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Anesthesia

  • 2015
  • R
  • 1h 30m
IMDb RATING
6.1/10
5.2K
YOUR RATING
Anesthesia (2015)
Multiple lives intersect in the aftermath of the violent mugging of a Columbia University philosophy professor.
Play trailer2:01
2 Videos
10 Photos
CrimeDrama

Multiple lives intersect in the aftermath of the violent mugging of a Columbia University philosophy professor.Multiple lives intersect in the aftermath of the violent mugging of a Columbia University philosophy professor.Multiple lives intersect in the aftermath of the violent mugging of a Columbia University philosophy professor.

  • Director
    • Tim Blake Nelson
  • Writer
    • Tim Blake Nelson
  • Stars
    • Sam Waterston
    • Kristen Stewart
    • Corey Stoll
  • See production info at IMDbPro
  • IMDb RATING
    6.1/10
    5.2K
    YOUR RATING
    • Director
      • Tim Blake Nelson
    • Writer
      • Tim Blake Nelson
    • Stars
      • Sam Waterston
      • Kristen Stewart
      • Corey Stoll
    • 41User reviews
    • 41Critic reviews
    • 55Metascore
  • See production info at IMDbPro
  • Videos2

    Official Trailer
    Trailer 2:01
    Official Trailer
    Anesthesia Official Trailer
    Trailer 2:01
    Anesthesia Official Trailer
    Anesthesia Official Trailer
    Trailer 2:01
    Anesthesia Official Trailer

    Photos9

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    Top cast49

    Edit
    Sam Waterston
    Sam Waterston
    • Walter Zarrow
    Kristen Stewart
    Kristen Stewart
    • Sophie
    Corey Stoll
    Corey Stoll
    • Sam
    Gretchen Mol
    Gretchen Mol
    • Sarah
    Ivan Goris
    Ivan Goris
    • Ignacio
    Rob Morgan
    Rob Morgan
    • Parnell
    Mickey Sumner
    Mickey Sumner
    • Nicole
    Kaipo Schwab
    Kaipo Schwab
    • Tenant
    Tim Blake Nelson
    Tim Blake Nelson
    • Adam
    Philip Ettinger
    Philip Ettinger
    • Roger
    • (as Phil Ettinger)
    Natasha Gregson Wagner
    Natasha Gregson Wagner
    • Marta
    Erica Cho
    • Teacher
    Jacqueline Baum
    • Allie
    Ekaterina Samsonov
    Ekaterina Samsonov
    • Angie
    Hannah Marks
    Hannah Marks
    • Ella
    Ben Konigsberg
    Ben Konigsberg
    • Hal
    K. Todd Freeman
    K. Todd Freeman
    • Joe
    Michael Kenneth Williams
    Michael Kenneth Williams
    • Jeffrey
    • (as Michael K. Williams)
    • Director
      • Tim Blake Nelson
    • Writer
      • Tim Blake Nelson
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews41

    6.15.2K
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    Featured reviews

    6SnoopyStyle

    good acting

    Professor Walter Zarrow (Sam Waterston) and another man are attacked on the streets of New York. Sam (Corey Stoll) comes to his side as he lies dying. Walter was bringing his weekly flowers to his wife Marcia (Glenn Close). His son Adam (Tim Blake Nelson) is dealing with his wife Jill (Jessica Hecht)'s cancer scare. Their kids Hal (Ben Konigsberg) and Ella (Hannah Marks) are dealing with sex issues while smoking weed on the roof. Walter's student Sophie (Kristen Stewart) is struggling with self-harm. Jeffrey (Michael Kenneth Williams) is desperate to force Joe (K. Todd Freeman) into drug treatment. Sarah (Gretchen Mol) is a soccer mom struggling with buried anger. These characters weave a tapestry of interconnected lives.

    The cast is top level. They deliver fine individual scenes. There is a compelling drive to uncover the connection between the characters. The connections aren't as poignant as it needs to be. The extended mugging section should come a little earlier so that the characters have more space to deal with the consequences. There is plenty of good acting. The plot is interesting although not the most compelling.
    5noelcox

    disappointingly predictable and self-indulgent

    I found this film to be disappointingly predictable and a self- indulgent piece of "entertainment".It would have been more entertaining to watch paint drying - and about as easy to guess the next scene. The characters were all two-dimensional and lacking in any depth.

    One detail that particularly irritated me was the lecturing manner - and content - of the supposed Columbia University philosophy professor. He addressed his class in a manner that no real lecturer would, speaking in over-written prose found only in bad novels - and poorer made-for-TV films. The subjects matter he seemed to cover was so eclectic and with such a tenuous connection to any school of philosophy that I wondered if the script writer was having a joke at the audience's - or academia's - expense.

    The concept of one incident linking various disparate individuals, and thus illustrating aspects of life - or in this case New York city - is so over-used that it will now only succeed with a better than average script. Unfortunately, despite the reasonably capable cast, this was a forlorn exercise.
    8slidingstage

    Beautifully Done!

    I had the pleasure of seeing Anesthesia at it's world premier at the TriBeCa film festival last night and was very impressed. Ensemble cast, multiple narratives and an "anemic" budget makes pulling this off quite difficult. But, they did. The stories develop well, come together when necessary but not to a point to where it comes off as a gimmick. And where the film could get have gotten lost in it's ambition, it still takes time for humor and delivers a story with an arc that's quite compelling. Tim Blake Nelson knew how far to take it, but also didn't get too deep into the weeds or over indulgent with his impressive cast.

    Honest filmmaking, deliberate performances and the best setting in the world make Anesthesia well worth checking out. Enjoy!
    5cekadah

    Life is a pain

    And the only escape from the pain of life is total sensory deprivation! And this is what this story focuses on; those people in society who seek to escape the pain of living and the unintended or intended effect it has on the people in society who manage to live their daily life pain or not.

    Each character has their own story and most of them are unhappy, mentally fragile, or have fallen into the pit of substance abuse. Only one 'the professor' seem to be truly happy in his life and of course by movies end he suffers the most. We have seen other movies with this format where what appears to be people living separate lives eventually converge due to one event.

    'Anesthesia' is an OK movie well acted and edited and scripted. The story will keep your interest but at movies end - that's it. It ends and you get the message. It's a take it or leave it flick for me!
    6ferguson-6

    Planting cabbages

    Greetings again from the darkness. The comparisons to Crash, the 2006 Oscar winner for Best Picture, will be numerous and understandable. However, rather than an expose' on racial tension, writer/director/actor Tim Blake Nelson turns his pen and lens towards the somewhat less profound, though still fruitful subject matter of suburban angst amidst the educated elite.

    An opening featuring a violent mugging on the stoop of a NYC brownstone grabs our attention quickly, and rather than follow the immediate aftermath, we are instead taken back in time to study the characters and events leading to that tragic moment. The tangled web of intertwined stories is made up of no fewer than fifteen different characters, each of whom is impacted by what happens in that opening sequence.

    Sam Waterston plays a beloved Columbia University Philosophy Professor who is exceedingly happily married to Glenn Close. Director Tim Blake Nelson plays their son, who is married to Jessica Hecht, and together they have a teenage son and daughter (Ben Konigsberg, Hannah Marks). Michael K Williams plays a big shot attorney who forces his best friend (K Todd Freeman) into drug rehab with a renowned doctor (Yul Vazquez), while Gretchen Mol plays the mother of two daughters and wife of Corey Stoll.

    All of the above might seem simple enough, but Mr. Nelson's script jumbles things up for each character … just like what happens in real life. Waterston discovers that his prized pupil (Kristen Stewart) has psychological issues and needs professional help – just as he decides it's time to retire from teaching. While their kids are smoking pot and exploring sexual frontiers, Hecht and Nelson are dealing with a medical dilemma. During his rehab, Freeman is quietly confronted by a nurse while being let down by his only friend; and as Ms. Mol turns to the bottle to numb her daily pain, her hubby is making plans with someone else (Mickey Sumner) … and China may or may not play a role. Whew!!

    Daily life creates many opportunities. Some of these turn out good, while others seem destined to create pain. It's that pain … sometimes quite arbitrary … and how we deal with it, which is at the core of these characters and their stories. There is also the always-present quest for truth and search for the meaning of life. We know we are in for a ride when Waterston's character says "I used to believe in nothing. Now I believe in everything." Worlds colliding at every turn keep the pace of the film brisk, and the familiar cast of actors allows us to easily accept each of the characters. A bit more polish on the script could have elevated this, but even as is, the film delivers a worthy punch, and has us questioning if we should be "planting cabbages" (Montaigne).

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The film wasn't announced by trade publications until after college students spotted Kristen Stewart filming on their campus in New York City.
    • Quotes

      Prof. Walter Zarrow: But then, what do all these thinkers we've examined this semester have in common? If we truly explore to find a common thread? At the outset of a century that would constitute the bloodiest in human history. Along with scientific and technological advancements that would literally make us like Gods. Even as we began to dismantle the very meaning of God. They ask, what is a life? Does to live any longer have a how? Does it any longer have a why? Against a backdrop of industrialization, people will contend with alienation, dislocation, population on a mass scale, and murder on a mass scale. They'll consider the constraints of truth. Whether metaphor or paradigm, with many concluding actual truth has never existed. A nexus in the great human saga, when we dared to trade the organizing bliss, of good and evil, right and wrong, as determined by a creator for other opiates: communism, socialism, capitalism, psychology, technology, any learnable system to replace what had begun to evaporate: the 20th century. My own. But also the one into which each of you was born. For many, an era of hope liberation, possibility. For others of abandonment and despair. A most human century in which we begin really to understand that Nietzsche was right: we are beautifully, finally, achingly, alone. In this void, philosophy at its worst becomes self-reflective, linguistic, semantic, relativism having rendered any discussion of right and wrong, good and evil, to be the quaint concerns of another age. At its most provocative, it asks other questions. Those concerned with locating our stranded selves, when meaning seems to have died, nothing less, in short, then 'why do we live at all?' and 'what makes us who we are?' They ask, 'what now?' And we're still asking it. What will fortify us as another century, your century, commences? Do we abandon finally the search for truths that seem ever more elusive, even silly to some? The ethical? The moral? The good? Principles that by definition can never be prove when so much now can be proved? Or is all this finally and forever pointless? Are we done? We can destroy cities, alter the planet irreversibly, speak instantaneously face-to-face from across the globe, create life where there was to be none, even while intoxicating ourselves with it all. And yet, how do we still seek purpose? And where do we hope to find it if we're so busy convincing ourselves there needn't be any? And so we wander, eyes closed to the dark, while technology, science, medicine and godlessness blaze illusions around us, with less to guide us now than ever, seemingly omnipotent, but more human and just as afraid. These quandaries do not end with this course in a week from today. They begin. And I certainly haven't taught these writers for 30 years just so you can drop references to existential thinkers and their antecedents at dinner parties. The crowd is untruth. In an era darkened by the false shade of imperviousness, you and those who pause to question, carry the light. It's been a wonderful 34 years. Let's not be strangers, either to one another, or more importantly, to everything we've learned from one another. May your best years be yet to come. And so for us all.

      [all applauding]

      Prof. Walter Zarrow: [all cheering] Thank you, thank you, thank you.

    • Connections
      Referenced in The Tonight Show Starring Jimmy Fallon: Kristen Stewart/Michael Shannon/Cage the Elephant (2016)
    • Soundtracks
      Tenderly
      Performed by Bill Evans

      Written By Walter Gross and Jack Lawrence

      Used by Permission of Edwin H. Morris & Company,

      A Division of MPL Music Publishing, Inc.,

      and Range Road Music, Inc.

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    FAQ17

    • How long is Anesthesia?Powered by Alexa

    Details

    Edit
    • Release date
      • January 8, 2016 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Crímenes y virtudes
    • Filming locations
      • New York City, New York, USA
    • Production companies
      • Grand Schema
      • Hello Please
      • Nicholson International Pictures
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross US & Canada
      • $32,163
    • Opening weekend US & Canada
      • $6,747
      • Jan 10, 2016
    • Gross worldwide
      • $78,270
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 30 minutes
    • Color
      • Color
    • Aspect ratio
      • 1.85 : 1

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