The Messenger
- 2015
- 1h 41m
IMDb RATING
5.2/10
1.3K
YOUR RATING
Jack, a tortured soul, spends his days grudgingly seeing and speaking to the dead, helping deliver their messages to the loved ones left behind while trying to seek some respite from his tor... Read allJack, a tortured soul, spends his days grudgingly seeing and speaking to the dead, helping deliver their messages to the loved ones left behind while trying to seek some respite from his tormented past and present.Jack, a tortured soul, spends his days grudgingly seeing and speaking to the dead, helping deliver their messages to the loved ones left behind while trying to seek some respite from his tormented past and present.
- Awards
- 1 nomination total
Featured reviews
I watched The Messenger because I saw on IMDb that it was categorized in the thriller and horror section. That was the only reason I was interested in this movie. And again the movie is categorized in the wrong section. It has absolutely nothing to do with a horror movie nor a thriller. IMDb should check movies out for themselves before categorizing them. It's very annoying. The Messenger is just a drama, and not even a good one. It's one of those movies were the story has been done before and way better. The "I see dead people" is a nice idea for a story but unless you bring something new and better then seen before it is of no point making it. The Messenger is way too slow to be entertaining and the slow violin and piano music throughout the movie doesn't help a bit. The cast is okay but also nothing that you will remember about.
Have to say that the acting in general was good. Unfortunately, even for a drama, it was too long winded. Some dialogs were ridiculously unreal. Even someone with a twisted mind wouldn't act like that. Too much attention seeking from someone with basically a burden.
Too much drama will kill a film. Again, I have to say its a British film. Like most British films they are produced for a market. The British market. Story's where the viewer is expected to go deep is actually a Spanish or South American specialty. Or even better, Asian country's.
The story itself is good. It doesn't matter if it is a "I see Dead People" film. There are thousands of films in all genres that have something from another film, or even the first in that genre.
Its just not my thing. As far as I am concerned you should leave these kind of films to Hollywood, or other specialists in drama.
How ever, if you like British drama's, just have a look at this one. For every genre there is a market.
I just happen to be on the wrong market with The Messenger.
Too much drama will kill a film. Again, I have to say its a British film. Like most British films they are produced for a market. The British market. Story's where the viewer is expected to go deep is actually a Spanish or South American specialty. Or even better, Asian country's.
The story itself is good. It doesn't matter if it is a "I see Dead People" film. There are thousands of films in all genres that have something from another film, or even the first in that genre.
Its just not my thing. As far as I am concerned you should leave these kind of films to Hollywood, or other specialists in drama.
How ever, if you like British drama's, just have a look at this one. For every genre there is a market.
I just happen to be on the wrong market with The Messenger.
You know the type that uses dark (both lighting and attitude) scenes to be dramatic. That annoying piano tinkling constantly in the background. You cannot turn the sound off on the DVD because there are no subtitles.
Most of these stories follow the same scenarios and patterns. Sometimes there are a few twists. You just have to listen to that awful piano music and decide for yourself if you want to put up with it to see the acting and dialog.
Jack (Robert Sheehan) sees dead people. Now, where have we heard that one before? Yep, the dead people always have their agenda and Jack is the patsy. Of course, no one believes him. So, he is telling his life story to a psychiatrist (Joely Richardson.)
Now, in the end, is he unadjusted, or has the psychiatrist got it all figured out?
Most of these stories follow the same scenarios and patterns. Sometimes there are a few twists. You just have to listen to that awful piano music and decide for yourself if you want to put up with it to see the acting and dialog.
Jack (Robert Sheehan) sees dead people. Now, where have we heard that one before? Yep, the dead people always have their agenda and Jack is the patsy. Of course, no one believes him. So, he is telling his life story to a psychiatrist (Joely Richardson.)
Now, in the end, is he unadjusted, or has the psychiatrist got it all figured out?
Jack is something of a psychic or medium who sees the dead. Or rather they seek him out to send messages to the loved ones they have left behind and did not get the chance to say goodbye to. Now the idea is far from new but the film tries to see it from Jack's perspective.
We get the back story in flashbacks and also the constant analysis of his psychiatrist. There is also his estranged sister and the attempts to reconnect. The film itself struggles to find the moments that are essential for a thriller, so has to rely instead on the story. That is where it comes unstuck in that it tends to plod and despite the inspirational landscapes, that are a recurring theme, it still remains essentially bleak.
The cinematography is excellent and the acting is all top rate. Robert Sheehan as Jack is very good as the troubled – but essentially well meaning – young man who has been branded because of his 'powers'. Tamazin Merchant is his 'worried' sister and is also fine. It is though a pretty grim watch with no denouements that will lighten the load. However, it is still a more than watchable affair for all that and it kept my attention for the duration – so can't be too bad.
We get the back story in flashbacks and also the constant analysis of his psychiatrist. There is also his estranged sister and the attempts to reconnect. The film itself struggles to find the moments that are essential for a thriller, so has to rely instead on the story. That is where it comes unstuck in that it tends to plod and despite the inspirational landscapes, that are a recurring theme, it still remains essentially bleak.
The cinematography is excellent and the acting is all top rate. Robert Sheehan as Jack is very good as the troubled – but essentially well meaning – young man who has been branded because of his 'powers'. Tamazin Merchant is his 'worried' sister and is also fine. It is though a pretty grim watch with no denouements that will lighten the load. However, it is still a more than watchable affair for all that and it kept my attention for the duration – so can't be too bad.
All you want from a very, very surprising movie. A skillfully written and acted movie, more please..............!
Main characters are fully formed, the dialogue is rich the locations well thought out.
The main characters are very human and you want more and the movie keeps giving.
Young actors are well directed giving me the feeling of a fully rounded journey.
I saw this at the Scottish film festival and was not expecting a small masterpiece.
Main characters are fully formed, the dialogue is rich the locations well thought out.
The main characters are very human and you want more and the movie keeps giving.
Young actors are well directed giving me the feeling of a fully rounded journey.
I saw this at the Scottish film festival and was not expecting a small masterpiece.
Did you know
- TriviaRobert Sheehan has played a medium two other times- in Misfits (2009) and in The Umbrella Academy (2019).
- How long is The Messenger?Powered by Alexa
Details
- Runtime1 hour 41 minutes
- Color
- Aspect ratio
- 2.35 : 1
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