A man goes to extreme lengths to save his family from punishment after the family commits an accidental crime.A man goes to extreme lengths to save his family from punishment after the family commits an accidental crime.A man goes to extreme lengths to save his family from punishment after the family commits an accidental crime.
- Director
- Writer
- Stars
- Awards
- 16 wins & 6 nominations total
Esther Anil
- Anumol George (Anu)
- (as Esther)
Roshan Basheer
- Varun Prabhakar
- (as Roshan Pundayoli Basheer)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Watched Mohanlal starer Drishyam directed by Jeethu Joseph.
When was the last time you come out of the theater saying 'Wow, Excellent.. What a Movie' ?? Yes.. Time has come. Drishyam is cracker of a thriller movie.
Mohanlal is so elegant and wonderful as George Kutty. Jeethu Joseph Oh man.. Please add my name in your fan's list. U are awesome.. Great going Jeethu.. Nice Camera and BG score make this movie memorable one..
Not going to story part. Better(Must) watch in theaters. Brilliant Screenplay and Cleverly directed movie. Brought Goosebumps at climax scene. Well supported by Meena, Siddique, Asha Sharath etc.. Kalabhavan Shajon is awesome in his negative role.
When was the last time you come out of the theater saying 'Wow, Excellent.. What a Movie' ?? Yes.. Time has come. Drishyam is cracker of a thriller movie.
Mohanlal is so elegant and wonderful as George Kutty. Jeethu Joseph Oh man.. Please add my name in your fan's list. U are awesome.. Great going Jeethu.. Nice Camera and BG score make this movie memorable one..
Not going to story part. Better(Must) watch in theaters. Brilliant Screenplay and Cleverly directed movie. Brought Goosebumps at climax scene. Well supported by Meena, Siddique, Asha Sharath etc.. Kalabhavan Shajon is awesome in his negative role.
What make the movies Shawshank Redemption, Next Three Days and Ocean's Eleven great thrillers and what drew fans worldwide to the TV show Prison Break
These are all stories about a master plan, a master plan to do the impossible and its flawless execution considering every little details. Except George Clooney's Daniel Ocean all the protagonists in above movies/series were simple men. A Banker, a School Teacher and an Architect with no criminal history. They lived their normal lives until they were forced to do the impossible. George Kutty's story go by the same logic. If I dare compare Dhrisham to Shawshank Redemption (which incidentally is my all-time favorite movie) not much need to be told about the quality of the script, the direction and the performances. Dhrishyam is Mollywoods entry to world class family thrillers. For the entire second half of the movie Malayalam Cinema was elevated to the class of Hollywood. We had several art films or those parallel movies to brag about, but until Dhrishyam not many thriller or family drama type movies of Malayalam could have been called world class. Though the last 15 minutes of the movie went very predictable, Jeethu has managed to keep his audience at the edge of the seat for more than an hour and except die hard Mohan Lal haters, who would be too intimidated and upset for all wrong reasons; it's hard to find anyone who may complain about the movie.
Never have I seen here in Mumbai a theater houseful for a Malayalam movie. The last time it was 60% filled was during Neelakasham... (2013).
Starting with a scene so mystic in its own way, the movie starts with a flashback. Characters are brilliantly paced into the plot as we look into a a family drama scene forming. Things go sharp & spine-chilling when a crime enters the scene. It is followed by another crime ans so on. The 50 minute second half, which is also the most engaging minutes for any Malayalam cinema this year, steals the show and keeps us on the edge of our seats as the twists come up and up and up. The screenplay is to be thanked, along with brilliant writing and narration.
Mohanlal is better in this role than his previous characters this year. His performance really pulls the audience towards him. Meena was a real treat and boy, can she act so wonderfully. Kalabhavan Shajohn is the real hero of this film which talks about a family's plight & tactic when one of the member's sanity is compromised. His performance, his air, his priceless countenances all are so pure, I was taken aback. He can pull off both comedic & serious roles with finesse.
The adult jokes and how the stereotype of a typical family has died in this age of money and money is purely showcased in the dialogs. Sufficient humor, jaw-dropping climax and brilliant storytelling. It also questions justice and what a person should do at times like this. Although, the plot constantly makes the family look as protagonists in spite of their crimes and falsely guides us what it intends to show us. But if you look closer, you will realize the climax answers all the questions about righteousness. Drishyam does not tell you how to act during brutal crimes, but it finely creates a hell of a story of the vicious happenings around us.
Every single department is to be thanked, especially, art, location, lighting departments. The final output is full theater halls, favorable reviews and remake rights requests.
BOTTOM LINE: If you haven't watched it yet, now is the time because it is still running in theaters. Probably one of the best movies this year. 8.5/10.
Can be watched with a typical Indian family? YES
Profanity: No | Vulgarity: Mediocre | Sex/Porn/Drugs: No | Smoking/Alcohol: No | Violence: Critical | Gore: Mild
Starting with a scene so mystic in its own way, the movie starts with a flashback. Characters are brilliantly paced into the plot as we look into a a family drama scene forming. Things go sharp & spine-chilling when a crime enters the scene. It is followed by another crime ans so on. The 50 minute second half, which is also the most engaging minutes for any Malayalam cinema this year, steals the show and keeps us on the edge of our seats as the twists come up and up and up. The screenplay is to be thanked, along with brilliant writing and narration.
Mohanlal is better in this role than his previous characters this year. His performance really pulls the audience towards him. Meena was a real treat and boy, can she act so wonderfully. Kalabhavan Shajohn is the real hero of this film which talks about a family's plight & tactic when one of the member's sanity is compromised. His performance, his air, his priceless countenances all are so pure, I was taken aback. He can pull off both comedic & serious roles with finesse.
The adult jokes and how the stereotype of a typical family has died in this age of money and money is purely showcased in the dialogs. Sufficient humor, jaw-dropping climax and brilliant storytelling. It also questions justice and what a person should do at times like this. Although, the plot constantly makes the family look as protagonists in spite of their crimes and falsely guides us what it intends to show us. But if you look closer, you will realize the climax answers all the questions about righteousness. Drishyam does not tell you how to act during brutal crimes, but it finely creates a hell of a story of the vicious happenings around us.
Every single department is to be thanked, especially, art, location, lighting departments. The final output is full theater halls, favorable reviews and remake rights requests.
BOTTOM LINE: If you haven't watched it yet, now is the time because it is still running in theaters. Probably one of the best movies this year. 8.5/10.
Can be watched with a typical Indian family? YES
Profanity: No | Vulgarity: Mediocre | Sex/Porn/Drugs: No | Smoking/Alcohol: No | Violence: Critical | Gore: Mild
Drishyam is one of the finest thrillers India has ever produced. And what makes it even better is that it's also a family movie.
The slow(?) first half of Drishyam reminds me of old Sathyan Anthikkad movies which had the sweetness of a village. I never find it to be slow when I watched the movie again and again.
Drishyam is fine wine which gets better and better. The dynamics between the family is one of the best I've seen.
Mohanlal and Meena share such awesome chemistry which makes me want to watch every movie they does together.
Mohanlal's portrayal of Georgekutty is one his finest works of all time. He has excellent command over his actions and even the minute actions are a delight to watch.
Jeethu Joseph's writing and DOP by Sujith Vasudev are just excellent. Sujith Vasudev doesn't try to show off his skills and gives exactly what's necessary.
Kalabhavan Shajon delivers a brilliant performance which people will remember forever. Siddique is excellent as always.
I don't have enough words to describe how good this movie is. Just watch and experience it for yourself.
This is a true tour-de-force that has you gripped to your seat.
It starts of gently, but don't let that lull you into a false sense of security that nothing much is going to happen - it is! And when it does, the tension doesn't let up.
When I saw it the IMDb rating at the time was 8.9, which is very high. All I can say is that it is that high for a very good reason.
Not only is it one of the best thrillers I have ever seen, but the cinematography is stunning. It captures the beauty of the location in such rich tones it is worth watching a second time just to admire the thought has gone into this. But it isn't just the large panoramic shots that are terrific, it is also the smaller sets such as the hotel where George goes for tea, and I don't know whether the director intended the contrast between the cold and clinical chief of police's house and the warmer tones of George's family home, but if they did then that was genius.
If your heart is not racing by the end of the film you're not alive. Awesome!!!
It starts of gently, but don't let that lull you into a false sense of security that nothing much is going to happen - it is! And when it does, the tension doesn't let up.
When I saw it the IMDb rating at the time was 8.9, which is very high. All I can say is that it is that high for a very good reason.
Not only is it one of the best thrillers I have ever seen, but the cinematography is stunning. It captures the beauty of the location in such rich tones it is worth watching a second time just to admire the thought has gone into this. But it isn't just the large panoramic shots that are terrific, it is also the smaller sets such as the hotel where George goes for tea, and I don't know whether the director intended the contrast between the cold and clinical chief of police's house and the warmer tones of George's family home, but if they did then that was genius.
If your heart is not racing by the end of the film you're not alive. Awesome!!!
Mohanlal's Must-Watch Malayalam Cinema Picks
Did you know
- TriviaJeethu Joseph originally wrote the script of Drishyam for another director. He decided to direct it himself, when the director asked him to change the script so that a younger actor could do the leading role.
- GoofsVarun is seen using a Galaxy smart-phone which uses mini/micro Sim. But when cleaning the room, Georgekutty finds a normal Sim.
- ConnectionsFeatures La Mort dans la peau (2004)
Details
Box office
- Budget
- ₹35,000,000 (estimated)
- Gross worldwide
- $13,076,265
- Runtime2 hours 40 minutes
- Color
Contribute to this page
Suggest an edit or add missing content