do enough to honour to six million. Could there be some way that we could have a worldwide movement to have individuals adopt one victim - if possible to know their birthday and date of death, to undertake to honour that one person in whatever way they might honour a friend or relative who had died. As one reviewer said this is about Jewish people but also intellectuals, homosexuals, gypsies - if six million people across the world were all honouring and remembering one of the victims, as time passes might we not do more to prevent night from falling again.
    dougdoepke

    Searing

    The imagery is searing. Yes, the finished documentary is loosely assembled, as others point out. But then it's the graphic horrors that count. At 75, I've seen the hellish horrors in other documentaries. Nonetheless, the tale must be told every generation, and what could be more persuasive than such footage. I'm glad the filming comes from a number of death camps, showing the systematic nature of the extermination, and what, I think, most any of us are capable of given certain conditions.

    I am sorry that footage showing the gas chambers was apparently not yet available. That would further demonstrate the murderous Nazi intent. I've heard apologists claim that the mounds of emaciated dead resulted from a wartime lack of food, not the result of intentional starvation. Still, those German civilians parading through the camps do look well fed. Too bad that more isn't detailed about how the documentary got caught up in the politics of the day. As a result the film ended up filed away for decades. That appears an interesting story deserving of more explanation. Also, the interviews with survivors bring a bygone time to life, and are often as wrenching as the past is. For them, the reality of the camps is still a vivid presence.

    No, the 75-minutes are not entertaining, as others point out. Nonetheless, the visible record of "human junk piles" presents an opportunity for our deepest reflection.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Oliver Keers' documentary research debut.
    • Quotes

      Narrator for German Concentration Camps Factual Survey: Unless the world learns the lesson these pictures teach, night will fall... but by God's grace, we who live will learn.

    • Connections
      Features Die Todesmühlen (1945)

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    FAQ16

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    Details

    Edit
    • Release date
      • September 19, 2014 (United Kingdom)
    • Country of origin
      • United Kingdom
    • Languages
      • English
      • German
      • Russian
      • Hebrew
    • Also known as
      • Images de la libération des camps
    • Filming locations
      • Berlin, Germany(Archive footage)
    • Production companies
      • Angel TV
      • Final Cut for Real
      • RatPac Entertainment
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 15 minutes
    • Color
      • Color
    • Aspect ratio
      • 1.78 : 1

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