This lively documentary explores the rise and fall of physical media and its effect on Independent and cult films. Ranging from the origin of home movies through the video store era, it's su... Read allThis lively documentary explores the rise and fall of physical media and its effect on Independent and cult films. Ranging from the origin of home movies through the video store era, it's sure to entertain. With icons like Joe Bob Briggs (MonsterVision), Lloyd Kaufman (Toxic Aven... Read allThis lively documentary explores the rise and fall of physical media and its effect on Independent and cult films. Ranging from the origin of home movies through the video store era, it's sure to entertain. With icons like Joe Bob Briggs (MonsterVision), Lloyd Kaufman (Toxic Avenger), Greg Sestero (The Room), Debbie Rochon (Return to Nuke 'Em High), Deborah Reed (Trol... Read all
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Back then they were lamenting the disappearance of VHS, now it's hard to find DVDs. Most movies are available to buy on download, or on one of the afore mentioned streaming services. It is sad not being able to browse the shelves of hundreds of DVDs and sometimes finding a gem.
It is sad the effect major corporations such as Blockbuster, Walmart and later Netflix had on this market, and made it increasingly difficult for indie movies to be made at all.
Now this doc has a tagline of Cult Films and the Decline of Physical Media. This came out in 2016 so it is more about the state at that time. Things have changed a bit and the second part does explore more with streaming since that has become bigger. This is giving the history of VHS and its decline into DVD and then Blu-ray. What makes that interesting is hearing John Bloom aka Joe Bob Briggs who is a legend. His wealth of knowledge is great and I could listen to him talk all day. He's not the only one though. I did find it interesting to hear from Lloyd Kaufman and other indie filmmakers.
Something that worked for me here was seeing the team behind this go out and search places for VHS tapes. Now I'm a collector on a smaller scale, but I listen to podcasts when people used to do this. I did find that interesting. It was fun to see what they could find. There's almost a meta-aspect here since this culminates in them watching tapes they found and called that event VHS Massacre.
This isn't working with the biggest budget and isn't the most professional. I did like hearing from people who are similar to me, who grew up in the video store days. There is nostalgia from that and missing those days. It is interesting to watch this now though with streaming and being in an almost golden age of collecting as well. I did like this team editing footage from things they're talking about. That adds a good touch. I enjoyed my time here and didn't feel like a waste. Plus, I was entertained. If what they were doing here sounds interesting, I'd recommend giving this a watch for sure.
My Rating: 6.5 out of 10.
It's rather shameful and shameless, focusing on a very limited set of people complaining about politics - net neutrality (which in reality concerning prior recent law was a lose-lose scenario and not much to actually do with the topic). This political point was simply a perspective unrelated by any meaningful form or discussion to greater topic.
I felt like I was watching a promo for a handful of super-indie film makers from New York extolling their opinions on political issues (without an sufficient knowledge or discussion on what the net neutrality actually entails). There's even a literal end screen text - hammering a call-to-action to 'Write your congressman and ask them to support net neutrality.' In reality Net Neutrality was not a clearcut simple superficial proposal - at the time is had two serious downsides of the coin, each bad - bad proposal in general. But none of this, the: what, how, where, why of net neutrality (or how it even relates) were discussed, just repeated and focused on in agenda in 'documentary' that is only relevant to the actual filmmakers given air time in their own perspective sans rational discussion or data.
The rest was half-baked filler to seem credible, self-promotion of participants own films and 2 inserts of two celebrities.
Lloyd Kaufman, the most experienced super-producer of trash or lowbrow indies (many that I admittedly enjoy) actually counters much argument of others and provides very logical and rational perspective at a few points on meaningful distribution, file-sharing etc - from an older man, certainly shared wisdom and reality in context. But again, this hardly has much to do with the actually replacement or 'massacre' of VHS. The whole setup was a complaint against and prmo piece for the film's own makers and just another piece of 'net neutrality' promotion at the time. So does this documentary have any lasting, wider objective value - very very little. Very limited maybe 2 points of minor interest.
Does not have intent to seriously focus on topic, but instead spray their own self-promoting media interest. Bad form.
Speaking of the VHS films actually discussed here you basically get some gratuities of Troma (an inclusive attempt to instill credibility and payback Kaufman participation), some early mentions of early 2000s phenom like The Room (2003) and footage of Blockbuster and Hollywood video as a crux of end of videos, which is true. And some basic detail otherwise on a limited scope or genre of VHS.
Again, Joe Bob Briggs is another celebrity harnessed who at one point try to display 'intelligence' and expertise about film stating, to paraphrase, "What is film? What are we talking about here? It is films of the late 1800s? The ethic neighborhood films of the early 1910s(??) or the Lumiere films, or quote "the RIDICULOUS films of 1930-1935 before they had sex in film?"
This last portion of statement shows extreme ignorance (and exposure) of Briggs to the wider pantheon of film! But is also displays the range of this 'documentary,' which speaks of nothing but a very very extremely limited set of VHS media and film - zero international, classic Hollywood or other non-niche horror product, which represented collectively the bulk of movies actually rented or sold to the public. Emperor wears no clothes.
Okay to watch but not likely to hold your interest for the full run time. Feels a bit too much like an overly long youtube documentary
Did you know
- TriviaA segment with historian Phil Hall (author of "The History of Independent Cinema" and "In Search of Lost Films") that detailed the rise of the cult film movement was cut from the final version.
- ConnectionsFeatures Pour gagner sa vie (1914)
- How long is VHS Massacre?Powered by Alexa
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- VHS Massacre: Cult Films and the Decline of Physical Media
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- Runtime1 hour 12 minutes
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- 16:9 HD