Advocate Anjali Awasthi

I genuinely struggled to watch this - the constant, erratic camera movement was dizzying. It felt less like cinematography and more like a chaotic experiment. Whether the cameraman was overly enthusiastic or following some misguided directorial vision, the result was simply unpleasant.

Instead of focusing on a compelling story, the production leaned heavily on melodramatic sound effects, a barrage of jarring camera angles, excessive zooms, and relentless wobbling. It was all style and no substance.

We're in 2024, not 2004. It's time Indian television and film started drawing inspiration from international dramas that value narrative depth and visual coherence, rather than churning out this exhausting, overwrought content.