Où est Anne Frank!

This movie was a Magical Realism about Anne Frank Imaginary friend named Kitty, who wakes up in the Modern Day Amsterdam. The film tells the story of Anne and Kitty in the Netherland during the Nazi Occupation and the 21st Century of the Netherland. I know about Anne Frank, and I have a Book that Anne Wrote when she was in a Safehouse during the Nazi Occupation of the Netherland. The Story of Annes Frank was tragic, she died in the Nazi's Death Camp, and I know that we should say that War is Hell. I love this movie because the film tells the story of Shoah to the Our Generation. And I think so that I will recommended this movies to watch and I gave this movies to 7/10.

This is a good movie with a different approach to a known story to many. The animation is good and the story itself has nice moments and can be very emotional.

Unfortunetely, the last 15 minutes are filled with nowadays propaganda as if Anne Frank is a 20 years old activist, and honestly, if i knew that, i would never watched it since i'm completely over with pretentious and political movies.

I will not spoil anything but the end itself, as a movie, left me empty as it lead me to believe one thing and then reverts completely. I'm fine with creative freedom in storytelling and i usually like unexpected endings, but i didn't liked this and my rating reflects all that.

Kitty, the imaginary girl who Anne Frank wrote to in her 1940s diary during WWII, seeks out the deceased diarist while also inspiring a wave of modern social justice for refugees. As Kitty embarks on a journey to find Anne, who she believes is still alive, in today's Europe . Although the young girl is impressed by the vicissitudes of the modern world, she is also surprised by the legacy that Anne has left behind.

A well-intentioned movie but with a silly plot about Anne Frank's friend Kitty who steals Anne's diary in order to achieve a just cause so that immigrants from the Netherlands are not deported to their home countries. The film follows the journey of Kitty, the imaginary friend to whom Anne Frank dedicated her diary. The animation style of the film is very delicate , but the interaction established between the Holocaust and the current situation of the emigrants seems somewhat forced although, of course, necessary . The protagonists are a fiery teenager, Kitty , who wakes up in the near future in Anne Frank's house in Amsterdam , as the young girl is shocked by the modern world, she also comes across Anne's legacy and Anne Frank herself.

While hesitating for a time to accept the challenge posed to him by the Anne Frank Foundation, Folman has made several outstanding artistic decisions to emerge well from a journey of more than a decade. Folman was born in Haifa, Israel. He is a writer and director, known for The Congress (2013), Walz with Bashir (2008) and Clara Hakedosha (1996).

There're several biographic remarks about Anne Frank :nnelies Marie Frank was born on June 12, 1929 in Frankfurt am Main, Germany. Her parents were Otto and Edith Frank. For the first five years of her life, Anne lived with her parents and Margot, her older sister, in an apartment on the outskirts of Frankfurt. After the Nazis came to power in 1933, Otto Frank fled to Amsterdam, in the Netherlands, where he had business contacts. The rest of the Frank family soon followed, Anne being the last to arrive in February 1934 because she had stayed with her grandparents in Aachen. The fate of the Franks and other Amsterdam Jews was marked by the German occupation of the city. City, which began in May 1940. In early 1942, the Germans began preparations to deport Jews from the Netherlands to killing centers in the east. At that time, they demanded that all Dutch Jews be concentrated in Amsterdam. They also decided to intern all non-Dutch Jews in the Westerbork transit camp. From Westerbork, German officials deported Jews to the killing centers at Auschwitz-Birkenau and Sobibor in German-occupied Poland. The first deportation transport left Westerbork on July 15, 1942, bound for Auschwitz-Birkenau. These deportations and the intensification of anti-Semitic measures alarmed many Jews in the Netherlands, among whom were the Franks. Anne and her family decided to go into hiding in the first 15 days of July 1942. They were later joined by four other Jews: Hermann, Auguste and Peter van Pels, as well as Fritz Pfeffer. For two years, they all lived in a secret apartment at 263 Prinsengracht. The apartment was behind the commercial offices where Otto Frank had worked as a company manager. In her diary, Ana refers to the hideout as the "secret annex". Johannes Kleiman, Victor Kugler, Johan Voskuijl, Bep Voskuijl, Jan Gies and Miep Gies, who were friends and colleagues of Otto Frank, helped set up the hideout and smuggled food and clothing to the Franks, risking their own lives. During the time they were in hiding, Ana kept a journal where she wrote about her fears, hopes, and experiences. Then there takes place Arrest and deportation. On August 4, 1944, the German SS and police discovered the hideout. Authorities had long been believed to have acted on a tip from an anonymous Dutchman, but a more recent theory found that the Germans discovered the hideout by chance while investigating reports of illegal work being done in the house and they committed fraud with the ration coupons.

In 2008, director Ari Forman gave us Waltz With Bashir, an emotional attempt to settle accounts with his own past, when as a teenage soldier he participated in the most violent event of the war between Palestine and Israel. 13 years later, the director's new project hits the theatres, this time focusing on Anne Frank and the diary she wrote while hiding from the Nazis. With this new film, Ari Forman proves that even the animation aiming at families may be as powerful as other classic representatives of the genre.

The story divides into two layers: the first one focuses on Anne Frank, giving the audience the account of the uncertainty and tragedies her and her family went through, with the deportation to the death camp as its culmination.

The second layer concerns Anne's imaginary friend Kitty. As a result of unexplained phenomenon, Kitty awakens from the diary. Not knowing what happened to Anne, she tries to find her by all cost.

Ari Folman seems to be an admirer of animation. He knows how to use the medium so that his movies work in the emotional sphere. Despite some graphic scenes, Waltz With Bashir had many sequences that supplied the story with more poetical scent. Where Is Anne Frank works to some extent in a similar way. However, we never see violence directly. It's toned down, replaced by the imagery resembling the unforgettable animated sequence from Alan Parker's The Wall. When it comes to the characters themselves, not only do they have eye-candy designes, but also their animation is detailed and fluent.

However, the filmmakers never forget during the whole runtime that presentation is just a medium and it's the characters that engage the audience into the story. Even though there is a whole variety of characters in the movie, each of them is properly developed. I especially liked Kitty, as her determination in the investigation makes the story truly engaging and this is the part, where the true message of the story shines out. As the movie goes on, Folman attempts to coin the message about fighting with racial prejudice both in terms of Jews during World War II and the refugees in modern times. Though initially I had problems with seeing the consistency, the director manages to acheive it at the end of the movie.

All sorts of anti-prejudice media, from books to movies, will always be of great importance.

Where Is Anne Frank may be a good subject for conversation between children and their parents. Both groups may take an important lesson of tolerance out of it. In modern times, this is why such stories are of great value.

Let me finish by quoting the dialogue I remembered from the movie the most.

"Anne: Why do people hate us?

Kitty: Because they always need some scapegoat."

I was keen to check this out, because Waltz with Bashir (2008) is one of my all-time favourite films, and I also quite liked Ari Folman's previous film, The Congress (2013). Where is Anne Frank doesn't quite work though, not even coming close to Folman's 2008 film quality-wise and also proving a bit disappointing compared to his 2013 film.

The tone is just very strange, and the storytelling feels a tad awkward, even if the premise sounds like it could work on paper. I can't imagine kids finding this to be particularly engaging, and adults are just going to feel a bit like they're being talked down to.

Aspects of the presentation are interesting- the music kind of stood out, and not in a bad way. I was mixed on the animation overall, though. I don't think it was utilised as well here as it had been in Forman's previous animated/half-animated movies.

I have to admire the film trying to tell a dark historical story in a way that's technically family-friendly, but keeping younger/older viewers actually engaged is a whole other matter. I think this is where the film falters, regardless of whether you're judging it as a family film or one that older audiences can watch and feel invested in.

This proved to be a disappointment, but at least it wasn't a total failure, and there are some things of merit here that can be somewhat appreciated.