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Mula sa kung ano ang noon (2014)

News

Mula sa kung ano ang noon

Janus Films Lands ‘Magellan’ North American Rights Out of Cannes
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Janus Films has acquired another movie from the 2025 Cannes Film Festival, this time in Lav Diaz’s historical drama “Magellan.”

The film stars Gael García Bernal as the Portuguese explorer and premiered out of competition last month.

“We are thrilled that Lav Diaz’s work will reach a wider North American audience than ever before through his mesmerizing ‘Magellan,’ a unique collaboration between the modern master of Filipino filmmaking and one of the finest, most soulful actors of his generation,” Janus Films shared in a Tuesday statement. “A vivid slice of vital history rendered on a grand scale, ‘Magellan’ is visually ravishing and profoundly moving.”

Janus Films negotiated the deal with Luxbox. “Magellan” was produced by Portugal’s Rosa Filmes and co-produced by Spain’s Andergraun Films and El Viaje Filmes, the Philippines’ Black Cap Pictures and Ten17P, France’s Lib Films and AKP21 and Taiwan’s Volos Films.

“It...
See full article at The Wrap
  • 6/3/2025
  • by JD Knapp
  • The Wrap
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Janus Films acquires Lav Diaz’s Cannes entry ‘Magellan’
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Janus Films has picked up all North American rights to Filipino filmmaker Lav Diaz’s historical drama Magellan that just screened in Cannes Premiere.

‘Magellan’ review

Gael García Bernal stars as the 16th century eponymous Portuguese explorer who upon reaching the Malayan Archipelago becomes obsessed with conquest and conversion, triggering violent uprisings.

Magellan marks the first feature in colour from Diaz since 2013 Un Certain Regard Award selection Norte, The End Of History. His credits include 2014 Locarno Golden Leopard winner From What Is Before and 2016 Venice Golden Lion winner The Woman Who Left.

Portugal’s Rosa Filmes produced Magellan, while Andergraun Films...
See full article at ScreenDaily
  • 6/3/2025
  • ScreenDaily
Lav Diaz to Direct ‘An Amazon’ With Sine Olivia Pilipinas and Silverbelt Films Producing (Exclusive)
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Filipino director Lav Diaz is in pre-production with “An Amazon,” following the world premiere at the Cannes Film Festival of “Magellan,” starring Gael Garcia Bernal.

The project will be shot in Diaz’s native Philippines. Diaz’ Sine Olivia Pilipinas will produce the film with the French production company Silverbelt Films, founded by Pierre-Yves Bezat, who previously worked at Films Boutique.

The new film is based on a little known short story written by Alexandre Dumas. It will be the first film that Diaz will make in English, and will include some internationally well-known actors among its cast.

“An Amazon” is the story of a young man who meets a mysterious and masked woman during a ball. She refuses to disclose her identity, and swears to kill him if he reveals their affair.

Bezat said: “For ‘An Amazon,’ Lav Diaz was extremely inspired since our very first discussions around this deep and unknown story by Dumas,...
See full article at Variety Film + TV
  • 5/28/2025
  • by Leo Barraclough
  • Variety Film + TV
Nour Films Takes French Rights to Lav Diaz’s ‘Magellan’ Ahead of Cannes Premiere (Exclusive)
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Sales agency Luxbox has closed a distribution deal for France with Nour Films on Lav Diaz’s “Magellan,” starring Gael García Bernal, which has its world premiere in the Cannes Premiere section of the Cannes Film Festival.

The film, set in the 16th century, follows Magellan, a young and ambitious Portuguese navigator. He rebels against the power of the King of Portugal, who doesn’t support his dream of discovering the world, and persuades the Spanish monarchy to fund his bold expedition to the fabled lands of the East.

The voyage is exhausting beyond expectations, with hunger and mutiny pushing the crew to their limits. Upon reaching the islands of the Malayan Archipelago, Magellan’s mind changes. He becomes obsessed with conquest and conversion, which sparks violent uprisings beyond his control.

The Nour Films team said in a joint statement: “With rare evocative power, ‘Magellan’ stands out as a new masterpiece by Lav Diaz.
See full article at Variety Film + TV
  • 5/9/2025
  • by Leo Barraclough
  • Variety Film + TV
Film Review: Phantosmia (2024) by Lav Diaz
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Film critic and filmmaker Dodo Dayao noted in an interview that Lav Diaz is surprisingly prolific for someone who is doing films with runtimes longer than the conventional. “Phantosmia”’s release, after not stopping at any point before, during, and after the pandemic, proved just that. This latest work continues Diaz’s exploration of historical trauma and moral reckoning, using his distinctive narrative style to examine the inner lives of those shaped—and haunted—by violence.

Phantosmia is screening at San Diego Asian Film Festival

In the film we follow two strands of narratives that collide midway. First, the story of retired Master Sergeant Hilarion Zabala (Ronnie Lazaro) who, in his old age, is looking for a cure for the phantom rotten scent that has been plaguing him for decades. According to his psychiatrist, this is a manifestation of post-traumatic stress and suggested that a certain radical form of therapy...
See full article at AsianMoviePulse
  • 11/12/2024
  • by Epoy Deyto
  • AsianMoviePulse
Lav Diaz’s ‘Phantosmia’ Debuts Trailer Ahead of Venice Premiere (Exclusive)
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Lav Diaz’s “Phantosmia,” which has its world premiere at the Venice Film Festival in the out of competition section, has debuted its trailer.

The film centers on Hilarion Zabala, whose mysterious olfactory problem has recurred. A counselor/psychiatrist suspects it to be a lingering case of phantosmia, a phantom smell, and possibly caused by trauma, a deep psychological fracture. One recommended radical process to cure the ailment was that Hilarion must go back and deal with the darkest currents of his past life in the military service. Reassigned in the very remote Pulo Penal Colony, he must also confront the horrific realities of his present situation.

In a statement, the director asks: “Do human beings have the right to kill other human beings? A big part of the story of ‘Phantosmia’ is about this discourse, and other questions about man’s existence.”

He adds: “One of the main protagonists...
See full article at Variety Film + TV
  • 8/19/2024
  • by Leo Barraclough
  • Variety Film + TV
10 Must-See Movies at the 2022 Locarno Film Festival
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Easy to overlook in the looming shadow of the Venice, Telluride, Toronto, and New York Film Festivals (and all of the awards season hoopla they portend), Switzerland’s historic Locarno Film Festival has remained so distinct and essential precisely because of its refusal to concede to industry pressures or chase attention over artistry.

While the magical Piazza Grande has been home to its fair share of glitzy outdoor screenings over the years — the next few days will see the 8,000-seat town square transform into an impromptu “Bullet Train” station, for example — Locarno has always prided itself on providing a more curious and less hostile platform for elite auteurs whose work may not conform to the commercial demands of the international marketplace; recent winners of the festival’s prestigious Golden Leopard award include Pedro Costa (“Vitalina Varela”), Lav Diaz (“From What Is Before”), and the great Chinese documentarian Wang Bing (“Mrs.
See full article at Indiewire
  • 8/2/2022
  • by David Ehrlich and Sophie Monks Kaufman
  • Indiewire
Locarno, Venice Winner Lav Diaz’s ‘When the Waves Are Gone’ Raises Bar for Filipino Auteur
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Halted by Covid-19, and now part of Locarno’s The Films After Tomorrow competition, Lav Diaz’s “When the Waves Are Gone” looks set to mark the first time the Filipino auteur will enjoy the upsides of full-force international co-production.

That co-production involve, moreover, some of highest-profile art film producers currently working in Europe.

Winner of Locarno Golden Leopard (2014’s “From What Is Before”) and a Venice Golden Lion (2016’s “The Woman Who Left”), Díaz movies have been set apart not only by their extraordinary lengths – 2016’s “A Lullaby to the Sorrowful Mystery” clocked in at just over six hours – but also their lack of resources.

“It’s understood that Diaz’s low-budget techniques involve a certain suspension of belief: thus, we accept that a powerful dictator only seems to have a staff of two,” critic Jonathan Romney wrote of last year’s “The Halt,” a low-fi sci-fi drama set in a 2034 dystopia.
See full article at Variety Film + TV
  • 8/8/2020
  • by John Hopewell
  • Variety Film + TV
Kelly Reichardt’s ‘First Cow’ to open Locarno’s hybrid 2020 edition
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Jean-Marie Straub’s short film La France Contre Les Robots to close festival; juries unveiled.

Kelly Reichardt’s First Cow will open this year’s Locarno Film Festival, which will run as a hybrid edition from August 5-15.

First Cow premiered at Telluride in 2019 and was also in competition at the Berlinale. Starring John Magaro, Orion Lee, Toby Jones and Ewen Bremner, it was released by A24 in the US in March, before switching to VoD. The film will be screened at Locarno’s GranRex theater with the director attending live online.

The festival will close with Jean-Marie Straub’s...
See full article at ScreenDaily
  • 7/29/2020
  • by 1101184¦Orlando Parfitt¦38¦
  • ScreenDaily
Lucrecia Martel, Lav Diaz films selected for Locarno’s Covid-19-era initiative
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The special event was created to support feature films that have stalled at various stages of production due to the Covid-19 pandemic.

The Locarno Film Festival has announced the line-up of 20 features that it has selected for its innovative The Films After Tomorrow initiative.

The special event has been created to support feature films that have stalled at various stages of production due to the Covid-19 pandemic which also led to the cancellation of the physical edition of the 73rd edition of Locarno.

It is part of the festival’s special ”Locarno 2020 - For the Future of Films” programme which...
See full article at ScreenDaily
  • 6/25/2020
  • by 1100388¦Melanie Goodfellow¦69¦
  • ScreenDaily
Carlo Chatrian
Carlo Chatrian Leads Berlin Fest Into New Era
Carlo Chatrian
Carlo Chatrian’s rapid rise to becoming Berlin’s artistic director stems from the steely resolve of a soft-spoken film lover with smarts and a clear sense of what he considers meaningful in contemporary cinema today.

The Italian film critic and curator previously served a five-year stint as artistic director of Switzerland’s Locarno Film Festival. He is considered a bold choice on the part of German culture minister Monika Gruetters, who led the search team for a new Berlinale topper after

longtime director Dieter Kosslick exited last year. Chatrian is tasked with rebooting the Berlinale’s lineup, which Kosslick critics said was too large and favored quantity over quality.

Chatrian says that in his job interview with the culture minister and the selection committee, he “told them what cinema means for me and what I think festivals are.” His vision for Berlin and also what he achieved at Locarno motivated their choice,...
See full article at Variety Film + TV
  • 2/17/2020
  • by Nick Vivarelli
  • Variety Film + TV
Lav Diaz on the Desire for Epic Runtimes, Not Voting for the Oscars, and the Problem with Big Film Festivals
Known for his epic–and epically long–films that examine the woeful past and troubled present of the Philippines, Lav Diaz has established an unmistakable name for himself and become a staple at A-list film festivals worldwide over the last decade.

He was awarded the Silver Bear Alfred Bauer Prize at the Berlinale for his 8-hour opus A Lullaby to the Sorrowful Mystery, the Golden Leopard at Locarno for the 5.5-hour From What Is Before, and won over Sam Mendes’ jury to take home the Golden Lion at the Venice Film Festival in 2016 for The Woman Who Left.

His latest feature, The Halt (4 hours and 36 minutes in case anyone is keeping score), premiered at the Directors’ Fortnight sidebar in Cannes earlier this year and screened recently at Filmfest Hamburg. It’s set in 2034, when volcanic eruptions have plunged Southeast Asia into darkness and the Philippines is ruled by a ruthless...
See full article at The Film Stage
  • 10/17/2019
  • by Zhuo-Ning Su
  • The Film Stage
Indie Sales boards Lav Diaz's Directors' Fortnight title 'The Halt' (exclusive)
Diaz’s black and white sci-fi is set in in Filipino capital Manila in 2034.

Paris-based Indie Sales has acquired international sales rights to Filipino filmmaker Lav Diaz’s black and white sci-fi work The Halt, ahead of its premiere in Directors’ Fortnight.

The drama is set in Filipino capital Manila in 2034, which has been enveloped in darkness ever since massive volcanic eruptions in the Celebes Sea three years prior deprived Southeast Asia of sunlight.

It is a world in which “madmen control countries, communities, enclaves and new bubble cities. Cataclysmic epidemics ravage the continent. Millions have died and millions more...
See full article at ScreenDaily
  • 5/2/2019
  • by Melanie Goodfellow
  • ScreenDaily
A Land Imagined by Yeo Siew Hua has won the Golden Leopard (Pardo d’oro) in Locarno Film Festival 2018
Akanga Film Asia (Singapore), mm2 Entertainment (Singapore), Films de Force Majeure (France), and Volya Films (the Netherlands) are proud to announce that Yeo Siew Hua’s feature film, A Land Imagined, has won the Golden Leopard, the Locarno Film Festival’s Grand Prize for Best Film, at the 71st edition of the prestigious festival in Switzerland. This top prize was awarded by the International Competition jury, including director Sean Baker and writer Emmanuel CARRÈRE, and presided by China’s Jia Zhang-ke.

World premiering at Locarno Film Festival, one of the world’s longest-running festivals, A Land Imagined also clinched the 1st prize of the Festival’s Junior Jury Awards (by young film fans for the best director), plus a Special Mention from the Ecumenical Jury. In addition, independent critics presented A Land Imagined’s lead actress, Luna Kwok, with the Boccalino d’Oro Prize for Best Actress.

A...
See full article at AsianMoviePulse
  • 8/13/2018
  • by Panos Kotzathanasis
  • AsianMoviePulse
Carlo Chatrian
Berlin Film Festival Hires Carlo Chatrian as New Festival Director to Replace Dieter Kosslick
Carlo Chatrian
After a prolonged search over the past year, the Berlin Film Festival has hired Carlo Chatrian as its new director, according to multiple German outlets, including the daily newspaper B.Z. Berlin. Chatrian, who served as artistic director of the Locarno Film Festival since 2013, will replace outgoing Berlin director Dieter Kosslick. Festival representatives did not respond to requests for comment.

Kosslick, who ran the festival since 2001, faced criticism in recent years for the caliber of films in the lineup. Consternation over his tenure reached a fever pitch last fall, when 79 German directors delivered an open letter to Spiegel Online demanding a “new start” to the festival as well as the hiring of “an outstanding curatorial personality who is passionate about cinema, well-connected internationally and capable of leading the festival into the future on an equal footing with Cannes and Venice.” Kosslick’s contract expires May 31, 2019.

The German Cultural Events Agency...
See full article at Indiewire
  • 6/19/2018
  • by Eric Kohn
  • Indiewire
Horror Screenings at AFI Fest 2014 Include What We Do in the Shadows, It Follows & Goodnight Mommy
This November, over 100 films will be screening at AFI Fest 2014 in Los Angeles and more than a few of those flicks will be of the horror variety. Attendees hungry for vampire humor, coming-of-age terror, and frights that hit close to home should be happy to hear that What We Do in the Shadows, It Follows, and Goodnight Mommy are a few of the horror movies screening at the festival.

AFI Fest 2014 runs from November 6th – 13th in Los Angeles. To learn more, visit:

http://www.afi.com/afifest/default.aspx

These are a handful of the horror films playing at the festival:

“Goodnight Mommy (Ich Seh Ich Seh) – Twin boys fear that their mother, whose face is masked with bandages after plastic surgery, has been subsumed by an evil being. Written and directed by aunt-nephew filmmakers Veronika Franz and Severin Fiala. Cast: Susanne Wuest, Elias Schwarz, Lucas Schwarz. Austria.

From...
See full article at DailyDead
  • 10/30/2014
  • by Derek Anderson
  • DailyDead
Toronto 2014: 'From What Is Before' review
★★★★☆"The memory of a cataclysm" is how a voiceover at the end of Lav Diaz's latest monumental feat, the Locarno-storming From What Is Before (Mula sa kung ano ang noon, 2014), describes the preceding five-and-a-half hours. One character foresees armageddon, while another promises that "hell is coming." In what could well be the director's most overtly political film to date, that ominous atmosphere and the early seventies setting are quite explicitly entwined with the rise of Ferdinand Marcos and his declaration of martial law. In some ways an almost-prequel to the allegories of the exceptional Norte, The End of History (2013), this is a mesmerising glance back at the death throes of a simpler time.
See full article at CineVue
  • 9/6/2014
  • by CineVue UK
  • CineVue
Lav Diaz wins Golden Leopard by Richard Mowe - 2014-08-16 18:04:05
Lav Diaz wins Golden Leopard for From What Is Before. An ambitious and challenging film by Filipino director Lav Diaz, who headed the international competition jury at last year’s Locarno Film Festival, has taken top honours himself at this year’s edition - From What is Before (Mula Sa Kung Ano Ang Noon), lasting 338 minutes, was awarded the Pardo d’Oro or Golden Leopard at a ceremony today (16 August). The film also took the Fipresci critics' prize.

Set in 1972-set, black-and-white period piece takes place against the background of uneasy atmosphere just before the country’s president Ferdinand Marcos placed the troubled country under martial law.

The jury, headed by Italian director Gianfranco Rosi, also included actresses Alice Braga and Connie Nielsen.

The Special Jury Prize went to a literary rom-com, Alex Ross Perry’s Listen Up Philip, starring Jason Schwartzman as a self-absorbed young novelist.

Lav Diaz's...
See full article at eyeforfilm.co.uk
  • 8/16/2014
  • by Richard Mowe
  • eyeforfilm.co.uk
Filipino drama wins top Locarno prize
Pedro Costa
Locarno’s Golden Leopard has been awarded to Filipino director Lav Diaz’s five-and-a-half-hour epic From What Is Before.Scroll down for full list of winners

The film, which has the Filipino title Mula sa kung ano ang noon, also picked up the Fipresci International Critics Prize, the Environment is Quality of Life Prize, and the International Federation of Film Societies’ (Iffs) Don Quixote Prize.

On learning that he had won Locarno’s top honour, Diaz said that he wanted to dedicate the award to his father.

“He brought me cinema, he’s a cinema addict, and he started this passion in me,” said Diaz.

“For the Filipino people, it’s for them, for their struggle, and then I would like to dedicate it to all serious filmmakers in the world, to Pedro Costa, he’s my brother and I love his work, to Matias Pineiro, and to the makers of all the other films in the...
See full article at ScreenDaily
  • 8/16/2014
  • by screen.berlin@googlemail.com (Martin Blaney)
  • ScreenDaily
Lav Diaz in La saison du diable (2018)
Filipino Director Lav Diaz Takes Home Top Prize in Locarno
Lav Diaz in La saison du diable (2018)
Locarno Film Festival concludes Saturday in Switzerland, after announcing its prizes for a wide variety of films from around the world. Filipino director Lav Diaz took home the Golden Leopard for best film for From What is Before (Mula sa kung ano ang noon), a 338-minute, breathtaking black-and-white film about his childhood in the two years leading up to martial law in the country. The jury, led by Italian director Gianfranco Rosi, chose the film, which is said to be Diaz’ most accessible and most political work thus far. The award comes with a $100,000 prize,

read more...
See full article at The Hollywood Reporter - Movie News
  • 8/16/2014
  • by Ariston Anderson
  • The Hollywood Reporter - Movie News
2014 Tiff: From Locarno with Love…Wavelengths Offers Rich Programme with Diaz, Costa, Piñeiro & Ming-liang
Yesterday, Tiff’s Wavelengths program unveiled a Locarno-heavy line-up of feature-length films that all aim to push the cinematic medium to its breaking point. Highlights include new films by Pedro Costa’s first “proper” feature in eight years, Horse Money (scarequotes because Ne change rien really is quite a singular, musky piece of work – see pic above); Eugène Green’s typically Baroque La Sapienza; 338 minutes of gruelling Filipino mastery from Lav Diaz in the form of From What is Before; Yoo Soon-mi’s essay film on the tensions between North and South Korea, Songs From the North; and The Princess of France, Matías Piñeiro’s follow-up to his breakout revisionist Shakespeare drama. Other features include Tsai Ming-liang’s sixth and longest entry in his Walker series, Journey to the West (complete with a Denis Lavant (Holy Motors) cameo); Cannes hits like Sergei Loznitsa’s Maidan and Lisandro Alonso’s Jauja...
See full article at IONCINEMA.com
  • 8/13/2014
  • by Blake Williams
  • IONCINEMA.com
Arnold Schwarzenegger and Abigail Breslin in Maggie (2015)
Toronto to debut Maggie, Boychoir
Arnold Schwarzenegger and Abigail Breslin in Maggie (2015)
The Arnold Schwarzenegger and Abigail Breslin zombie drama Maggie, Dustin Hoffman drama Boychoir, Kristen Wiig comedy Welcome To Me and Sophie Barthes’ Madame Bovary have landed world premieres, Tiff gala and special presentation slots.

Also in line to screen for the first time anywhere at the Toronto International Film Festival (Sept 4-14) are crime thriller The Forger starring John Travolta, Christopher Plummer and Tye Sheridan, thriller Escobar: Paradise Lost starring Benicio Del Toro, Thomas McCarthy’s The Cobbler starring Adam Sandler, and Paul Bettany’s directorial debut Shelter.

Tiff top brass also unveiled the Wavelengths, Future Projections, Tiff Cinematheque and shorts programmes.

Wp = World premiere / Nap = North American premiere / IP = International premiere / Cp = Canadian premiere.

Galas

Boychoir (Us), François Girard Wp

The Connection (La French) (France-Belgium), Cédric Jimenez Wp

Escobar: Paradise Lost (France), Andrea Di Stefano Wp

The Forger (Us), Philip Martin Wp

Infinitely Polar Bear (Us), Maya Forbes Cp

Laggies (Us), Lynn Shelton IP

Ruth & Alex...
See full article at ScreenDaily
  • 8/12/2014
  • by jeremykay67@gmail.com (Jeremy Kay)
  • ScreenDaily
Arnold Schwarzenegger and Abigail Breslin in Maggie (2015)
Toronto to premiere Maggie, Forger
Arnold Schwarzenegger and Abigail Breslin in Maggie (2015)
The Arnold Schwarzenegger and Abigail Breslin zombie drama Maggie, Kristen Wiig comedy Welcome To Me and Sophie Barthes’ Madame Bovary have landed world premieres, Tiff gala and special presentation slots.

Also in line to screen for the first time anywhere at the Toronto International Film Festival (Sept 4-14) are crime thriller The Forger starring John Travolta, Christopher Plummer and Tye Sheridan, thriller Escobar: Paradise Lost starring Benicio Del Toro, Thomas McCarthy’s The Cobbler starring Adam Sandler, and Paul Bettany’s directorial debut Shelter.

Tiff top brass also unveiled the Wavelength, Future Projections, Tiff Cinematheque and shorts programmes.

Wp = World premiere / Nap = North American premiere / IP = International premiere / Cp = Canadian premiere.

Galas

Boychoir (Us), François Girard Wp

The Connection (La French) (France-Belgium), Cédric Jimenez Wp

Escobar: Paradise Lost (France), Andrea Di Stefano Wp

The Forger (Us), Philip Martin Wp

Infinitely Polar Bear (Us), Maya Forbes Cp

Laggies (Us), Lynn Shelton IP

Ruth & Alex (Us), Richard Loncraine Wp

Special...
See full article at ScreenDaily
  • 8/12/2014
  • by jeremykay67@gmail.com (Jeremy Kay)
  • ScreenDaily
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